Comic Art Friday: Can’t touch this

Posted July 13, 2018 by swanshadow
Categories: Comic Art Friday, Hero of the Day, SwanStuff, That's Cool!

I’m just going to put this out there:

I don’t think the Human Bomb gets enough love.

Rogue_HumanBomb_Derenick

Sure, there are many factors that contribute to the Human Bomb’s unfortunate situation.

  • He’s got a dorky name.
  • He wears what might be the least sexy costume in the history of superheroes.
  • He hearkens back to comics’ Golden Age, when heroes often had gimmicky, poorly thought-out superpowers — like those of the Human Bomb.
  • He was created by a second-rank publisher that went out of business 60 years ago (Quality Comics, also the original home of such characters as Plastic Man, Blackhawk, and Phantom Lady), and has been used only sporadically by the company that now owns his rights (DC Comics).
  • In the modern world, the term “human bomb” conjures up unpleasant associations with terrorist violence.
  • For a while during his original run, the Bomb had a comedic sidekick named Hustace Throckmorton, who made things explode with his bare feet. I kid you not.

Despite all of the above, I always thought the Human Bomb was kind of awesome. After all, who hasn’t fantasized about blowing up everything you touch?

Okay, maybe that was just me.

Anyway, here’s the Bomb’s deal. Roy Lincoln was a scientist who created, alongside his father, the world’s most powerful explosive. To keep the family brainchild out of the hands of Nazis, Roy swallowed the chemical — like you would — and as a result, developed the ability (or incurred the curse, depending on your point of view) of causing everything he touched to explode.

To keep from bursting his environment into smithereens, Roy had to live inside a cumbersome suit made from a special material that prevented his skin from accidental contact with things he didn’t wish to destroy (presumably, most everything). He would remove his gloves when he wanted to lay the smack down with his potent barehanded touch.

It’s easy to see the limitations of a character like the Human Bomb. For one thing, you can’t depict him outside of his costume very often, so he’s not terribly relatable — aside from his eyes, visible through the window in his helmet, what does his face even look like? Plus, it’s difficult to have normal human interactions and relationships when everything (and everyone) you come into contact with detonates like fireworks on the Fourth of July.

These very limitations, however, make the Human Bomb one of comics’ most tragically heroic figures — a man doomed to permanent isolation who finds a way to adapt his horrific personal circumstances to the benefit of others.

I can dig a guy like that.

I don’t know whether longtime X-Men guru Chris Claremont had the Human Bomb in mind when he conceived Rogue back in 1981, but the parallel is undeniable. Like Roy Lincoln, Rogue (who still doesn’t have a full name after all these years; we’ve been told since 2004 that her given name is Anna Marie, but her surname remains a mystery) is forced to cover her body to shield the world from her mutant power — she drains the life force from anyone with whom she makes skin-to-skin contact.

Of course, Rogue being an attractive woman and this being the comics universe, she manages to cover herself usually in clothes far more form-fitting and face-revealing than the Human Bomb’s containment suit.

In recent times, Rogue has either developed some degree of control over her powers or found an effective workaround, given that she’s enjoyed a handful of romantic relationships (most notably with Johnny Storm, better known as the Human Torch of Fantastic Four fame, and her X-Men teammate Gambit, whom she recently married).

If only she could have hooked up with Roy Lincoln.

That would have been — wait for it — the bomb.

Sincere thanks to Tom Derenick, who created today’s featured Common Elements artwork. Tom’s classic style represents everything I love about comic art — it’s clear, easily readable, packed with power and crisp in detail. If I were asked to identify an example of a contemporary comics artist whose approach would have been equally at home in the Silver or Bronze Ages, yet is totally fresh and relevant today, Tom’s art would be one of my first stops.

And that’s your Comic Art Friday.

Advertisements

Comic Art Friday: Between rock and a hard place

Posted July 6, 2018 by swanshadow
Categories: Comic Art Friday, Getting Racial Up In This Piece, Hero of the Day, SwanStuff, That's Cool!

In my previous Comic Art Friday post about this year’s Silicon Valley Comic Con, I noted that artist Ryan Sook had taken ill during the show and was unable to start the Common Elements commission that he and I had discussed. I also mentioned that I hoped to approach Ryan with the same request at a future convention.

As luck would have it, Ryan was in attendance at San Francisco Comic Con (which is now being staged in Oakland, while retaining the previous name — even though “Golden State Comic Con” is not only available, but comes with reflected cachet) in June. He immediately recalled the project we had talked about previously, and quickly set to work creating it.

You can see for yourself that the end result was well worth the wait.

Tesla Strong and Valda the Iron Maiden, pencils and inks by Ryan Sook

While I always enjoy seeing favorite heroes appear in Common Elements scenarios, some of my favorite pieces in the series involve less prominent characters. Here, Ryan Sook brings together Tesla Strong, the daughter of Alan Moore’s science hero Tom Strong, and Valda the Iron Maiden, the companion of Arak, Son of Thunder.

Okay, so, a little background may help.

A pastiche of pre-superhero pulp characters such as Doc Savage and Craig Kennedy, Tom Strong grew up on the island of Attabar Teru, where he was raised to be the embodiment of human physical and mental perfection. Tom and his wife Dhalua, princess of Attabar Teru, have a daughter, Tesla, named for the famed inventor. Thanks to their partaking of the root of the mysterious Goloka plant, Tom and his family age extremely slowly. Tesla, although in her 60s during the time period in which most of the Tom Strong stories are set, still possesses the appearance and attitudes of a teenager. (Similarly, Tom and Dhalua are both well over a century old, but look as though they’re forty-something.) In addition to participating in a number of her father’s adventures, Tesla also starred in her own one-shot book, The Many Worlds of Tesla Strong.

Tesla Strong, pencils, inks, and markers by comics artist Phil Noto

Valda the Iron Maiden was a knight in the service of Charlemagne (and may also have been his daughter) before meeting the Native American hero Arak. Together, they set off on a series of fantastical adventures. Valda and Arak constantly ran afoul of sorcerers and their minions as they battled their way across medieval Europe. Written by Roy Thomas (who was instrumental in bringing Conan to comics) and drawn by Ernie Colon and later by Tony DeZuniga, Arak, Son of Thunder managed to avoid most of the embarrassing tropes assigned to fictional Native American characters, while offering a unique spin on the sword-and-sorcery genre. If you like that sort of thing, Arak is likely to be the sort of thing you like. Check out some back issues in your local comic shop’s discount bin.

Arak and Valda, pencils and inks by Tony DeZuniga

If you’re puzzling over the common element between these two stalwart heroines, both share their names — parts of their names, anyway — with hard rock bands: Tesla and Iron Maiden. I’ve never seen Iron Maiden perform live (they’re not my cup of tea, really), but I’ve experienced Tesla a couple of times, most recently six years ago when they opened for Scorpions. You can read my review of that concert, if you’re inclined.

TeslaBanner

One of the many qualities I appreciate in Ryan Sook’s art is the deftness with which he conveys so much with a few perfectly placed lines. In today’s featured piece, I’m especially pleased with the treatment that Ryan gave Tesla’s hair, and the way her features delicately but clearly denote her biracial heritage. Too often, comic artists draw women of color in exactly the same manner that they draw Caucasian female characters. How many depictions of, say, Storm (to cite one frequently egregious example) have you seen where, if you were looking only at the pencil and ink linework, you’d never know that she’s of African descent?

(Then again, how many comic artists are guilty of drawing nearly all their female characters, regardless of ethnicity, with the exact same facial features? You know who you are.)

And that’s your Comic Art Friday.

Comic Art Friday: Redheaded queens

Posted May 4, 2018 by swanshadow
Categories: Comic Art Friday, Hero of the Day, SwanStuff, Teleholics Anonymous, That's Cool!

I have often contemplated the fact that women artists are severely underrepresented in my commission collection. My efforts to remedy this problem — and it is a problem — are complicated by the fact that women artists are underrepresented in mainstream comics in general, and in the superhero genre specifically.

Although this situation is improving ever so slightly — with the advent of such talented creators as Amanda Conner, Nicola Scott, Babs Tarr, Becky Cloonan, Kelly Sue DeConnick, Sara Pichelli, Joelle Jones, and Afua Richardson, among many others — there are still far too few women comics artists, and even fewer who are regularly available to do commission projects.

But I keep trying.

Medusa and Mera, pencils by Cross (Lori Hanson)

I’m especially intrigued by the concept of women artists drawing female characters. Not because I wish to fence women artists into a virtual ghetto where women only draw “girls’ comics” (whatever that implies), but because the objectification and hypersexualization of female characters in mainstream comics is real, and I find it refreshing to see these characters depicted by artists who view them through a more personal filter. (In the same way, I don’t want to see African-American comics creators limited to writing and drawing black characters, but I often find something unique in the mix when they do.)

Which brings us to today’s spotlight artwork. The pencil-wielder behind this beautiful piece is the artist known as Cross (a.k.a. Lori Hanson). When I first saw the graceful, swirling lines that typify Cross’s work, I immediately thought of hair. (The body accessory, not the Broadway musical.) I also observed a certain regal quality in the way Cross portrays people. Putting those two characteristics together brought me to this Common Elements concept matching a pair of royal ladies with distinctive red hair: Medusa, queen of the Inhumans in the Marvel universe, and Mera, queen of Atlantis in the DC universe.

Speaking of Medusa… man, that Inhumans series Marvel ran on ABC last year was terrible, wasn’t it? It was shocking to see a creative enterprise that has succeeded beyond expectations at almost everything they’ve attempted fail so spectacularly. Almost nothing about the show worked, from casting (I felt sorry at times for Iwan Rheon, who was so compellingly evil in Game of Thrones, but here seemed to be constantly looking for the exit) to scripting (did any of the writers actually read any Inhumans comics?) to general concepts (what’s the point of having a character whose superpower is prehensile hair if you’re going to shave her head in the first episode?).

Fortunately for us, we always have comic art to come back to. Cross reminds us of the glory and greatness that Medusa’s hair was meant to embody.

And just in case we needed an additional post-TV-bomb palate cleanser, here’s a nifty portrait of Attilan’s royal family — Queen Medusa, King Black Bolt, and their faithful canine companion Lockjaw — by animator Steven E. Gordon that restores our faith in Inhumanity.

Medusa, Black Bolt, and Lockjaw, pencils by Steven E. Gordon

Hopefully, Mera will fare sufficiently well in the upcoming Aquaman feature film that we’ll have no similar need for catharsis. Then again, it’s a DCU movie, so I’ll trust it when I see it.

And that’s your Comic Art Friday.

Comic Art Friday: The Mystery of the Suspicious Surnames

Posted April 13, 2018 by swanshadow
Categories: Comic Art Friday, Hero of the Day, SwanStuff, That's Cool!

I didn’t decide to attend this year’s Silicon Valley Comic Con until the week before the event. Having kept an eye on the show’s website for guest announcements, I didn’t see much opportunity to acquire new art commissions. But when artists Ryan Sook and Matt Haley were added to the guest list shortly before the show, I decided to bite the bullet and go, just to get pieces from those two talents.

As it turned out, Ryan took ill on the second day of the show, and didn’t get around to the piece he and I discussed on Friday. (It’s a fun Common Elements concept that I hope to revisit with Ryan at a future con.) But Matt — an entertaining guy I thoroughly enjoyed meeting and chatting with — completed his assignment in the waning hours of the show: this pairing of Jessica Drew, the original Spider-Woman (there have been three others introduced since Jessica made her debut in 1977), and the modern-era Black Cat, Felicia Hardy.

Spider-Woman (Jessica Drew) and Black Cat (Felicia Hardy), pencils and inks by Matt Haley

I’ve long wanted to match these two characters in a Common Elements scenario because of their surnames, which reminded me of those classic detectives of juvenile literature, Nancy Drew and the Hardy Boys. I had always supposed that the names were purely coincidental, but a random conversation at SVCC revealed that they are not.

As Matt Haley was finishing up this artwork, I stopped by the table of longtime comics writer and editor Barbara Kesel, another guest at SVCC. I wanted to show Barbara my recent Stephen Foster-themed Common Elements by Carlos Rafael, which features Ultragirl, a character Barbara co-created. Barbara was intrigued by the Common Elements theme and asked what other pieces I had in the works. I explained the pairing that Matt Haley was working on just a few tables down the row, with its related-surname connection.

At that point, Marv Wolfman, the veteran comics scribe who’s written everything from Tomb of Dracula to Crisis on Infinite Earths — and who happened to be sitting at the table next to Barbara’s — chimed in: “I named both of those characters, and that’s the reason why I gave them those names.”

Which makes this, I suppose, a particularly historic Common Elements.

Speaking of history, when it comes to comics characters named Black Cat, I’ve always had a fondness for the original. Artist Steven E. Gordon had this appealing pencil drawing of the Golden Age Black Cat, Linda Turner, in his for-sale portfolio at SVCC. She somehow managed to follow me home. Cats will do that if you’re not careful.

Black Cat (Linda Turner), pencils by Steven E. Gordon

And that’s your Comic Art Friday.

Comic Art Friday: Foster children

Posted March 30, 2018 by swanshadow
Categories: Comic Art Friday, Hero of the Day, Soundtrack of My Life, SwanStuff, That's Cool!

I’ve made the observation numerous times that ideas for my Common Elements commissions are sometimes triggered by the least expected stimuli. Today’s featured artwork makes a prime example of this principle.

Beautiful Dreamer, Jean Grey, and Ultragirl, pencils and inks by Carlos Rafael

Several years ago, I was channel-surfing late one night when I happened upon a documentary about composer Stephen Foster on the local PBS station. Foster, for the benefit of the non-history-buff segment of our audience, was perhaps the first American popular songwriter to achieve major commercial success. Many of his compositions quickly became staples of American music and remain familiar today, more than 150 years after Foster’s untimely death at age 37.

To the extent that I ever thought much about Stephen Foster, it was in the context of the not-terribly-subtle thread of racism laced through many of his lyrics. Foster wrote a considerable number of songs intended for minstrel shows, in which performers wearing blackface presented mocking caricatures of African Americans. These caricatures, and the epithets associated with them, find a home in such Foster songs as “Camptown Races,” “Old Black Joe,” “Old Folks at Home” (more commonly known as “Swanee River”), and “My Old Kentucky Home,” although these elements are frequently altered when the songs are performed today. (One of the most surprising facts I learned from the Foster documentary was that, although Foster’s oeuvre is filled with ditties about life in the antebellum South, Foster was born and raised in Pennsylvania and lived much of his adult life there, as well as in Ohio and New York. He may have actually visited the South only on a couple of brief occasions.)

As I viewed the documentary, though, it occurred to me that Foster also wrote quite a few songs that fall into a less controversial category: romantic ballads. This class includes some of Foster’s most enduring works — i.e., “Beautiful Dreamer,” “Jeanie (With the Light Brown Hair),” and “Oh! Susanna.”

That observation set off a lightbulb in my comics-attuned mind. Legendary creator Jack Kirby appropriated the name Beautiful Dreamer for the female member of his Forever People. One of the most enduring superheroines since the Silver Age is original X-Man Jean Grey. (I know, I know… Jean’s hair is usually depicted as red, not light brown. But that’s nothing a bottle of Miss Clairol couldn’t fix.) I had to ponder a while before I recalled that the adopted human name of Ultragirl, Marvel’s short-lived Supergirl riff, is Susanna Sherman, but with that realization, the picture was complete.

Or would be, maybe a decade later, when I finally got around to commissioning this project from Brazilian artist Carlos Rafael, best known for his work on such Dynamite Entertainment titles as Red Sonja, Dejah Thoris, and Battlestar Galactica.

Thus, another Common Elements concept wings in from left field.

And that’s your Comic Art Friday.

Comic Art Friday: Panthers and Tigers and bucks, oh my

Posted March 16, 2018 by swanshadow
Categories: Cinemania, Comic Art Friday, Hero of the Day, Ripped From the Headlines, SwanStuff, That's Cool!

I’m going to presume that if you have even the remotest interest in comics and comics-related media, you’ve seen the Black Panther film by now. Because, you know, it’s grossed over one billion (with a B) dollars in worldwide box office to date, and I’m guessing that you’ve contributed to that staggering total just as I have.

As a fan of the Panther for nearly a half-century — I don’t remember the first T’Challa-featured comic I read, but it would have been one of his appearances in The Avengers sometime in the late 1960s — I never would have dreamed in my most fevered moments that we’d someday be talking about a big-budget, major-studio, live-action Black Panther movie raking in a billion bucks. Maybe, back in 1992 when Wesley Snipes was pumping the idea of playing the King of Wakanda himself, I might have hoped that we might someday get a modest, in-and-quickly-out-of-theaters Panther flick, something on the level of that terrible Elektra movie with Jennifer Garner that followed Ben Affleck’s pitiful cinematic turn as Daredevil.

But this? I honestly never saw it coming.

And if you’d told me it was, I’d have told you to lie down with a cool compress on your forehead until the demons went away.

Yet, here we are. Black Panther is headlining marquees in metroplexes around the world, the hottest property in motion pictures. People who mere weeks ago couldn’t have distinguished Wakanda from Walt Disney World are tossing words like “Dora Milaje” around in casual conversation, and T’Challa’s super-smart little sister Shuri is America’s sweetheart. And I’ve lived to see it.

Pardon me while I grab a tissue.

So, there couldn’t be a better time than now to showcase a Common Elements artwork starring everyone’s favorite heart-shaped-herb eater.

WhiteTiger_BlackPanther_DiVito

That’s the Black Panther himself stalking another big-cat themed superdoer, the White Tiger, in this jaw-dropping creation by Italian superstar artist Andrea Di Vito, who not exactly coincidentally can be seen at this very moment drawing T’Challa’s adventures in Marvel’s Black Panther: The Sound and the Fury. Check it out at a comics retailer near you (or on your favorite digital device, if that’s how you roll with your comics in this tech-savvy age).

The White Tiger identity has an interesting legacy all its own. The Tiger shown here, Angela Del Toro, is the fourth of five discrete characters to have worn the code name White Tiger in the Marvel Universe. Angela is the niece of the original White Tiger, Hector Ayala, who in the 1970s was one of Marvel’s first attempts at a Latino hero. After Hector was killed, Angela, an FBI agent, inherited Hector’s amulets that imbued the wearer with the White Tiger’s powers. Angela’s adventures formed the basis of a six-issue miniseries in the mid-2000s. (The fifth and current White Tiger is Ava Ayala, Hector’s younger sister.)

Aside from the obvious feline-plus-color thematic element, there’s an additional link that ties the Black Panther and the White Tiger together. Both superhero identities were assumed at different times by the same character — Kevin Cole, better known by his nickname Kasper. Late in his run on the Black Panther comic book in the early 2000s, writer Christopher Priest transferred the Panther’s mantle from T’Challa to NYPD officer Kasper Cole, whom Priest envisioned as a satiric spin on Peter Parker’s Spider-Man. When the Black Panther series ended, Priest moved Cole to his new project, a superhero team called The Crew, and gave him the White Tiger identity.

You know, all this Black Panther talk has me hankering to see the movie again.

And that’s your Comic Art Friday.

Comic Art Friday: Four divided by two

Posted January 5, 2018 by swanshadow
Categories: Comic Art Friday, Hero of the Day, SwanStuff, That's Cool!

By any measure, superheroing makes for a tough lifestyle choice. You’re fighting bad guys all the time, you usually have a secret identity to protect, and the annual cost of replacement outfits alone must be astronomical.

Which is why I’m surprised more heroes haven’t taken up job-sharing.

Of course, having an identical twin would help.

That’s the unifying factor between the two heroines in today’s featured artwork from the Common Elements series — an artwork that is both the last commissioned piece I received in the just-concluded 2017, and the first to land its own Comic Art Friday post in the just-begun 2018.

Ladyhawk and Crimson Fox, pencils and inks by Sanya Anwar

Both Ladyhawk (standing) and Crimson Fox (crouching) are heroic identities shared by pairs of identical twins: the Morgan sisters, Rosetta and Regina, in the case of Ladyhawk; the D’Aramis sisters, Vivian and Constance, in the case of Crimson Fox. Ladyhawk made her/their mark primarily as an ally of Spider-Girl, the alternate-universe daughter of the amazing Peter Parker. Crimson Fox was best known as a member of the 1990s-era Justice League Europe.

Comics aficionados of a certain age will note that Ladyhawk’s costume bears a striking (and non-coincidental) resemblance to the original kit worn by Captain America’s longtime associate Sam Wilson, a.k.a. the high-flying Falcon. Before Sam gained the winged red-and-white uniform in which he’s most familiar, he wore a green get-up trimmed in orange that had no wings, aside from the ones on the falcon medallion he wore around his neck. Ladyhawk’s gear precisely matches the old Falcon design, right down to the medallion, because of course it does.

Sadly, both halves of the Crimson Fox duo met with untimely ends relatively early in their crimebusting career. Vivian D’Aramis was murdered by the supervillain Puanteur; three years later, Constance was done in by the female version of Mist. More recently, another woman (presumably just one) has taken up the Crimson Fox mantle. One hopes that her long-range prospects end more favorably than those of the D’Aramis twins.

Our heroines are drawn in this scene by Canadian artist Sanya Anwar, who — so far as I am aware — is not an identical twin. Although it would be awesome if she was.

And that’s your Comic Art Friday.