The Steely Dan 64 Project, Songs 40-33

[NOTE: The Steely Dan 64 Project represents my ranking, in order of my personal preference, of the 64 songs released by Steely Dan during their “classic” period (1972-80). You’ll find a detailed introduction to the project, as well as notes on the songs I’ve numbered 64 through 57, HERE. Songs 56 through 49 are discussed HERE. Songs 48 through 41, you’ll find HERE.]


40. Any World (That I’m Welcome To) (Katy Lied)
I’ll be ready when my feet touch ground
Wherever I come down
And if the folks will have me
Then they’ll have me

Proof that Becker and Fagen were capable of writing a straightforward pop song when they were of a mind to do so. Of course, it stops being straightforward when you realize that the tasteful backbeat is being supplied by perhaps the greatest session drummer in the history of recorded music, the one and only Hal Blaine. If you have to find a last-minute fill-in for Jeff Porcaro, who handles the drumming duties on the rest of Katy Lied, you could do worse than Hal Blaine. In fact, pretty much anyone else you asked would have been worse than Hal Blaine.

I’ve always identified with the sense of wistful alienation embodied here, that feeling of not quite belonging and longing for a place where one truly could. I keep hoping that I’ll find that world where I’m welcome.

39. Bodhisattva (Countdown to Ecstasy)
Can you show me
The shine of your Japan?
The sparkle of your China?

I know that a lot of you will have “Bodhisattva” much higher in your personal rankings, and that’s fine. But I come to Steely Dan in large part for the lyrical creativity, and there’s not much of that in this song. That said, for what it is — basically, a riff-off between the band’s (they were still an actual band at the time of this second album) two guitarists, Denny Dias and Jeff “Skunk” Baxter — “Bodhisattva” is still pretty darned good. I would just enjoy it a little bit more had Becker and Fagen squeezed just a couple more verses in between the jams.

38. Change of the Guard (Can’t Buy a Thrill)
If you wanna get thru the years
It’s high time you played your card
If you live in this world
You’re feelin’ the change of the guard

As we’ve discussed in earlier installments, at the time of the band’s debut album, Donald and Walter were still figuring out exactly what they wanted Steely Dan to be — and no doubt, their record label had some ideas about that as well. So we get a lot more compact, potentially radio-friendly rock numbers on Can’t Buy a Thrill than the Dan would serve up later in their career. But when you can turn Skunk Baxter loose to rip a couple of guitar solos to shreds, there’s nothing wrong with just letting it rock. Skunk serves up a taste here of the licks he’d later make famous as the Doobie Brothers’ lead guitar slinger.

37. The Boston Rag (Countdown to Ecstasy)
Any news was good news
And the feeling was bad at home
I was out of my mind and you were on the phone

It ain’t no drag, that’s for certain. I appreciate the songs from the Dan’s early albums that open a window into the musical direction that Becker and Fagen would ultimately pursue. There’s just enough smooth jazz floating through this mishmash of a track to hint at what lay ahead. And by mishmash, I mean there’s a lot going on here, and not all of the pieces seem as though they were intended from the start to fit together. (Where does that weird guitar — at least, I think it’s a guitar — bridge come from? Certainly not Boston.) In retrospect, however, you can listen to this tune and say, “Okay, now I see where this is going.”

36. Sign In Stranger (The Royal Scam)
And who are you?
Just another scurvy brother…

A round of applause, please, for the piano man. Paul Griffin, probably best known for his contributions to Bob Dylan’s Highway 61, Revisited and Don McLean’s American Pie, takes a seat at the keyboard and lets his fingers dance all over this bouncy little number. Griffin’s piano solo alone merits the price of admission, but his easygoing background propels the verses just as nicely. This is not the last time we’ll hear from Mr. Griffin on The Royal Scam — we’ll hear him rock the clavinet on “Kid Charlemagne,” and man the electric piano (and earn a rare co-writing credit alongside Becker and Fagen) on “The Fez.”

35. Your Gold Teeth (Countdown to Ecstasy)
Even Cathy Berberian knows
There’s one roulade she can’t sing

Back in my college days, when a Steely Dan album was spinning on my turntable practically all the time, I expended a fair bit of pre-Internet effort trying to track down the various references that pop up in Dan lyrics. I still recall trekking to the library to listen to a recording by Cathy Berberian, out of curiosity born from endless listening to “Your Gold Teeth.” It was an exercise I did not feel compelled to repeat. But I was happy that the song now made sense.

34. Dirty Work (Can’t Buy a Thrill)
Like the castle in its corner
In a medieval game
I foresee terrible trouble
And I stay here just the same

“Dirty Work” serves as a prime example of how musical perspective evolves over time. When I was first developing an affinity for Steely Dan, “Dirty Work” was one of my least favorite tracks, mostly because I despised David Palmer’s simpering, quavery lead vocal. As a more mature listener, however, I gained the ability to get past my distaste for the specific performance and appreciate the underlying song on its own merits. In particular, hearing “Dirty Work” as Fagen’s current version of the band now performs it live on tour, with the group’s trio of female backing vocalists taking over the leads, gave me renewed affection for it.

I’m still not a David Palmer fan — his label-enforced presence remains for me the weakest element of Can’t Buy a Thrill — but I’ve grown to like this charming, subtly subversive little ditty quite a bit.

33. The Royal Scam (The Royal Scam)
And they wandered in
From the city of St. John
Without a dime

For me, The Royal Scam — the album, not just its titular song — represents the moment when Steely Dan first achieved its full potential, when Becker and Fagen’s mad vision completely coalesced. Every album prior to this one moved a step forward, away from the quirky, eclectic pop-rock band of Can’t Buy a Thrill and toward the jazz-rock, session-legends-melange powerhouse that peaked with Aja. On The Royal Scam, the Dan arrived.

This track, which closes the album, is Walter and Donald saying — like the Caribbean immigrants whose tale the lyrics tell — “We’re here.” See the glory, indeed.

And with that, we’ve reached the halfway mark of this project. 32 songs down, 32 to go. It just keeps getting better from here on up.

Explore posts in the same categories: Listology, Soundtrack of My Life, Steely Dan 64 Project, SwanStuff, That's Cool!

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