Archive for the ‘Dead People Got No Reason to Live’ category

SwanShadow Gives Thanks, Volume 15: Crystal Turkey Edition

November 22, 2018

As unlikely as it seems, this post marks the 15th anniversary of my yearly Thanksgiving Day blog entry. Given that crystal is the traditional gift for a 15th anniversary, I will attempt herein to be as transparent, sparkling, and multifaceted as possible.

Those of you (and you know who you are) who’ve kept up with these posts over the years know that I have many, many people and things in my life for which I am thankful. I don’t take that responsibility of gratitude lightly. I earnestly, honestly appreciate how blessed my life is.

When I roll over the side of the bed every morning, even when that effort comes accompanied by the creaks and crackles of advancing age, I am grateful that I have two feet to stand on, and legs that support the standing. I know there are millions of people in the world who can’t get out of bed and would give anything to do so. And, as I go about my day, I am thankful that I have a comfortable home, clean clothes, abundant food and water, work I enjoy, the entertainment of a companion animal, and the love of a life partner. I know there are millions of people who have few, or none, of these, and would sacrifice anything they do have to possess that which they do not. I am not better, or more deserving, than they. I am merely more fortunate. Again, I don’t take that for granted.

And especially when I find myself living in a state where entire communities have been consumed by disastrous wildfires over the past year-plus, robbing people of every material possession and a lifetime of treasured memories…

I take none of this for granted.

Because I have far more things to be thankful for than I can enumerate, on Thanksgiving Day it’s been my custom these past 15 years to focus my gratitude on a list of just 26 items, one for each letter of the alphabet. Some items on the list are trivial (indeed, some are literally that). Others are profound. All stand in the place of many, many others that I simply haven’t time in one day to name. It’s just my way of acknowledging how deeply moved in soul and spirit I am when I pause to consider how rich my life is, even in those countless moments when I feel poorly within.

With all that said, on Thanksgiving Day 2018, here are the things for which I’m giving thanks.

Air. In our part of the world, it’s easy to forget about air — we have it fresh and without limit… until an event like the fire that destroyed Paradise, California clouds the atmosphere with toxic fumes and ash for days on end, even for those of us living a couple hundred miles from the event. After breathing soot for two weeks, today’s clean air (courtesy of our first rains in months) gives us NorCal residents something extra special to celebrate.

Bob Almond. My comic art collection began in earnest almost simultaneously with these annual posts, 15 years ago. During that time, one artist’s work has come to be represented in my galleries far more frequently than any other — more than 50 times, at last count. It might be easy to miss that, however, because Bob Almond toils as an inker, an embellisher of other artists’ pencil drawings. Bob’s unique ability to meld his ink lines with a broad variety of styles — always enhancing, never imposing or interfering — gives me the confidence to keep putting projects in his capable hands, knowing that the art will always return to me better than when it left. And, as founder of the Inkwell Awards, Bob labors tirelessly to gain recognition and appreciation for other practitioners of his craft — artists whose work often goes unnoticed, but is indispensable to the art form we call comics.

Confetti. I play quite a few online trivia games (although fewer all the time, it seems, as some of the upstarts have gone or are going out of the picture). I have the most fun playing the Facebook-based Confetti every weeknight. Confetti’s distinction is that it allows one to play in concert with one’s Facebook friends, seeing their responses to each question in real time and benefiting from their collective wisdom. Assuming, of course, that one has smart friends. I just happen to be lucky that way.

Doctor Who. Until this season, I haven’t been a regular viewer of Doctor Who, the venerable BBC science fiction series, since the days of the Fourth Doctor, played by Tom Baker in the 1970s. When the show was revived several years back, I sampled an episode or two of each new incarnation of the Doctor, but was never drawn back into steady attendance. Then came the Thirteenth Doctor, played with charm and spunk (and a goofy-to-American-ears Yorkshire accent) by Jodie Whittaker, the first female actor to be cast as the Time Lord. In the Doctor’s own phrase, “Brilliant!”

Egg foo young. Yes, I know, it’s not real Chinese cuisine. But sometimes, I just gotta have it. It’s probably the gravy.

Freddie Mercury. I have yet to see Bohemian Rhapsody, the recent biopic starring Rami Malek as the legendary front man of Queen. Part of my reluctance is the reviews. The greater part, though, is my fear that nothing could compare with the reality of Freddie, perhaps the most uniquely talented performer in rock history, and one whose music and memory means so much to me.

Garlic. Can’t cook without it. Okay, maybe breakfast. But not after that.

Hawaiian Airlines. Truly the friendliest airline in the skies. You’d be friendly too if every one of your round trips ended in Hawaii. At the Pirate Queen’s insistence, I got a new credit card this year that earns Hawaiian Airlines flying miles. Maybe one of these years I’ll earn enough miles to just stay.

Infinity War. Every time I think the Marvel Cinematic Universe has gone about as far as it can go, Kevin Feige and company find a whole new way to turn things up past 11. Coming in hot on the heels of Black Panther — quite possibly, the greatest superhero film ever made, and one that could have dominated this Thanksgiving list had I not decided not to be quite so obvious — Avengers: Infinity War raised the stakes and broke our hearts by taking our Panther (and several other Marvel headliners, including Spider-Man and Doctor Strange) away. The sequel can’t get here fast enough. (Also, Black Panther 2.)

Journalists. I’ve never practiced the trade — the closest I came was my years as an online film reviewer — but I trained at university as a journalist. I value the talent and commitment of those who tell the true stories within our world, and deliver the news even when those in power would undermine and even physically thwart them. Now more than ever, we need legitimate journalism, and we all need to support those outlets and individuals determined to publish the truth.

Kansas. This summer, the Pirate Queen and I spent a weekend in Central California centered around a concert by the classic rock band Kansas. This was the fourth time I’ve seen Kansas live — the first was on my 19th birthday, at the Cow Palace — but the first time in more than 20 years. I still love the music. Kansas is the only significant American band to focus largely on progressive rock for the majority of its career (yeah, I know, Styx — but they were only prog-ish, and at that, only sometimes). Rock and Roll Hall of Fame? Maybe not… but who cares? All we are is dust in the wind.

Lutron. One of the many things I love about our little abode here at Pirates Cove is the auto-dimming LED light fixtures, manufactured by a company named Lutron about whom I know nothing. Great lights, though.

Marriage. In the words of a certain Impressive Clergyman, “Mawwiage is what bwings us togevvah today.” In May, The Daughter entered into vows with The Son-In-Law. It was a beautiful day, and they still seem totally happy together six months later. I’m glad she found someone special to share her heart and her life with (and he does indeed seem like a great guy). I’m glad that the Pirate Queen and I found each other, too. Ain’t love grand?

Notability. An essential tool in my everyday working life — I import all of my scripts into it, where I can annotate and mark them up as I will. I also use it for note-taking in workshops and sessions, and for general brainstorming. If you can use a high-quality document markup / notation tool with a wealth of functionality, I highly recommend Notability. (Not a paid endorsement. Just a satisfied customer.)

Outrigger Reef Waikiki. We stayed here on this year’s trip to Oahu, and it immediately became our new favorite hotel on the island. Centrally located on Waikiki Beach, the Outrigger Reef offered a ton of features that we liked: unmatched location, warm hospitality that personifies aloha, first-rate beach access, a reliable breakfast venue, super-convenient layout that minimizes walking (something that can’t be said of many large resort hotels), great pool, live music nightly, and a Starbucks. I almost hate to mention it here, because now you people will fill it up the next time we want to stay there.

Pre-Raphaelite Brotherhood. The Legion of Honor Museum in San Francisco has presented a couple of exhibitions in recent years featuring the works of the Pre-Raphaelite Brotherhood, an association of 19th-century British artists and writers. This year’s show afforded the opportunity to see a number of stunning paintings by the Brotherhood’s leading lights: Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais. I’m always impressed by art that keeps me thinking about it for days after I’ve seen it. The Pre-Raphaelites and their acolytes accomplish that.

Quizmasters. Having written a few quizzes for LearnedLeague and elsewhere, and played thousands more, I’m acutely aware of how difficult it is to compose top-shelf trivia questions and answers. I’m in awe of people — including LearnedLeague Commissioner Thorsten A. Integrity and newly inducted Trivia Hall of Fame member Paul Paquet — who manage to do it consistently over long periods of time.

Radio. As some of you know, I was a radio disc jockey in a previous life. Thanks in part to the SiriusXM subscription that came with our new Subaru Forester, I’ve been listening to more radio of late. It’s a format that I hope never goes away.

Stan Lee. Some idolized Marvel Comics writer/editor/publisher “Stan the Man” and gave him perhaps more credit than he deserved. Others in their zeal to counteract Stan’s penchant for self-aggrandizement were perhaps too quick to denigrate his contributions. All I know is this: Stan Lee co-created (we can disagree as to what percentage) several of the most iconic characters and stories of my lifetime, including some that had a tremendous impact on my youth and beyond. I can’t say this about many people whom I never met, but I would be a dramatically different person today were it not for Stan Lee. Rest in peace, and excelsior.

Taarna. I don’t like to talk myself up, but for some years, I was among the primary resources online for information about the 1981 animated science fiction anthology film Heavy Metal. I compiled and maintained the Squidoo lens spotlighting the movie, contributed significantly to its Wikipedia entry, and wrote material about the film for several (mostly now defunct) websites. My art collection reflects my obsession, with its gallery of commissioned artworks featuring Taarna, the lead character in Heavy Metal’s concluding segment and star of its iconic poster. When Sideshow Collectibles announced early this year that they were releasing a statue of Taarna, I knew I had to own one, even though I’m not a statue collector. The Taarakian defender now upholds The Pact from a shelf in my office/studio.

Ukulele. I decided a while back that I wanted to learn to play the ukulele. This decision did not come without trepidation — I took years of guitar lessons as a youngster and never got very good at playing the guitar. (Which is a charitable way of saying that I totally sucked at playing the guitar.) I’ll probably never be very good at playing the ukulele either. But even my clumsy fretting and strumming brings me joy. That’s something, yes?

Victoria Coren Mitchell. One of the world’s best female poker players, and the presenter of one of my favorite quiz shows, Only Connect. Is there anything she can’t do?

Walt Disney’s Enchanted Tiki Room. I fell in love with the Tiki Room on my first visit to Disneyland, way back in 19[mumble][mumble]. When I visited with the Pirate Queen in February of this year, I found my love unabated. It’s cheesy yet classic, dated yet timeless, silly yet charming. The performances by the lead voice actors (Wally Boag, Thurl Ravenscroft, Fulton Burley, and Ernie Newton) remain engaging, despite their broad (some might say stereotypical, and some might not be wrong) accents. There’s always at least one Audio-Animatronic character that doesn’t function quite perfectly. And yet, the moment the Tiki Room show concludes, I want to queue up again for another round. It’s one of my favorite childhood memories. Also, Dole Whip.

Xenon. It’s the noble gas used most frequently in film projection lamps. When you go to the movie theater and look at the brightly lit screen, you’re seeing xenon at work.

Yacht Rock. It’s not just a musical genre — it’s a way of life. The smooth, studio-crafted, jazz-inflected sounds of such late-’70s/early-’80s acts as Steely Dan, Toto, Kenny Loggins, Christopher Cross, Al Jarreau, and the Michael McDonald-era Doobie Brothers are my jam. (One of my jams, anyway.) Please don’t confuse true Yacht Rock with that stuff that gets played on the SiriusXM channel of the same name — most of it’s Nyacht Rock. (Hint: Jimmy Buffett is Nyacht Yacht Rock.) For the real deal, check out the pioneering 2005 web video series Yacht Rock, and Beyond Yacht Rock, the subsequent podcast hosted by connoisseurs JD Ryznar, Dave Lyons, Hunter Stair, and “Hollywood” Steve Huey.

Ziploc bags. I don’t know who invented them, or how that individual came up with the technology. But how did we ever live without them? The ones with the slider sealing mechanism? Pure engineering genius.

And as always, friend reader, I’m grateful for you. Thanks for stopping by on yet another Thanksgiving. I hope you’ve found much to be thankful for today. If you have, share some with someone who has a little less.

Peace.

Comic Art Friday: Common Elements Sesquicentennial

December 1, 2017

When I began my Common Elements commission series back in 2004, the thought never really seeped into my consciousness that one day I would own 150 of these custom artworks. And yet, 13 years later, here we are.

Mary Marvel and Isis, pencils and inks by Ramona Fradon

From the beginning, Common Elements has been a labor of love. (Or maybe obsession.) Not only has it afforded me the opportunity to interact with more than 100 individual comic artists — 111 at present count — but it’s also served as a unique testimony to my spider-web-like thought process.

People who know me in the real world will attest that I have a bizarre knack for mentally tying disparate things together. Mention a movie, a book, a song, or even just a word, and I immediately think of a dozen other items that connect in some way to whatever you mentioned. (If you want to know the secret to my dubious success as a Jeopardy! champion, that’s two-thirds of it right there.) Sometimes those connections are obvious. Sometimes they’re ties that almost no one else would identify. And that, of course, is Common Elements in a nutshell.

(Which reminds me: I really need to get Squirrel Girl into a CE. And yes, I already have a couple of ideas.)

When I realized that the next Common Elements piece I commissioned would be #150, I wanted to do something special to mark the anniversary. Then a note scrolled by on my Facebook feed indicating that Eisner Hall of Fame artist Ramona Fradon was celebrating her 91st birthday. Since I don’t know of any comic artists who are 150 years of age and still drawing breathing, I figured that the legendary Ms. Fradon was as close as I was likely to find. Toss in the fact that Ramona also penciled Common Elements #91 (featuring her co-creation Metamorpho alongside Hourman), and the appropriateness could not have been more clear.

Knowing the lovely lighter tone which with Ms. Fradon depicts characters, I assigned her the pairing of Mary Marvel and Isis. Those of you of a certain vintage will remember that Mary’s brother Captain Marvel (called Shazam in more recent DC comics, mostly due to trademark conflicts involving the several Marvel Comics characters known as Captain Marvel, all of whom postdate the Big Red Cheese) headlined his own live-action Saturday morning TV series in the mid-1970s.

Originally, Filmation — the studio that produced the program — wanted to pair Captain Marvel with his sister Mary. Depending on whose account you believe, either DC wanted more money in broadcast rights fees for the use of Mary Marvel than Filmation wanted to pay, or DC refused to offer Filmation Mary’s broadcast rights in order to keep her available for future TV/movie projects. Whatever the particulars, Filmation decided to proceed without Mary. Instead, they created a new character called Isis, who shared several of Mary’s attributes — an ordinary young woman (an adult schoolteacher, unlike the teenaged Mary) gained a costume and superpowers (based on figures from Egyptian mythology, whereas Mary’s derived from mostly Greco-Roman deities) by speaking a magical incantation (“O mighty Isis!” instead of “Shazam!”). Thus, The Secrets of Isis became the companion series to Filmation’s Shazam!

DC published, concurrent with the TV show, a comic book series featuring Isis. They didn’t hire Ramona Fradon to illustrate it, but as you can judge from our featured artwork, they would not have been wrong if they had. (No slight intended to the talented Mike Vosburg, who drew most of the Isis comics and did a fantastic job.)

Interestingly, a retooled version of Isis recently joined the cast of the TV series, DC’s Legends of Tomorrow. The new character, played by actress Tala Ashe, goes by the code name Zari instead of Isis, for reasons that you can easily surmise if you’ve read or watched the news anytime in the last decade. And though she doesn’t transform, she does wear an amulet resembling the one originally worn by Isis.

In honor of Common Elements’ 150th, I’ll share a few random facts about the series to date:

Most prolific pencil artist: Ron Lim, with six Common Elements credits (CE #’s 48, 80, 100, 111, 118, and 124).

Most prolific inker: Bob Almond, who has inked 15 Common Elements projects thus far, and will doubtless ink more in days and years ahead.

Characters most frequently represented: Wonder Woman and Vixen, with four appearances each (although none together). Six characters have made three appearances: Storm, Valkyrie, Luke Cage, Ms. Marvel, Mary Marvel, and Black Cat (that’s Linda Turner, the Golden Age Black Cat; the modern-era Black Cat, Felicia Hardy, appears only twice, counting one commission that is currently in progress). A total of 39 characters appear twice each.

Characters who appear in multiple guises: Four Jean Grey (as Marvel Girl and Phoenix), Steve Rogers (as Captain America and Nomad), Michael Jon Carter (as Booster Gold and Supernova), and Greer Nelson (as Tigra and The Cat).

And the saddest list of all — the artists who have passed since contributing their Common Elements creations: RIP Herb Trimpe, Rich Buckler, Ernie Chan, Dave Hoover, Tony DeZuniga, and Al Rio. I’ll extend an honorary mention to Dave Simons, who was working on a Common Elements commission at the time of his passing. The concept Dave was assigned was later commissioned to, and completed by, Dave’s longtime collaborator Bob Budiansky (CE #92).

Questions I’m asked:

What’s your favorite Common Elements commission? I’d never be able to narrow it to just one. Even if I chose a Top Ten, I might pick an entirely different group if you asked me on another day. Thus, my standard answer: “The next one.”

If money were no object, who’s the “holy grail” Common Elements artist? It would be difficult to top a Common Elements piece by Adam Hughes, Alex Ross, or Mark Schultz. There are several others close to those three, but whom I realistically think I might be able to land someday.

Are there artists who are no longer with us whom you regret not commissioning when you could have? So many… but at the top of the list (limiting the scope to artists active since I began Common Elements) would have to be Mike Wieringo and Darwyn Cooke. My all-time dream would be Dave Stevens, but Stevens would have been unattainable even when he was still alive and working.

Name three artists from any period in history you’d resurrect to draw a Common Elements commission. Titian, Alphonse Mucha, and Albert Joseph Moore. Add one from comics history: Matt Baker.

How many Common Elements concepts are still on your to-do list? Probably another 150… and the list grows all the time.

And that’s your Comic Art Friday.

Comic Art Friday: Top Ten from the Temple of Diana

June 23, 2017

Yes, I know this Wonder Woman tribute post is a few weeks overdue. I had intended to do something to coincide with the premiere of the film (which I loved, incidentally), but just didn’t get to it until now.

Wonder Woman has been one of my favorite comic book heroes for nearly half a century. She has also been a cornerstone of my comic art gallery since I began collecting in earnest 13 years ago. I own more artworks featuring Diana of Themyscira than of any other character — more than 60 pieces, at current count, which is twice as many as the second leading character in my collection (Supergirl). Aside from my Common Elements theme, Wonder Woman art represents the largest single segment of my collecting hobby.

Choosing among my Dianas proved no easy task, but here are my ten favorite (at least today) Wonder Woman images, listed alphabetically by penciler.

Diego Bernard

WonderWoman_Bernard

As classic as it gets — powerful, graceful, beautiful. When I close my eyes and think “Wonder Woman,” she looks pretty much like this.

Michael Dooney (Bob Almond, inks)

WonderWoman_DooneyAlmond

Michael Dooney is a pinup artist par excellence. His stylish take on Diana — with a couple of costume suggestions from your Uncle Swan — demonstrates that.

Adam Hughes

WonderWoman_Hughes

If I can only own one Adam Hughes original — and to date, that’s been the way that circumstances and budget have worked out — it might as well be his deft take on Diana. Hughes is most widely renowned for his rendering of the feminine form, but it’s the eyes that make this one.

James E. Lyle (Buzz Setzer, colors)

WonderWoman_LyleSetzer

I love seeing a unique take on a familiar character. James E. Lyle (“Doodle” to his friends) creates a winner here.

Peter Krause

WonderWoman_Krause

I refer to this picture as “Diana’s Day Off.” I love the idea of her just relaxing by a lake, dipping her toes into the cool water, and letting someone else battle evil for a day.

Geof Isherwood

WonderWoman_Isherwood

Geof Isherwood is one of the most underrated artists in the business, period. His approach to Diana here is simultaneously classic, ultra-modern, and just a tiny bit off-center… in a good way.

Alan Patrick (Bob Almond, inks)

WonderWoman_PatrickAlmond

A perfect setting for our Amazon warrior — a battle that might be taking place in ancient Greece a couple of millennia ago. Alan Patrick’s composition is outright stunning.

Jason Michael Paz (Geof Isherwood, inks)

WonderWoman_PazIsherwood

I often post this piece online to honor one of our traditional servicepersons’ holidays, Memorial Day or Veterans Day. Wonder Woman leads the charge into battle as only she can.

Brian Stelfreeze

WonderWoman_Stelfreeze

Few artists can convey as much with just a few perfectly placed lines as can Brian Stelfreeze. And his acting — the expressions on his faces, the body language of his figures — never fails to be anything but powerful.

Al Rio (Geof Isherwood, inks)

WonderWoman_RioIsherwood

The first Wonder Woman piece I ever personally commissioned. The particulars of Diana’s costume were my suggestion. Everything else you see here sprang from the imagination of the now departed and deeply missed Al Rio. What a phenomenal talent the comic art world lost when he left us.

Let’s add one honorable mention. I don’t fully embrace the notion of a Wonder Woman / Superman romance for several reasons, but this piece is just so darned cute, it almost makes me a believer. Sadly, it’s the only original artwork I own by the late Mike Wieringo, whose work I absolutely love.

Mike Wieringo (Richard Case, inks)

WonderWoman_Superman_WieringoCase

If you’re interested in checking out my Temple of Diana in its entirety, pop on over to my gallery at Comic Art Fans. There, you can see every Wonder Woman artwork I own, along with a bunch of other amazing art that happens not to feature the Themysciran Princess.

And that’s your Wonder Woman Art Friday.

 

Comic Art Friday: Princess forever

March 24, 2017

It’s rare that a commission that turned out so lovely would stir emotions so bittersweet.

Princess Projectra, Princess Leia, and Princess (Jun the Swan), pencils and inks by Diego Bernard

I’d had this concept on my to-do list for quite a long time. Bringing together three sci-fi/fantasy princesses — Princess Projectra of the Legion of Super-Heroes, the Star Wars saga’s Princess Leia Organa, and Princess of Battle of the Planets‘ G-Force (or, if you prefer, Jun the Swan from Gatchaman, although that alternate identity doesn’t quite fit our theme) — makes for a perfect Common Elements scenario. And when the opportunity happened along to commission Diego Bernard, whose deftly detailed work has graced the pages of such series as X-O Manowar and Witchblade, I figured it was a match made in comic art heaven.

With great excitement, I commissioned this piece on December 15, 2016.

Twelve days later, Carrie Fisher died.

There have been a couple of instances where the death of an artist impacted one of my art projects. I’ve related the story of how Dave Simons had begun work on a Common Elements piece teaming Batgirl and Ghost Rider shortly before his untimely demise. (Bob Budiansky, Dave’s artistic collaborator on the Ghost Rider series, later accepted the commission that Dave tragically did not live to complete.) And I’ve mentioned that Tony DeZuniga and I had discussed a Jonah Hex-Scarlet Witch Common Elements just prior to Tony’s passing. (Pete Woods eventually completed that assignment.) But never before had the living inspiration for one of my projects died while an artist had the job literally on the drawing board.

I knew that some who saw this piece when completed would think, “That’s a nice tribute to Carrie Fisher.” It felt important to note that I didn’t intend the project that way. I would much rather for Ms. Fisher’s family, friends, and innumerable fans that she were still here to breathe life into Princess Leia — now General Organa in the current Star Wars sequels — for many years to come.

On film, and on this page, she’ll remain our Princess forever.

And that’s your Comic Art Friday.

Comic Art Friday: A Bettie by any other name

June 20, 2014

In my online gallery at Comic Art Fans, there’s a page I call — for lack of a better term — “The Coed Room.” It’s the place where I file random artworks that feature some combination of male and female characters.

Some of the pieces in this section are group shots — the Barry Kitson Justice League sketch, for example, or my Suicide Squad commission by Geof Isherwood. Others are pairings of related characters — the Superman and Supergirl piece by Al Rio and Bob Almond fits this category, as do the two pinups starring Doc Savage and his cousin Pat, by Darryl Banks and Ernie Chan.

Several of the Coed Room items, however, are what I would term “couples shots” — depictions of male and female characters who have been romantically linked at some point. Here’s the latest addition to this particular category: an action scene showcasing the high-flying Rocketeer and his lovely paramour, as drawn by a talented artist from the Philippines named Brian Balondo.

The Rocketeer and Jenny Blake, pencil art by Brian Balondo

You’ll notice at the top of the page that Brian titled this piece “Rocketeer and Jenny.” If you know the history of these characters, you’ll get a chuckle out of that. Jenny Blake was the name given to the female lead in the 1991 Disney film The Rocketeer; in the movie, she’s played by Jennifer Connelly. In Dave Stevens’s original comic book stories, however, Cliff “Rocketeer” Secord’s girlfriend’s name is Betty — an homage to 1950s pinup queen Bettie Page, whose likeness Stevens used as the model (no pun intended) for the character’s appearance.

When screenwriters Danny Bilson and Paul DeMeo — now familiar to genre buffs as co-creators of such TV series as Viper and the 1990s version of The Flash — pitched the concept to Disney, they changed the name of the main female character to Jenny (and gave her a surname, Blake, which she lacked in the comics), masking the connection to the notorious star of nude postcards and bondage porn… not exactly in line with Disney’s family-friendly image. (Although I can pretty much guarantee that everyone’s family has at least one member who’s a fan of nude postcards, or bondage porn, or both.) The name change was cemented when the film went into production.

I can always tell, when The Rocketeer comes up in conversation, whether people know the character from the comics or the movie — by which name they use for the heroine.

Dave Stevens’s use of Bettie Page’s likeness in the Rocketeer comics helped spark a renewed interest in the legendary model, who by the early 1980s had largely faded from the public consciousness. In the decades since, Ms. Page (who passed away in 2008 at the age of 85) has risen to cult status far above that of her 1950s heyday. There have been two feature films about Bettie — a fictionalized production starring Gretchen Mol in the title role, as well as an award-winning documentary (the Pirate Queen and I attended a screening of the latter last year) — an infinite assortment of Bettie-inspired art (most notably by Jim Silke, creator of the Bettie Page comic series, and internationally recognized pinup artist Olivia De Berardinis), as well as a cottage industry of licensed (and, I suspect, bootleg) Bettie Page paraphernalia.

Until just a few days ago, a nationwide chain of Bettie Page clothing stores (including a location on Haight Street here in San Francisco) featured retro-styled fashions inspired by Ms. Page. As a result of litigation by the firm managing licensing for Ms. Page’s estate, the retail chain lost the right to use the Bettie Page name as well as her likeness, which formerly was splashed all over the store. The Pirate Queen owns several pre-lawsuit Bettie Page dresses and, of course, looks smashing in them.

Brian Balondo’s drawing is rather smashing as well. Although hardly as much so as the Pirate Queen.

And that’s your Comic Art Friday.

Comic Art Friday: A real-life superhero passes

December 6, 2013

In respectful acknowledgment of the passing of former South African president Nelson Mandela — one of the towering figures in human events in my lifetime — today I’m sharing a few choice images from my Black Panther gallery, interspersed with selected quotes from a real-life African-born superhero.

To be free is not merely to cast off one’s chains, but to live in a way that respects and enhances the freedom of others.

Black Panther, pencils and inks by Buzz

There is no passion to be found playing small – in settling for a life that is less than the one you are capable of living.

Black Panther, pencils by Darryl Banks, inks by Bob Almond

A fundamental concern for others in our individual and community lives would go a long way in making the world the better place we so passionately dreamt of.

Black Panther, pencils by Paul Boudreaux

I learned that courage was not the absence of fear, but the triumph over it. The brave man is not he who does not feel afraid, but he who conquers that fear.

Black Panther, pencils and inks by Steve Rude

We must use time wisely, and forever realize that the time is always ripe to do right.

Black Panther and Storm, pencils by Ron Adrian, inks by Bob Almond

A good head and a good heart are always a formidable combination.

Black Panther, pencils and inks by Geof Isherwood

Rest in peace, Mr. Mandela.

And that’s your Comic Art Friday.

Comic Art Friday: Typhoon Taarna

November 8, 2013

It struck me this morning as ironic that on the birthday of the late, great Tony DeZuniga — who led the tsunami of artists from the Philippines that took the American comics industry by storm in the 1970s — his native land is being pummeled by one of the nastiest typhoons on record.

Weird universe we live in.

Taarna, pencils by comics artist Tony DeZuniga

I happened to be in the Philippines for a major typhoon once. On Thanksgiving Day in 1974, Clark Air Base — where my father was stationed at the time — was struck by Typhoon Irma, packing winds approaching 100 miles per hour. It was the most powerful typhoon to hit the area in the base’s 90-year tenure.

We lost electrical power by late morning. Fortunately, my mother had cooked the turkey early as a precautionary measure, so the bird was ready to roll at mealtime. Most of the accompaniments we ate cold, straight from the can. When we weren’t eating, we spent the day mopping up the water that blew in under the front door, bracing the windows with duct tape in case the winds shattered them, and praying that the roof would hold. It did. The bamboo pole that held our TV antenna aloft was not so fortunate.

Anyway, in memory of Mr. DeZuniga, that’s his rendition of Taarna, the heroine of the final segment of the animated film Heavy Metal, leading off this post. Below, you’ll see Taarna again, as drawn by Tony’s close friend and colleague, Ernie Chan, another member of the Filipino-American comics community who passed away a mere five days after Tony left us.

Again, irony.

Taarna, pencils and inks by comics artist Ernie Chan

Speaking of Taarna…

For several years, I maintained a reference page about Heavy Metal on Squidoo, the web community founded by marketing guru Seth Godin. A while back, I got a cryptic email from the site’s administrative team, advising me that they were shutting down my page due to some kind of inappropriate content.

Nothing in the notice explained exactly what content was under review. Although nudity is depicted in the film (okay, it’s animated nudity, but still), I didn’t use any nude images on the site. The text was 100% original — I wrote the entire page from scratch; no content was pirated from Wikipedia or any other site — and 100% profanity-free. The only links on the page went either to my Comic Art Fans gallery (where my Taarna commissions are displayed) or to Amazon (where readers could purchase the DVD of the film — the kind of link Squidoo encourages). So I have no idea what the issue was.

At any rate, I copied all of the text into a Word document for my own records, and deleted the page. If you want to know more about Heavy Metal — a landmark film in the history of animation, and an essential bridge between comics and the movies — you’ll have to look elsewhere than Squidoo.

You could always just ask me, of course. I know almost everything there is to know about the film.

I used to have a Squidoo page that demonstrated this.

Taarna, pencils and inks by comics artist Gene Gonzales

Our final Taarna image is a new one, courtesy of Gene Gonzales, who — unlike Messrs. DeZuniga and Chan — is still with us, and still creating lovely artworks like this. I love the dramatic angle Gene employs here. Taarna looks strong and majestic, as a good Taarakian defender should. Her windblown hair is gorgeous as well.

Although…

…I hope that isn’t a typhoon stirring up.

And that’s your Comic Art Friday.

Comic Art Friday: The tao of Steve

May 31, 2013

Big Wow ComicFest… the gift that keeps on giving.

In last week’s Comic Art Friday, we checked out the superfluity of goodness that came home with me from the Bay Area’s favorite comics confab earlier this month. That abundance did not yet include an additional item that I commissioned during the con for completion afterward.

Now it does.

Valkyrie and Taarna, mixed media art by Steven E. Gordon

When I first rolled up on Steven E. Gordon‘s table in Artist’s Alley on Saturday, his name did not immediately register with me. I did, however, admire the samples of his art that were on display. After chatting for a bit with Steve and his wife, I told him I’d return on Sunday with a commission project for him. Steve advised me that he probably wouldn’t be able to start the piece before the con ended, but that he would gladly take my information and send me the art when it was done.

At home on Saturday night, I Googled Steve to get a better idea of his style, with a view to choosing a Common Elements concept appropriate to his talents. I was astounded to discover that I actually knew Steve’s previous work quite well — I just didn’t realize who he was.

As it turns out, Steve Gordon possesses one of the most extensive and impressive resumes in the animation business. In film, he’s worked as an animator, designer, and animation director on numerous projects, ranging from Disney classics (The Black Cauldron; The Great Mouse Detective; Oliver and Company) to several directed by the legendary Ralph Bakshi (Lord of the Rings; American Pop; Cool World). In television, Steve has contributed his talents to a host of series, from Mighty Mouse to The Avengers.

With the light of giddy anticipation breaking over my mental horizon, I realized that I just met a key contributor to one of my all-time favorite animated features: Ralph Bakshi’s sword-and-sorcery epic, Fire and Ice — the product of Bakshi’s collaboration with the dean of fantasy illustrators, the late, lamented Frank Frazetta. Sometimes described (not altogether inaccurately) as “Conan the Animated Barbarian,” Fire and Ice melds Frazetta’s unmistakable design aesthetic with Bakshi’s storytelling and unique cinematic style, including ample use of the latter’s trademark rotoscoping technique. From a narrative perspective, it’s not the most original film Bakshi ever directed, what with veteran comics scribes Roy Thomas and Gerry Conway importing a bucketload of tropes they’d each previously employed writing Conan’s adventures for Marvel. But without question, Fire and Ice stands among Bakshi’s most visually appealing creations, thanks in large part to Frazetta’s input, along with background artists James Gurney (Dinotopia) and Thomas Kinkade (yes, that Thomas Kinkade), as well as Peter Chung, who would go on to create Aeon Flux for MTV. And of course, the work of animation director Steven E. Gordon.

Having made the Fire and Ice connection, I knew what Steve’s Common Elements assignment would be — two characters who would fit perfectly into Bakshi and Frazetta’s world of swordplay and mystical mayhem: Marvel’s Viking vixen, Valkyrie, and Taarna, the iconic heroine from my beloved Heavy Metal: The Animated Film.

Aside from the obvious “blade-slinging beauty” angle, Val and Taarna share two other, more subtle commonalities. Both have real monomymic real names — Valkyrie’s true identity is simply called Brunnhilde — and both are seen to be reincarnated in multiple persons. Over her career in comics, the spirit of Brunnhilde has been reborn in several women, most notably Barbara Norriss and Samantha Parrington. At the conclusion of Heavy Metal, we find Taarna’s spirit alive new in the young girl seen previously in the linking segments (titled “Grimaldi”) throughout the film.

Steve’s sensibility as an animation designer fits these heroines like an armored gauntlet. Who wouldn’t want to watch an entire movie of Taarna and Val wading into pitched battle against hordes of hostile foes? Sign me up!

Not only did Steve turn out his take-home commission assignment beautifully and speedily — I received a scan of the finished piece less than a week after Big Wow concluded — he also graciously autographed the cover of my Fire and Ice DVD. (He did seem a touch surprised that someone actually owned one.) Now if only I could run into Ralph Bakshi one of these days…

And that, friend reader, is your Comic Art Friday.

Comic Art Friday: Remembering Ernie Chan

June 1, 2012

While we were off gallivanting about the Hawaiian islands (more on that sojourn to follow), I received the sad (and to me, unexpected) news of the passing of comics artist Ernie Chan. Coming so closely on the heels of two other tremendous losses from among my personal favorites in the comic art field — specifically, Al Rio and Tony DeZuniga — Ernie’s death came as an especially great shock.

Storm and Beta Ray Bill, pencils and inks by comics artist Ernie Chan

In an industry often characterized by enormous egos and self-important personalities, Ernie Chan was one of the nicest, least pompous creators I’ve ever met. His smiling face and easygoing demeanor were indelible highlights of the comics conventions I attended over the years. I always looked forward seeing and chatting with Ernie — and of course, adding a new piece of his artwork to my collection.

Shang-Chi and the Bronze Tiger, pencils and inks by comics artist Ernie Chan

Ernie was among the dozen or so talented artists who joined the American comics industry from the Philippines in the early 1970s, under the pioneering leadership of Tony DeZuniga. Quickly, Ernie established himself as a two-way star, both as a penciler and inker. In the former capacity, he shone as DC Comics’ busiest cover artist during the mid-’70s, frequently signing his work “Ernie Chua” (a misspelling on his immigration paperwork). At Marvel, Ernie gained acclaim as inker on Conan the Barbarian, over the pencils of the legendary Big John Buscema. Ernie would revisit Robert E. Howard’s Cimmerian warrior in hundreds of drawings and commissions, including the Common Elements teamup with Iron Man he’s holding in this photo I took at WonderCon 2011.

Ernie Chan at WonderCon 2011

I frequently referred to Ernie as the Amazing Chan for his speed in delivering commissioned art. On more than one occasion, Ernie completed a fully penciled and inked piece for me in less than a day — not a convention sketch, mind you, but a detailed, cover-quality illustration completed in his home studio. Once, he sent me a scan of a finished Common Elements commission — this one, featuring Hawkeye and Lady Rawhide — before I knew that he’d even accepted the job. Now that’s fast.

Hawkeye and Lady Rawhide, pencils and inks by comics artist Ernie Chan

I’ll miss Ernie’s lively humor and fun-loving personality as much as I’ll miss seeing new creations spring from his potent pencils and pens. He was always a hoot to chat with, engaging to his fans, and with an inerrant eye for feminine pulchritude.

Rest in peace. Mr. Chan.

And that’s your Comic Art Friday.

Comic Art Friday: RIP, Al Rio (1962-2012)

February 3, 2012

Superman and Supergirl, pencils by Al Rio, inks by Bob Almond

I was shocked and saddened on Tuesday morning — as were many of my fellow comics fans and comic art aficionados — to receive the news that artist and former Disney animator Al Rio had passed away in his native Brazil, the result of an apparent suicide.

Wonder Woman, pencils by Al Rio, inks by Geof Isherwood

Those of you who have followed Comic Art Fridays over the years know how greatly I appreciated Al Rio’s art. He is among the most well-represented artists in my collection; I own 15 of his original works — six of which I commissioned personally, plus several I’ve had inked by other artists. I’ve also enjoyed receiving the lovely postcards Al made available to his fans every holiday season. Al’s art representative, Terry Maltos, has always been one of my favorite vendors with whom to transact business. More than once, Terry has given me a price break on a purchase, or thrown in a little something extra in gratitude for my frequent custom.

Elektra, pencils by Al Rio, inks by Geof Isherwood

Al first came to prominence when he followed J. Scott Campbell as the regular artist on Wildstorm’s Gen13 and DV8. Although many people saw him as a Campbell clone, particularly in his early comics projects, his style continued to evolve. He worked on a variety of series for both of the major comics publishers and numerous second-tier labels — everything from Spider-Man and Captain America to Grimm Fairy Tales.

Mary Marvel, pencils by Al Rio, inks by Bob McLeod

As you can see from the pieces I’ve chosen for this memorial post, Al drew some of the most beautiful women in comics. Because of this, he was sometimes dismissed as “just a cheesecake artist.” That’s a bit like saying that Michelangelo, Titian, and Rubens weren’t great artists because they painted a lot of naked people. Without question, Al knew his way around the feminine form, but he could also draw heroes and backgrounds with the best in the business, and his sequential work shows that beyond his pinup talents, he was a brilliant storyteller. I was especially fond of his work on Marvel’s Heroes for Hire and White Tiger a couple of years back.

Batman and Catwoman, pencils by Al Rio, inks by Geof Isherwood

Since I didn’t know Al personally, I can’t really say much about him in that regard. I’ve always heard  him described as a nice man who extended extraordinary kindness to his fans and to other artists, and who frequently donated art in support of charitable causes. In fact, his Superman and Supergirl piece — seen at the top of this post — began as a preliminary sketch for a drawing Al created in support of victims of the 2004 Indian Ocean tsunami.

Wanda, the Scarlet Witch, pencils by comics artist Al Rio

You can see my entire gallery of Al Rio’s art by following this link. Please go take a look at the beauty and dynamic range of this talented creator’s gifts.

Spider-Man and Mary Jane, pencils by Al Rio, inks by Bob Almond

Al Rio was 49 years old. He leaves behind a wife, three children, countless friends, and a legion of fans who admired his unique abilities.

Supergirl, pencils by Al Rio, inks by Joe Rubinstein

And that, sadly, is your Comic Art Friday.