Archive for the ‘Reminiscing’ category

SwanShadow Gives Thanks: Part 9 — Defying the Mayans

November 22, 2012

Every Thanksgiving Day since 2004, I’ve posted in this space a 26-point alphabetical sampling of people, places, and things for which I’m grateful. I consider myself to have been truly blessed in life, despite having endured many of the dark times that inevitably arise when one lives as long as I have. I’ve been touched by so many great human beings and wonderful experiences that it’s impossible to list them all when I express my annual thanks. So, nine years ago, I hit on this structured overview method. I’ve returned to it each Turkey Day since.

This year has been a unique one. I got married for the second time, to the incredible force of nature I refer to in these posts as the Pirate Queen. We did some traveling, shared many fun times, and went about the business of being newlyweds, with all of the changes, reconfigurations, and negotiations that newlywedness entails. Quite a few of my appreciations this year derive from our freshly married life and our newly shared home in San Francisco, the world’s most spectacular city.

And on we go.

On this Thanksgiving Day 2012, I’m grateful for…

Acting and actors. It took me the better part of a half-century to figure out what I want to be if and when I grow up. Since embarking on a career as a voice actor, I’ve developed a deep appreciation for the craft of acting, and for the people who do it skillfully. (Which is pretty much every voice actor I’ve worked with to this point. But I’m getting better.) I’m fortunate here in the Bay Area to be part of a thriving community of voice acting professionals. My actor friends and colleagues amaze me continually with their talents, with their determination to succeed in a difficult field, and most of all, with their giving, encouraging spirits. You wouldn’t suppose that folks who compete daily with each other for paying work would be so supportive of, and generous toward, those against whom they compete, but I see it happen all the time. Not all creative people are good people — no more than all of the people in any category are good people — but most of the actors with whom I study and work are genuine and decent.

The Big Island of Hawaii, where the Pirate Queen and I spent a blissful chunk of our honeymoon. (And yes, I’ll get around to posting about that portion of the trip.) From the eerie moon-like desolation of the Kona Coast, to the lush tropical beauty of the island’s eastern shores, to the awe-inspiring power of Kilauea, the Big Island is a source of endless fascination. With luck, I’ll manage to get back more quickly than the 20-plus years than separated each of my first three visits.

My Clipper Card, my little plastic passport to public transportation. For the benefit of the foreigners in the room — that is to say, those of you not from the Bay Area — San Francisco is served by two separate transit systems. BART (Bay Area Rapid Transit) is the sleek electric railway that connects San Francisco with the East Bay, and with its own airport to the south. (They’re working on an extension that will run all the way to San Jose.) MUNI is The City’s own conglomeration of buses, cable cars, trolleys, and an integrated streetcar-subway network known as MUNI Metro. The Clipper Card, introduced just a couple of years ago, enables passengers to utilize both systems with a single payment mechanism. With parking in The City at a legendary dearth, we use BART and the Metro as often as possible to get from our neighborhood to downtown.

Dim sum, exquisite bites of savory or sweet ambrosia. We’re going for some with visiting friends this very weekend.

I loves me some European paintings. A long-ago course in college first opened my eyes to the works of the classical masters. This year, we had several amazing opportunities to view some of my favorites up close and personal. In February, we saw the exhibition “Masters of Venice” at the DeYoung Museum. Among the attractions in this show were several creations by my favorite Renaissance artist, Titian, including “Danae” and “Mars, Venus, and Cupid.” In September, the Metropolitan Museum of Art’s collection offered some of the most memorable moments of our junket to New York City. I stood for several minutes in slack-jawed bedazzlement at an original poster by Alphonse Mucha, the Czech genius who pioneered the Art Nouveau style. As the old saying goes, I might not know much about art, but I know what I like.

Festus Ezeli, the Nigerian center out of Vanderbilt chosen by the Golden State Warriors with the 30th pick in the 2012 NBA Draft. The kid plays hard, and gives a great interview. More than that, just saying his name makes me smile. Go ahead — try it.

Gray squirrels (specifically the Western gray squirrel, Sciurus griseus). Several of them visit our back yard on a daily basis. I get a kick out of watching them cavort and forage and play hide-and-seek with the neighborhood cats. It’s funny — after living for many years in a suburb surrounded by semi-rural agricultural land, I figured that I’d never see a wild animal again once I moved into the big city. I see more squirrel action outside our kitchen window in a week than I saw in three decades in Sonoma County.

My favorite Horsewoman, also known as my beloved Daughter. I could fill volumes with tales of how bright and witty and talented The Daughter is, but for this particular line item, I’ll confine myself to her equestrian hobby. After 10 years of riding, she fulfilled her dream this summer by acquiring her own horse — a tall, handsome, four-year-old chestnut Thoroughbred she named Gryffin. A half-brother to 2011 Kentucky Derby winner Animal Kingdom, Gryffin didn’t enjoy his sibling’s career at the track, but he’s made The Daughter deliriously joyful as her stable companion. Having endured so much tragedy over the past few years, including the passings of her mother, her grandfather, and our family dog, she deserved something special. I’m delighted for her that Gryffin came along.

Itoya Profolios, in which I store my comic art collection. They’re archival-safe, elegantly simple in design, and the perfect vehicle for original art on paper. One of my greatest thrills is sitting down with an Itoya on the table before me, and marvel at some of the treasures I’ve managed to pick up over the years.

Johnny Foley’s Irish House, home of the most entertaining dueling pianists you’ll ever come across. The Pirate Queen and I dropped into Foley’s on our fourth date, and we’ve made frequent weekend pilgrimages ever since. She even had her bachelorette party there. Stop by on a night when Nathan, Jason, or Lee are tickling the ivories and belting out requests. The rest of the crew is talented as well, but those three guys consistently put on the best show.

KJ. Life goes on, but I never forget. I would not be the person I am today without her nearly 30 years of influence on my life.

Lady Liberty. I didn’t expect to be as impressed or moved as I was by seeing the Statue of Liberty in person during our New York City trip — even despite the drenching downpour that struck during our visit. It was powerful to be reminded what a privilege it is to be an American citizen… and to be reminded that almost all of us are the descendants of immigrants, whether willing or unwilling. We get a bit stuffy sometimes about “those people” crossing our borders in search of a better life for themselves and their families. Unless you’re 100% Indigenous North American, “your people” came from someplace else, too. Let’s not forget that the Statue of Liberty lifts her lamp beside the golden door as a sign of welcome, not to slam the door shut.

Mount Davidson, the tallest of San Francisco’s 47 named hills. We live about a third of the way up.

Nineteenth Avenue, the busiest north-south thoroughfare on the western side of The City. For my final two years of college, I commuted along it several days each week to and from San Francisco State University. These days, it’s the path I travel when I head toward the Golden Gate Bridge to visit The Daughter, or other points northward. Man, there’s a lot of traffic on that street some days. But without it, it would be tough to get out of town in that direction.

Orange October. For the second time in three years, my San Francisco Giants won the World Series championship. This season, the Giants battled back from potential elimination six times during the Division and League Championship Series, on their way to a sweep of the Detroit Tigers in the main event. (Ironically, I was a Tigers fan as a youngster, before switching allegiance to the Giants when my family moved to the Bay Area in the mid-1970s.) Behind stellar play by World Series MVP Pablo “Kung Fu Panda” Sandoval, National League MVP Buster Posey, and a fortuitous late-season acquisition, second baseman Marco Scutaro, and with lights-out pitching by the best collection of arms in baseball, the Giants took a determined step toward establishing themselves as the Team of the Decade.

The Porthole Palace, as I nicknamed the Pirate Queen’s house the first time I came to pick her up for a date. Little did I know I’d live here someday. It’s quirky and cozy, and it’s home.

Quentin Tarantino. Because someone ought to be thankful for the director of Reservoir Dogs, Pulp Fiction, Jackie Brown, and Kill Bill. Someone other than QT himself, that is.

My Rode NT1A, the microphone that is my constant companion during my work day as a voice actor. It always makes me sound good. The performance is up to me. I took it on the road with me when we went to New York, and recorded an actual job on it in our hotel room. (My second microphone, which I also love, is a Studio Projects C1. But that doesn’t start with R.)

Subaru — specifically, the green Forester I inherited from KJ. It’s a sturdy, solid, dependable car. I was unaware until very recently that Subaru has a reputation as the unofficial vehicle of the lesbian community. (Seriously. It’s a thing.) I’m totally cool with that. I’d make a terrific lesbian. I like women, and I drive a Subaru.

The Trivia Championships of North America, which we’ll call TCONA to save me typing. Held in Las Vegas each summer, it’s a merry assemblage of trivia-obsessed folks from all over the continent. This year, I came home with a gold and a silver medal in team competition. More importantly, I spent a rollicking weekend at Circus Circus renewing old Jeopardy! acquaintances and making several new friends. Next year, TCONA will invade the Tropicana. You’ve been warned.

Union Square, the heart of San Francisco. Every now and again, it’s cool to just stand in the middle of all the commotion and watch the tourists hustle past. Wander through the ginormous Macy’s. Stroll into Neiman Marcus and pretend you can afford the stuff they sell there. Have a plate of silver dollar pancakes at Sears Fine Foods. Bask in the glow of the big Christmas tree if it’s the season. Wonder how so many panhandlers convened in one location. Drink in the atmosphere that is Baghdad by the Bay.

Video games, my favorite projects as a voice actor. (Okay, let’s be honest — my favorite project is any one that pays.) Among the characters I got to play in games this year were a Pied Piper, a snake monster, a Russian jeweler, a beatnik priest, a street thug, and a mysterious narrator. Yes, I love my job.

Our wedding, during which the Pirate Queen became my wife. (That’s a double W, if you’re keeping score.) On a beautiful, breezy Saturday afternoon in May, we exchanged vows in front of about 50 friends and family members outside the Argonaut Hotel on Fisherman’s Wharf. The Pirate Queen was a radiant vision in white, as lovely a bride as any man could hope for. The Daughter stood in as my Best Person, and carried out her assigned duties with aplomb. The accomplished a cappella quartet PDQ sang two soaring numbers. I managed not to drop the ring or trip over my own feet. It was the perfect start to our new life together.

XD. I don’t know exactly what Extreme Digital Cinema is, but they have it (and huge signs boasting about it) at the Cinemark cineplex where we occasionally catch a flick. I think it’s something like IMAX, only all digital. Aren’t you glad someone invented that?

Yirgacheffe, a delicious coffee from Ethiopia. As you probably know if you’ve been a regular here over the years, I love a good cup of coffee. I’m especially partial to the brightly tangy, citrusy varietals grown in East Africa, of which Yirgacheffe is one. A mug or two, and I’m ready to face the day.

Zaftig women. Rubens, Titian, and Botticelli knew what they were doing when they selected those voluptuous models for their masterpieces. I salute my female friends who refuse to succumb to the cultural propaganda that a woman can’t be attractive if she wears a dress size in double digits. Ladies, be boldly unafraid to rock the beauty in yourselves, curves and all. The legendary philosopher Sir Mix-A-Lot said it best: “To the beanpole dames in the magazines: You ain’t it, Miss Thing.” Word.

And of course, I’m thankful for you, friend reader. I’m sorry I’ve been AWOL these past several months — I’ll try to post more consistently in the coming year. (Yes, there will be a coming year. Those Mayans just ran out of tablets to write their calendar on.) I still have plenty to say… some of which may actually be worth your perusal.

I hope you and those you love have a magnificent Thanksgiving. Take a moment to count your own blessings, and let the people for whom you’re grateful know that you appreciate them. Now go have some turkey, already.

Our Hawaiian honeymoon: Day three

June 29, 2012

[Catch up on what happened on the first day and the second day of our adventure.]

Day three began with breakfast at a joint called Cheeseburger in Paradise. We did not — repeat, not — have cheeseburgers for breakfast. We did, however, have a sweet view of Waikiki Beach through the restaurant’s open window.

Paradise. Cheeseburger not required.

In case you were curious, this outlet is part of a chain that is apparently unrelated to the similarly named chain owned by singer Jimmy Buffett, whose similarly named song clearly inspired both chains. Now you’re not curious, merely confused. Join the club.)

Appropriately stoked with high-protein, high-carbohydrate fuel, we were itching to break in the snorkeling equipment we’d purchased the day before. Thanks to a tip from a guidebook and a recommendation from our Cheeseburger waiter — whose name was not Spicoli, but could well have been — we loaded up our rental car and headed for the north shore of Oahu. Specifically, we aimed for a spot dubbed Shark’s Cove.

Shark's Cove: Just because we didn't see sharks, doesn't mean you won't.

We did not — repeat, not — see any sharks. We did, however, spend a couple of joy-filled hours swimming with a variety of gorgeous tropical sea life, including an array of colorful fish that would do justice to any aquarium. In fact, snorkeling at Shark’s Cove offered a taste of what it might be like to swim in an aquarium, were one thus inclined.

A few tips we’d pass along to other snorkelers who make the trek to Shark’s Cove:

  • Get there early in the day. Parking is limited, and somewhat challenging to negotiate.
  • Leave your flippers in the car, or better yet, at your hotel. The rocky seascape here renders fins useless — or worse, makes them an encumbrance. Unless you’re venturing well out into deep water — which we would heartily advise against — flippers won’t benefit you in this environment.
  • Do, on the other hand, wear water shoes. The reef and rocks at Shark’s Cove are razor-sharp, as the numerous gashes they ruptured in my knees will demonstrate.
  • Currents here can be very powerful. As alluded above, it’s easy to get beaten up here by waves dashing you against the rocks. It’s easy to imagine that if you venture out beyond the relative shelter of the cove, fighting the motion of the ocean could quickly develop into a losing battle. Be careful out there.
  • Take a cheap waterproof camera. We didn’t, and wished we had.
  • As is true anywhere in Hawaii, don’t leave anything of value visible in your car. Predators abound. We didn’t encounter any problems ourselves, but all those signs posted everywhere warning you about thievery are there for good reason.

We give Shark’s Cove high marks as a snorkeling venue. It’s well worth the drive around the island from Honolulu to check it out.

On our way back into the city, we stopped for lunch at Giovanni’s Shrimp Truck in Kahuku. There are probably a couple dozen food trucks and shacks of every description as you drive through Kahuku on the Kamehameha Highway, all specializing in freshly caught local shrimp. (Imagine if Forrest Gump and his pal Bubba had moved to Hawaii and chosen the slacker life, rather than opening that gaudy chain of touristy restaurants.) Of these, Giovanni’s enjoys the most widespread reputation — a reputation we found well deserved.

We shared a plate of the hot and spicy shrimp; they were indeed as volcanic as advertised (a sign cautions that they don’t offer refunds if you find the dish too hot) and quite delicious. Or, to say it local-style, “Da shrimps stay so ono, broke da mout’! Chee!”

Giovanni's hot and spicy shrimp: Local-kine grinds... so ono!

Giovanni’s surrounds its truck with a nice permanent set-up, featuring picnic tables shaded by an open-air roofed structure, sinks for postprandial hand-washing, and indoor restrooms. There’s also a shave ice truck on site in case you need help cooling your mouth after downing the shrimp.

Appetites sated, we continued on to Valley of the Temples Memorial Park in Kahaluu. This multicultural cemetery features a half-scale replica of the ancient Byodo-In Buddhist temple in Uji, Japan. It’s a stunning building nestled in a lush, serene location at the base of the Ko’olau range.

Byodo-In Temple, Valley of the Temples Memorial Park

We spent a blissful hour wandering through the temple and its grounds, soaking in the quiet, admiring the architecture, and watching the fog creep in over the mountains. The Pirate Queen enjoyed seeing the massive Buddha statue inside the temple (she’s seen me shirtless often enough that you’d think this wouldn’t be much of an attraction, but apparently it was) and ringing the colossal bell in the courtyard.

I watched as a black swan scudded along the surface of the pond. I think she and your Uncle Swan shared a bonding moment.

When a swan meets a Swan, coming through the rye...

Our next stop, Nu’uanu Pali, offered a breathtaking view of the windward shore of Oahu from 1200 feet up the side of the dormant volcano. When I say “breathtaking,” I’m not speaking hyperbolically. The wind rips through the mountain pass with gale-like velocity, producing sufficient chill to make you forget for a few minutes that you’re in the tropics. Despite the briskness, the view is nothing short of incredible.

The view from Nu'uanu Pali Lookout

One can see all the way to the offshore island called Mokoli’i (“little lizard” in Hawaiian), also known as Chinaman’s Hat — or, as we might put it in these more ethnically sensitive times, Asian Person of Chinese Extraction’s Hat. We were, however, eager to get back into the cozy, cyclone-free confines of our rented Toyota in fairly short order.

Safely back in Waikiki, we ventured across the street from our hotel for dinner at Sansei. The Waikiki branch of a local chain of upscale sushi restaurants, Sansei serves up an intriguing spectrum of dishes, some of which can best be described as “experiments in seafood.” Some of the experiments work better than others — one or two of the combinations we ordered seemed to be outré for the sake of outré -ness — but on the whole, we enjoyed the dining experience, bizarre flourishes and all. It was pleasant to relax on the restaurant’s third-floor lanai in the relative cool of the evening, tucked around the street corner from the bustle of the main drag. Plus, there were those mediocre Hawaiian-tinged cover tunes wafting across from the tiki bar to serenade us.

Thus ended our third day in the islands. I’ll regale you with tales of Day Four soon.

Our Hawaiian honeymoon: Day two

June 15, 2012

[If you missed what happened on the first day of our adventure, read about it here.]

Our first full day in Hawaii — and all of our days in the Islands proved remarkably full — began with breakfast at LuLu’s Waikiki, conveniently located just around the corner from our hotel. With its spacious open-air dining room and decent food, LuLu’s quickly established itself as our go-to spot for morning fortification. (The popular breakfast choice on the Waikiki strip is a joint called Eggs and Things, centrally located in the hotel district, but we never saw a morning where that place didn’t have a line out the door. We didn’t fly all the way to Oahu to stand in an hour-long queue for an omelette.) LuLu’s is primarily a sports bar — judging by the decor, the owners are major Boston Red Sox fanatics — but they dish up a perfectly acceptable breakfast, and we never had a problem getting seated quickly so we could speed along with our touring.

Iolani Palace: Not the actual home of Hawaii Five-O.

Appetites sated, we headed for our first sightseeing stop: Iolani Palace, former residence of the Hawaiian royal family and the only royal palace located on U.S. soil. Iolani was high on the Pirate Queen’s list of must-dos, and she was duly impressed with the spectacle on display. After donning handmade cloth booties that fit over our shoes (to protect the palace’s vintage hardwood floors from thousands of clumsy tourist feet), we joined our docent, Cousin Tino — everybody’s your cousin in Hawaii — for a guided tour. You can’t take photographs inside the palace, but trust me when I tell you that you’ve never seen a house quite like this one.

Iolani Palace: "The Life of the Land is Perpetuated in Righteousness"

Between the opulent furniture, museum-quality artwork (mostly portraits of the Hawaiian royal family, and other monarchs whom they befriended), and fascinating history, we thoroughly enjoyed our visit. Cousin Tino made the time both informative and entertaining (we were his last tour of the morning, and a relatively small group, so he treated us to an extended stay with “extra stories”).

Ali'iolani Hale: Also not the actual home of Hawaii Five-O.

Following our stroll around Iolani Palace, we ventured across the street to check out the exterior of Ali’iolani Hale (“House of the Heavenly King”), the building that formerly served as the seat of Hawaiian government and today houses the state’s Supreme Court. It’s most recognized for the familiar statue of King Kamehameha I that decorates its courtyard. If you watch the current version of the TV series Hawaii Five-O, you might also recognize Ali’iolani Hale as the headquarters of Steve McGarrett and company. I regret to inform you that the Five-O team does not actually work here, and in fact, does not exist. Sorry… fiction. (Viewers of a certain age might recall that the original Hawaii Five-O used shots of Iolani Palace as the team’s home base. Sorry… also fiction.)

Kamehameha the Great: Not the original statue.

Ali’iolani Hale’s Kamehameha statue has a rather amusing back-story. Commissioned in 1878 to commemorate the 100th anniversary of Captain James Cook’s arrival in Hawaii (an arrival that didn’t turn out all that well for the captain), the Kamehameha statue was designed by Thomas Gould, an American sculptor living in Italy at the time, and cast in bronze in Paris. Unfortunately, the ship carrying the statue from France to Hawaii sank off the Falkland Islands, and the statue was thought lost to the Atlantic. The forward-thinking Hawaiian government had taken out a hefty insurance policy, the payout from which paid for a recasting of the statue, which Gould promptly shipped. But wait! Enterprising local Falklanders recovered the original statue and sold it back to the wrecked ship’s captain, who in turn sold it to the Hawaiian government. Finding themselves with two identical statues, the Hawaiians installed the original on the Big Island’s Kohala Coast, near Kamehameha the Great’s birthplace, and mounted the replica — which you’re looking at here — in front of Ali’iolani Hale.

Next, we made a stop at a Wal-Mart to purchase snorkeling gear that we’d use during the trip. We scored complete sets of equipment — snorkels, masks, fins, and water shoes — for a relative pittance. Wal-Mart in Hawaii is pretty much like Wal-Mart on the mainland, only with more aloha shirts and macadamia nuts, and with an L&L Hawaiian Barbecue concession instead of a McDonald’s.

National Cemetery of the Pacific at Punchbowl Crater

Our travels next took us up into the hills overlooking downtown Honolulu, to the National Memorial Cemetery of the Pacific at Puowaina. Lodged in the lush green concavity of an ancient volcanic crater (hence the nickname “Punchbowl”), the cemetery houses the remains of thousands of military veterans. Punchbowl is also home to a group of ten marble memorials to Service personnel from World War II, the Korean War, and the Vietnam War whose remains were never recovered — “whose earthly resting place is known only to God.”

Dedication stone, Court of the Missing at Punchbowl Cemetery

It’s a touch ironic, I suppose, that in a place as teeming with tropical life as Oahu so many of the attractions that draw attention are memorials to the deceased. Having grown up in a military family, however, I’m acutely conscious of the sacrifices our Servicemen and Servicewomen are called upon to make. For that reason, it was important to me to take the drive up to Punchbowl with the Pirate Queen, whose father was a sailor during the Second World War.

Statue of Columbia at Punchbowl Cemetery

Overseeing Punchbowl from the head of an enormous staircase is a statue of Columbia, the mythic female figure who personified the young United States in the 18th and 19th centuries — hence the name of the nation’s capital, the District of Columbia. (Moviegoers know her better as the logo of a popular film studio.) Columbia pretty much got shoved aside in American symbology in favor of Lady Liberty around the turn of the 20th century, but when Punchbowl was dedicated in 1949, she received her corner in the limelight.

All aboard for Paradise Cove!

Our day transitioned from reverence to revelry in the late afternoon, when we and a few dozen of our new closest cousins boarded a bus bound for the Paradise Cove Luau. When planning our luau experience, the Pirate Queen and I had debated driving our rental car out to Ko Olina on the far western edge of the island, where Paradise Cove is located. Our decision to take the shuttle instead proved perspicacious, as the slog through Honolulu’s rush-hour gridlock took nearly two hours to traverse. Much better to relax in air-conditioned comfort while letting a professional manage the stress.

Now, you might be thinking, “Isn’t a commercial luau all touristy and whatnot?” Um, hello… we’re tourists.

Paradise Cove's dancing cousins... well, probably not actual cousins.

Never having been to Hawaii before, the Pirate Queen wanted to take in a few of the classic essentials: see the kalua pig rise from the imu (the underground fire pit in which the pig is roasted); taste some poi; get a temporary Polynesian tattoo; watch some hula and a fire knife dance. Paradise Cove delivered on all of her expectations, in fine style. We scored front-row seats for the imu ceremony. The Pirate Queen was chosen as one of the audience participants in the always hilarious poi tasting (a culinary undertaking she will not eagerly repeat). She got a lovely flower drawn on her arm by a handsome, shirtless young Hawaiian gent. (She had mostly perspired through the tattoo by the time we got back to Honolulu.) We had a pretty fair meal and a great view of the entertaining show, complete with the requisite hula and fire knife dancers. We shared our table with a nice young couple from Australia, from whom we learned that Burger King franchises Down Under are called Hungry Jack’s (hey, you never know when trivia like that might come in handy) and whose accents I struggled to commit to memory for future voiceover projects. And, we saw an amazing sunset over the Pacific.

Sunset at Paradise Cove

All in all, we enjoyed a delightful evening of stereotypical aloha.

And that was our second day on Oahu. I’ll regale you with the Day Three doings next time.

Our Hawaiian honeymoon: Day one

June 8, 2012

Some of you have been clamoring for information about our little Hawaiian excursion. Well, for that subset of this rowdy crowd, this is your lucky day. That is, the first of your lucky days. This is going to take a few posts.

Our adventure began in the predawn hours of a chilly San Francisco morning… but I repeat myself. After being ferried to SFO by an upstanding member of the taxi-driving fraternity Hakka Cabba Dei, and thorough cavity searches performed by the ever-charming staff of the Transportation Security Administration, the Pirate Queen and I boarded a spacious Hawaiian Airlines Airbus and winged our way across the Pacific – a third of the way across the Pacific, at any rate – for the Land of Aloha.

With our suitcases crammed into the rear of our rented Toyota, we traversed the traffic-choked streets of Honolulu toward our Waikiki hotel. That’s far less easy than it sounds, because Honolulu currently holds the title of Gridlock Capital of America. Seriously – you can look it up. Driving in Hawaii’s largest city – okay, Hawaii’s only large city – involves navigating excruciatingly narrow roadways laid out with the organizational linearity of a bowl of spaghetti in the company of nearly a million people in no great hurry to get anywhere. Factor in the presence of tens of thousands of clueless tourists buzzing about blindly at the mercy of GPS or wandering blithely across intersections in flagrant violation of traffic signals, and you’ve got a prescription for automotive apocalypse.

But we got there: Waikiki Beach, U.S.A.

Waikiki Beach... you know you want to be there.

Upon our arrival at our hotel, we found ourselves confronted with a conundrum: What to do with our fine rental vehicle? The entrance to what appeared to be the parking area was rendered inaccessible by a massive delivery truck dropping off the day’s linens. We could spot no valet to whom we could hand over the keys. After several circuits of the crazily designed block, complicated both by one-way streets and hordes of fellow visitors, the Pirate Queen bailed out to seek aid in the hotel lobby while I sat in the blazing sun praying that the local gendarmerie didn’t happen by and cite me for double-parking. Eventually, the Pirate Queen returned with two fresh-faced young chaps, one of whom cheerily loaded our belongings onto a cart while his compatriot whisked the Toyota away for safekeeping. (Or joyriding. We didn’t really know at that point.)

Despite those frustrating first few moments, Hotel Renew turned out to be an excellent choice of lodging for our purposes. Located near the south end of Waikiki Beach, it’s far enough away from the major portion of attractions to be reasonably quiet – except for first thing in the morning, when the garbage trucks come clattering through the block – yet close enough to the beach that one can be sprawled on the world-famous sand after a mere two-minute stroll from the front door.

Hotel Renew... stay here, and get all renewed and stuff.

The Japanese-influenced décor, all straight angles and darkly painted wood, makes a soothing change from the typical chain hotel, and the staff is uniformly friendly and polite, if not always as Johnny-on-the-spot as they might be. The Pirate Queen, who’s known to be fussy about where she sleeps, found the bed and bathroom to her liking, while I was relieved to discover the in-room safe capacious enough for my mammoth laptop as well as all of our other valuables. All in all, we were glad we selected it.

Having settled into our accommodations, we launched ourselves on a leisurely promenade along Kalakaua Avenue, the street that traverses the tourist district. It had been 23 years since my last trip to Waikiki, and as KJ was heavily pregnant at the time, we didn’t do much extended walking. But I remembered traveling this stretch, and I was surprised both at what had changed in three decades and at what remained pretty much the same.

Waikiki Beach... smell the coconut oil on the sunbathing tourists.

What hadn’t changed:

An ABC Store on every corner, and sometimes two or three within a block. For the uninitiated, the ubiquitous ABC Store is Hawaii’s native mash-up of convenience store and touristy gift shop, and they are almost literally everywhere. I kept expecting to walk into a public restroom only to discover that they’d put an ABC Store in one of the toilet stalls.

This weird tree. This ginormous banyan should be transplanted to the grounds of Hogwarts. It’s freakin’ creepy. Albeit in a cool way.

Chinese music under banyan tree, here at the dude ranch across the sea

The crowds. We actually visited during one of Hawaii’s least jam-packed windows – the fallow period between the end of spring break in April and the start of summer travel season on Memorial Day weekend. But even in a traditional down time, Waikiki attracts tons of guests.

The International Marketplace. Imagine every cheesy jewelry, T-shirt, and souvenir shop in every tourist trap in America crammed into a colorful labyrinth of carts, stalls, and stands that winds along seemingly forever, and you’ll get the general picture of the International Marketplace. No wallet is safe.

Tall buildings. Did you know that Honolulu has more skyscrapers than any American city outside of New York, Los Angeles, and Chicago? Just a tidbit of architectural trivia from your Uncle Swan.

This is a tall building. In case that wasn't obvious.

What was new:

Panhandlers. Having lived around, and now in, San Francisco – Mecca for America’s down and out – for 35 years, I’m no stranger to homeless people cadging change on street corners. I was startled, however, to see so many mendicants on the sidewalks of Waikiki. I understand how so many homeless folks get to The City; Greyhound offers a dirt-cheap bus ride from almost anywhere in the contiguous United States. But if you’re flat broke, how the heck do you get to Hawaii? I’ll say this, though — if you have to sleep outdoors, better to do it in balmy Honolulu than in the Arctic chill of San Francisco.

Upscale shopping. The spending experience along Waikiki has always been pricey, but it used to feature much more local flavor. It’s kicked up several notches now with the presence of numerous internationally renowned high-end retail stores. I’m guessing this marketing strategy must be successful, but I question the logic. Does anyone really come to a tropical beach town to buy a Coach bag or a Rolex?

Insane traffic. I mentioned this earlier, but it warrants repeating. Honolulu totally sucks if you’re behind the wheel of a car. I don’t remember it being anywhere nearly this wretched in decades past.

Tiki's Grill and Bar: Be sure to tip your waiter.

We consumed our first Hawaiian repast at a restaurant called Tiki’s Grill and Bar, conveniently located on the third floor of the hotel right next door to ours. The place features an extensive menu of vaguely tropical themed cuisine, most of which was reasonably tasty; a killer view of the Waikiki sunset; live music in the evenings – Honolulu is the universal nexus of lame cover tunes performed on public stages by guys wearing aloha shirts – and yes, oodles and oodles of tikis. A roving photographer snapped our photo (which we were able to purchase for a nominal fee, because there ain’t no such thing as a free lunch in Hawaii) to commemorate the event.

And that was our first day on Oahu. I’ll tell you about our second day in my next post.

Sunset on Waikiki Beach. Just say "ahhhhh."

Comic Art Friday: RIP, Al Rio (1962-2012)

February 3, 2012

Superman and Supergirl, pencils by Al Rio, inks by Bob Almond

I was shocked and saddened on Tuesday morning — as were many of my fellow comics fans and comic art aficionados — to receive the news that artist and former Disney animator Al Rio had passed away in his native Brazil, the result of an apparent suicide.

Wonder Woman, pencils by Al Rio, inks by Geof Isherwood

Those of you who have followed Comic Art Fridays over the years know how greatly I appreciated Al Rio’s art. He is among the most well-represented artists in my collection; I own 15 of his original works — six of which I commissioned personally, plus several I’ve had inked by other artists. I’ve also enjoyed receiving the lovely postcards Al made available to his fans every holiday season. Al’s art representative, Terry Maltos, has always been one of my favorite vendors with whom to transact business. More than once, Terry has given me a price break on a purchase, or thrown in a little something extra in gratitude for my frequent custom.

Elektra, pencils by Al Rio, inks by Geof Isherwood

Al first came to prominence when he followed J. Scott Campbell as the regular artist on Wildstorm’s Gen13 and DV8. Although many people saw him as a Campbell clone, particularly in his early comics projects, his style continued to evolve. He worked on a variety of series for both of the major comics publishers and numerous second-tier labels — everything from Spider-Man and Captain America to Grimm Fairy Tales.

Mary Marvel, pencils by Al Rio, inks by Bob McLeod

As you can see from the pieces I’ve chosen for this memorial post, Al drew some of the most beautiful women in comics. Because of this, he was sometimes dismissed as “just a cheesecake artist.” That’s a bit like saying that Michelangelo, Titian, and Rubens weren’t great artists because they painted a lot of naked people. Without question, Al knew his way around the feminine form, but he could also draw heroes and backgrounds with the best in the business, and his sequential work shows that beyond his pinup talents, he was a brilliant storyteller. I was especially fond of his work on Marvel’s Heroes for Hire and White Tiger a couple of years back.

Batman and Catwoman, pencils by Al Rio, inks by Geof Isherwood

Since I didn’t know Al personally, I can’t really say much about him in that regard. I’ve always heard  him described as a nice man who extended extraordinary kindness to his fans and to other artists, and who frequently donated art in support of charitable causes. In fact, his Superman and Supergirl piece — seen at the top of this post — began as a preliminary sketch for a drawing Al created in support of victims of the 2004 Indian Ocean tsunami.

Wanda, the Scarlet Witch, pencils by comics artist Al Rio

You can see my entire gallery of Al Rio’s art by following this link. Please go take a look at the beauty and dynamic range of this talented creator’s gifts.

Spider-Man and Mary Jane, pencils by Al Rio, inks by Bob Almond

Al Rio was 49 years old. He leaves behind a wife, three children, countless friends, and a legion of fans who admired his unique abilities.

Supergirl, pencils by Al Rio, inks by Joe Rubinstein

And that, sadly, is your Comic Art Friday.

Comic Art Friday: The best of 2011

December 30, 2011

2011 was another light year on the commission front, due to economic circumstances with which I’m certain many of you could identify. It was, however, what the late film star Spencer Tracy might have termed a Katharine Hepburn kind of year — there wasn’t a lot of meat on its bones, but what there was, was choice. (Okay, Tracy would have said “cherce,” but it’s not as funny in print.)

So, let’s inspect the meat, shall we? The following are my favorite commission acquisitions of the past 12 months. As always, you can click on any of the images to get a better look. (I’d invite you over to the house, but I’m not that big on company.)

FAVORITE COMMON ELEMENTS COMMISSION
Bob Budiansky, “Bats Out of Hell”

Ghost Rider and Batgirl, pencils and inks by Bob Budiansky

When assessing my favorite addition to my Common Elements theme, it would be tough to outshine Bob Budiansky’s spectacular motorcycle race between Ghost Rider and Batgirl. Not only did Bob outdo his talented self with this knockout scenario, but the fact that Bob’s work brought closure to a commission originally assigned to the late Dave Simons — Bob’s onetime artistic collaborator on the Ghost Rider series — took this to an entirely new level.

FAVORITE COMMON ELEMENTS COMMISSION (Honorable Mention #1)
Darryl Banks, “Preying Mantises”

M.A.N.T.I.S. and Mantis, pencils and inks by Darryl Banks

Darryl Banks can draw anything and make it look awesome, and his well-researched teamup of the Avengers’ Mantis with nearly forgotten ’90s TV hero M.A.N.T.I.S. proves this fact once again.

FAVORITE COMMON ELEMENTS COMMISSION (Honorable Mention #2)
Ernie Chan, “Howard’s End”

Iron Man and Conan the Barbarian, pencils and inks by Ernie Chan

His style is immediately recognizable, and he wields the fastest pen this side of Barry Allen. Longtime Conan artist Ernie Chan seized this opportunity to revisit his favorite character, and slammed a home run with the execution.

FAVORITE COMMON ELEMENTS COMMISSION (Honorable Mention #3)
MC Wyman, “Three is a Magic Number”

The 3-D Man, Triathlon, and Triplicate Girl, pencils and inks by MC Wyman

It’s only fitting that our third honorable mention goes to this triad-themed tableau by the great MC Wyman, bringing together the triple threat of 3-D Man, Triathlon, and Triplicate Girl. If I had three hands, I’d clap them all.

FAVORITE BOMBSHELLS! COMMISSION
Mike DeCarlo, “Command Performance”

Commandette, pencils and inks by Mike DeCarlo

I only commissioned one new Bombshell! this year, and she was a doozy. (I also received a real gem as a gift from fellow collector Damon Owens.) Veteran Mike DeCarlo turned in a brilliant rendering of little-known Golden Age heroine Commandette, combining his trademark sense of fun with a perfect nose art pinup.

FAVORITE WONDER WOMAN COMMISSION
Gene Gonzales

Wonder Woman, pencils and inks by Gene Gonzales

There are artists whose talents I turn to time and again, because I can always depend on something special. Gene Gonzales, who does more with simplicity and grace than almost any artist I could name, created this beautiful portrait of the Amazon Princess. I don’t know why I didn’t commission Gene to draw Wonder Woman before now, but I’m thrilled that we finally got around to her.

FAVORITE SUPERGIRL COMMISSION
Brian Stelfreeze

Supergirl, pencils and inks by Brian Stelfreeze

Brian Stelfreeze might be the most underrated artist working in comics today. His name rarely gets mentioned with the upper echelon of industry talent — and let’s not talk about the people who get mentioned all the time in that arena, who shouldn’t be — but when I look at Brian’s work, I see the hand of a true genius.

FAVORITE PERFORMANCE BY THE KING OF INKING
Bob Almond, over pencils by Val Semeiks

Valkyrie (Hillman) and Valkyrie (Marvel), pencils by Val Semeiks, inks by Bob Almond

Over these many years, Bob Almond — the man who put the “King” in “inking” — has delivered more stupendous finishes than I could shake Mr. Fantastic at. Bob kicked his already lofty game up a few stunning new levels with his work over the power-packed pencils of Val Semeiks.

FAVORITE SPECIAL TREAT
Al Gordon, over pencils by Jeffrey Moy

Black Canary and the Black Cat (Golden Age), pencils by Jeffrey Moy, inks by Al Gordon

Not only did Al Gordon — a man who’s inked more great comics than I’ve read — completely transform one of the very first Common Elements pieces I ever commissioned, but he also spent a total of nearly two hours, at WonderCon 2011 and in his downtown San Francisco studio a few weeks later, chatting with me about comics and art and everything else under the sun. I’ve met a ton of cool people by way of comics, and Al Gordon ranks among the coolest.

To all Friend Readers who stop by SSTOL from time to time, please accept my apologies that Comic Art Fridays were few and sometimes embarrassingly far between in 2011. I promise to fill this space more regularly in the coming year. (I will, I will, I will.) Thank you for your continued support. May each of you enjoy the happiest, healthiest, and most memorable year ever in 2012.

Comic Art Friday: Nice people rock!

December 23, 2011

As most of you are aware, I celebrated yet another anniversary of my birth on Monday of this week. (That’s December 19, for the calendar-impaired.) That very day, I arrived home from a fun time touring the holiday sights of downtown San Francisco with The Daughter only to discover this beauty of a birthday gift resting on my doorstep.

The Black Widow (Golden Age version), pencils by comics artist Howard Simpson

It’s a surprise addition to my Bombshells! commission theme, drawn by the highly skilled Howard Simpson (no relation to Homer… I think) and commissioned by my friend and fellow comic art collector, Damon Owens. Yes, the same Damon Owens who was the “O” on my Thanksgiving list this year. And that was before I knew this was coming.

As I was pondering my half-century on this planet, it occurred to me how many nice people I’ve met during my 50 years. It’s easy to complain about the absolute jerks that one encounters — and yes, one does encounter them — but it’s equally easy to overlook the fact that most of the people one meets are actually pretty cool.

I’ve met a lot of nice people through my comic art collecting hobby — fellow collectors such as Damon, and comic creators, both artists and writers. I’ve commissioned nearly three hundred original pieces of comic art during the past decade — the 127 pieces that currently comprise my signature themes, Common Elements and Bombshells!, are merely the tip of a ginormous iceberg, as a quick perusal of my online galleries will attest — and perhaps another fifty or sixty inking jobs. I can count on the fingers of one hand the unpleasant experiences I’ve had in dealing with artists. I’d run out of space if I tried to list all of the positive ones.

A few artists — Bob Almond, Geof Isherwood, and Darryl Banks come immediately to mind — have become long-distance friends. I’ve had artists send me free drawings, sketchbooks, cards, and other gifts, just because they appreciated my custom. A couple — Scott Rosema and the aforementioned Mr Almond — have called me on the phone out of the blue, just to see how I liked the work they did for me. I’ve had great chats at conventions with legends of the business like Ernie Chan, Tony DeZuniga, Keith Knight, Ron Lim, Aaron Lopresti, and Bob Layton, and shared engaging correspondence with folks like Gene Gonzales, Val Semeiks, Bob Budiansky, and Luke McDonnell. Al Gordon gave me a personal tour of his studio. I treasure a wonderful letter that the late Jim Mooney included with some art I purchased from him. Guys like Mitch Foust and Michael Dooney send me little notes or sketches of appreciation every time I get new art from them.

There are countless more that I can’t bring to my aging mind at the moment. That doesn’t mean any of them aren’t important.

I’ve met nice people in every aspect of my life. I’ve met a ton of nice people through my voiceover work. I’ve met nice people singing barbershop over the past 15 years. I met some incredibly nice people by way of Jeopardy! — including such folks as Grace Veach, Eugene Finerman, Kate Waits, Leslie Frates, Beverly Spurs, Bob Blake, Bob Verini, Dave Traini, and the nonpareil Ken Jennings, all of whom are among the nicest people I’ve ever met. I’ve met nice people at church… though you kind of expect that. I’ve worked with nice people during both my freelance and corporate careers. I’ve met nice people at the supermarket, at restaurants, and in hospitals. I’ve even met nice people online — one of whom now shares my life.

I’ve been truly blessed by knowing so many nice people in my 50 years. I hope that in the next 50, I’ll meet even more.

And, I hope that I’ll do a better job of being one of them.

Oh, before I forget… the Bombshell! above features the original Black Widow — that’s the Golden Age character, not the catsuit-clad superspy who arrived in the 1960s and is portrayed in the movies by Scarlett Johansson. This Black Widow holds the singular distinction of being the first costumed, superpowered female character in comics history. Other costumed heroines preceded her (the Woman in Red comes immediately to mind), as did other superpowered women (i.e., Fantomah), but the Black Widow was the first comics female to combine both superhuman abilities and a recognizable uniform. She must have known that trend would take off. Perhaps that’s why her civilian name was Claire Voyant. (No kidding.)

In case I don’t get back here in the next few days, I wish all of you nice people a happy holiday season, whichever holidays you choose to celebrate.

Be nice to each other in 2012.

You can still rock in America, even if you need a rocking chair

October 6, 2011

Way back in America’s bicentennial year (1976, for those of you who are either too young to recall or lousy at math), Jethro Tull recorded a concept album entitled Too Old to Rock and Roll; Too Young to Die. The record’s theme reinforced the notion that rock music is a young person’s game. (Remember The Who’s “My Generation” — “Hope I die before I get old”?)

Last evening, the Pirate Queen and I — along with several thousand fellow members of our chronological demographic — spent four blissful hours testing that theory, as ’80s rock fossils Night Ranger, Foreigner, and Journey cut loose with the hits at Sleep Train Pavilion in Concord.

The last time I attended a show at the aforementioned venue, it was a cold, stormy night almost exactly 20 years ago, when KJ and I huddled on the lawn in a pouring rain to hear local favorites Huey Lewis and the News. (Rock historians will recall that as the night music impresario Bill Graham died in a helicopter crash, on his way home from that very concert.) I don’t even think Sleep Train, the furniture chain that’s now the name sponsor of what used to be called simply Concord Pavilion, even existed then. I know this for sure — the long uphill trek from the parking lot to the amphitheater seemed less steep and distant when I was in my late 30s.

By the time we found our seats at ten minutes before the scheduled showtime, opening act Night Ranger had already taken the stage. (Apparently they neglected to make allowances for their now slower-moving target audience.) Still, we managed to hear 95% of a sharp-edged set that included the band’s most familiar tunes — “When You Close Your Eyes,” “Sing Me Away,” “Don’t Tell Me You Love Me,” and prom-night legend “Sister Christian.” The band also busted out a credible cover of Damn Yankees’ “Coming of Age,” a nod to the band bassist and singer Jack Blades co-founded while on hiatus from Night Ranger in the early 1990s. The set concluded with “(You Can Still) Rock in America,” complete with flags and red-white-and-blue graphics.

Of the evening’s three acts, Night Ranger most resembled the lineup most famous under the name. All three of the band’s founding members — Blades, drummer/vocalist Kelly Keagy, and lead guitarist Brad Gillis — were on stage, and in top form. Keagy even stepped out from behind his kit for the opening of “Sister Christian” (which he wrote for his younger sister). Blades remains the energetic frontman he’s always been, and Gillis’s powerful riffs found a worthy match in those of relative newcomer Joel Hoekstra.

Night Ranger’s kickoff performance earned an enthusiastic three-and-a-half tailfeathers out of a possible five from your Uncle Swan, even though I’ve never really been a huge fan of the band. The Pirate Queen’s assessment was more subdued — “too rock and roll for me,” she opined as the stage was being reset for Foreigner. (Yes, “too rock and roll” sounds oxymoronic to me, too.)

When Foreigner launched into their set with “Double Vision,” I whispered to the Pirate Queen, “There’s not a single member of the Foreigner I remember on stage.” (“I wish you hadn’t told me that,” came the terse reply.) Indeed, the only original member who’s still with the band — guitarist Mick Jones — has missed much of the group’s current tour due to health problems, leaving what basically amounts to a flashy cover band performing under the Foreigner logo.

Not that Faux-reigner doesn’t put on one heck of a show — they certainly do. Former Hurricane lead singer Kelly Hansen represents a total departure in both vocal quality and stage presence from Foreigner’s original vocalist Lou Gramm (to my sensibilities, Hansen both looks and sounds a lot like Aerosmith’s Steven Tyler), but that’s not necessarily a bad thing. While he trades Gramm’s sweet tenor for a husky heavy-metal growl, Hansen’s a lot more fun to watch than the relatively laid-back Gramm ever was. (He also deftly handled a technical glitch when his wireless microphone went dead during the opening verse of “Head Games.” He probably thought someone was playing… oh, you’ll figure it out.) Hansen’s favorite foil, multi-instrumentalist and Tom Jones doppelganger Thom Gimbel, seemed to have a blast bouncing from rhythm guitar to saxophone (mostly notably for a ripping solo on “Urgent”). Mick Jones’s stand-in on lead guitar, Bruce Watson (formerly of Rod Stewart’s backup band), did a nice job handling the familiar Foreigner repertoire.

And familiar it was. I don’t think there was a single number in the entire Foreigner set that’s not still in heavy rotation on classic-rock radio stations everywhere. From “Cold As Ice” and “Dirty White Boy” to “Feels Like the First Time” and “Hot Blooded,” the Foreigner soundalikes tore through hit after hit in fine style. The only weak points came with the lush ballads “Waiting for a Girl Like You” and “I Want to Know What Love Is,” which simply aren’t well suited to Hansen’s vocal style, or vice versa. As is the band’s custom, they brought on a local choir — in this case, from a Concord high school — to back up the latter song. The kids were… well… cute.

The band saved my all-time favorite Foreigner number for the encore: “Juke Box Hero.” Hansen was back in his element for this crowd-pleasing crusher, which left the audience shouting for more — despite the cheesy computer graphics that looked like they’d been cribbed from an ancient Commodore 64 video game.

Uncle Swan gave Kelly Hansen and Faux-reigner a solid four tailfeathers out of a possible five for their rousingly entertaining set. The Pirate Queen enjoyed them too, despite the disappointing lack of original Foreigner personnel.

After waiting in interminable lines for the restrooms, we were ready for the night’s headliner. Journey grabbed the audience from jump street with the pounding, soaring “Separate Ways.” I was especially curious to hear how the band’s current lead singer, Arnel Pineda, would sound live. Any doubts I might have harbored vanished during the opening number.

Pineda, the Philippine native famously hired after guitarist Neal Schon discovered him singing Journey covers on YouTube — is the real deal. His phrasing isn’t as nuanced as that of Journey’s legendary former vocalist, Steve Perry (probably because English is Arnel’s second language), but Pineda has the same power and pure clarion tone. He’s also a nonstop dynamo on stage — running, dancing, leaping. I couldn’t believe the guy is in his mid-40s. I’m only five years older, and if I cavorted like Arnel for just two songs, I’d need a good night’s sleep and half a bottle of ibuprofen.

Schon blazed through his trademark solos in rare form. I’d swear he’s a tighter player now than when I last saw Journey live 30 years ago. Keyboardist, singer, and occasional guitarist Jonathan Cain and veteran bassist Ross Valory held down their roles as musical backbone and elder statesmen flawlessly. The band’s secret weapon is drummer Deen Castronovo, who’s played with everyone from Ozzy Osbourne to Steve Vai. Castronovo brings a heavy-metal thunder to Journey’s pop-rock sound, lending their concert sound more punch and depth than I remembered.

I liked that Journey surrounded the expected hits — “Lights,” “Wheel in the Sky,” “Faithfully,” “Open Arms” — with some of their lesser-known songs from the band’s classic period, specifically “Stone in Love,” “Only the Young,” and “La Do Da.” I was okay with them salting in a couple of numbers from their new album (“City of Hope,” the first single from Eclipse, is a pretty decent song that compares favorably with the band’s vintage material), because you’ve always gotta be promoting. I longed for a few old favorites — “Anytime,” “Just the Same Way,” “Line of Fire,” and “Who’s Crying Now?” in particular — but by the time Journey plowed into its roof-raising two-song encore (“Any Way You Want It” and the inevitable “Don’t Stop Believin'”), I’d forgotten that I’d missed anything.

Journey scores a whopping four and one-half tailfeathers out of five for kicking it old school, but with Arnel Pineda’s fresh energy. (Uncle Swan docks Neal Schon half a tailfeather for that whole Michaele Salahi business. Y’know, just for the tacky factor.) The Pirate Queen proclaimed the entire show the best concert she’s seen in years, outside of Madonna. It’s tough to argue with Madonna.

Not all of the music from three decades ago holds up today — listen to any Kim Carnes lately? — but the arena rock of Night Ranger, Foreigner, and Journey still brings joy to my middle-aged ears. We had a great time reliving the glory days with this trio of iconic ensembles. It was well worth the interminable hike to and from the Sleep Train Pavilion parking lot, and a night of short sleep.

You can, in fact, still rock in America. Even if your lead singer is from the Philippines.

RIP, Donnie the K

January 18, 2011

This will only mean something to you if you were listening to pop-rock music in the 1960s and ’70s, or watched TV programs of similar vintage revolving around said music.

Don Kirshner is gone.

Kirshner — or Donnie the K, as I like to call him — started out as a Tin Pan Alley music publisher, whose stable included numerous legendary songwriting duos, from Goffin and King to Sedaka and Greenfield. But he became a household name in the ’60s as the impresario behind prefabricated-for-television pop groups such as The Monkees and The Archies.

In the ’70s, Kirshner’s eponymous record label signed the progressive-rock band Kansas, unleashing a string of hits including “Carry On Wayward Son” and “Dust in the Wind.”

That same decade, Kirshner began producing and hosting the late-night TV music series, Don Kirshner’s Rock Concert. Donnie the K’s eerily awkward on-camera presence made him the butt of numerous jokes — including an infamous Saturday Night Live sketch starring Paul Shaffer, who later starred in a sitcom produced by Kirshner called A Year at the Top — and proved the venerable maxim that record producers should be neither seen nor heard. Still, the show ran for a decade, and featured pretty much every big-name act in pop music at one time or another.

As a kid who loved the songs of The Monkees and The Archies (“Sugar Sugar” was one of the first mainstream pop records I ever owned), and later as a teenager who was a major-league Kansas fanatic (I celebrated my 19th birthday at a Kansas concert at San Francisco’s Cow Palace), Don Kirshner contributed mightily to the soundtrack of my youth — even though he never sang or played a note. (For which, if his musical talents matched his abilities as a master of ceremonies, the universe should be eternally grateful.)

They also entertain who only sit and write checks.

Comic Art Friday: The very best of 2010… maybe ever

December 31, 2010

In previous years, I’ve presented my favorite comic art acquisitions of the foregoing 12 months on the last two Fridays before year’s end. Last year, I mustered sufficient ambition to make an entire week out of it.

2010 was a sparse collecting year for me, for reasons you can probably deduce if you follow this blog with even a modicum of regularity. Despite the small number of pieces I added this year, the quality overall was exceptional, as you’ve observed if you’ve been stopping in on Comic Art Fridays like you know you ought to. I’m delighted with every single commission that was done for me in 2010.

But when it comes to my Best of 2010, one artwork stands alone. And you haven’t seen it before now.

KJ as Electra Woman and KM as Dyna Girl, by comics artist Geof Isherwood

If you were a kid in the 1970s, the costumes will be familiar even if the faces of the women wearing them are not: Electra Woman and Dyna Girl, whose adventures elevated The Krofft Supershow on Saturday mornings in 1976.

Electra Woman (played by actress Deidre Hall, better known as Dr. Marlena Evans on the long-running NBC soap opera Days of Our Lives) was in everyday life a magazine journalist named Lori, while her youthful sidekick Dyna Girl was really her assistant Judy (played by Judy Strangis, better known as one of the students on the seminal high school drama Room 222). In a thinly disguised distaff knockoff of Batman and Robin, the duo battled crime using an amazing array of high-tech gadgets, the names of which invariably began with the prefix “Electra-” (at least it wasn’t “Bat-“). Most notable among their toys were their ElectraComs, clunkier versions of Dick Tracy’s famous wrist radio.

EW and DG’s 15-minute exploits lasted a single season — they shared their hour of airtime with segments featuring Dr. Shrinker (a mad scientist who invented a miniaturizing ray), Wonderbug (a flying dune buggy manned by three hip postadolescents), and Kaptain Kool and the Kongs (a faux rock band in the mode of the Monkees). Wonderbug and the Kaptain soldiered on for another year of Supershow after the Day-Glo superheroines and the incredible shrinking doctor got their walking papers.

But now you’re wondering… who’s that masquerading as Electra Woman and Dyna Girl?

On the left is my late wife KJ, a natural brunette who’s sporting a blonde wig here in imitation of Deidre Hall’s flowing locks. On the right is The Daughter, also referred to in this space as KM.

My original plan for this commission started long before KJ passed away due to breast cancer in July of this year. In fact, artist Geof Isherwood and I first discussed a KJ/KM tribute several years ago, but the project went onto the back burner — my fault, not Geof’s — for quite some time. In the aftermath of KJ’s passing, though, I knew it was time to complete the job.

When Geof and I brainstormed the idea initially, my concept was to dress KJ as Wonder Woman — the superheroine she most identified with — and The Daughter as Supergirl, which has been one of my pet names for her since she was young. The more I thought about it, though, the more I realized that wouldn’t work. KJ, who underwent a radical mastectomy in 2000 and was always a modest dresser even before that, would never have donned Wonder Woman’s signature bustier. She was, on the other hand, a dedicated Days of Our Lives fanatic — as is The Daughter even now — so portraying her in the guise of Deidre Hall’s Electra Woman struck me as the perfect compromise.

Although I commissioned this drawing in ink, Geof insisted on painting over his inks in watercolor, to create a stunning showpiece. This project became a labor of love for the artist, whose beloved wife Sonja also lost her battle with cancer in 2009. The final result is both a sterling example of Geof’s always brilliant work, and a fitting tribute to the two strong young women who have shared my life.

Geof Isherwood’s masterpiece reflects all of the reasons why I collect original comic art. I couldn’t have asked for more.

May you and yours enjoy a joyous, healthy, and fulfilling 2011, friend reader. Your Uncle Swan thanks you for all of your support and encouragement during his darkest, most challenging year, and promises to blog more often during the coming 12 months.

And that’s your final Comic Art Friday of 2010. Happy New Year, everyone!