Comic Art Friday: You can call her Princess… or not

Posted October 11, 2013 by swanshadow
Categories: Comic Art Friday, Hero of the Day, Reminiscing, SwanStuff, Teleholics Anonymous, That's Cool!

Princess a.k.a. Jun a.k.a. Agatha June a.k.a. Kelly, pencils by Iago Maia

Once upon a time (let’s call it the early 1970s), there was an anime series entitled Science Ninja Team Gatchaman (Kagaku Ninjatai Gatchaman in the original Japanese) about a five-member team of young superheroes-slash-ninja who dressed in costumes representing various birds. When ported over to the English-speaking marketplace in 1978, this series — in highly edited and rescripted form — became known as Battle of the Planets. Years later, the series was again recrafted for the West as G-Force: Guardians of Space. Still later — because Western packagers could never leave well enough alone — the show was retooled once more, this time as Eagle Riders.

Confused already? Okay, good.

To make matters even more convoluted, all of the characters in the series were given different names (and often very different personalities) in each version. The lone female member of the core team, whose costume represented a swan (any question as to why she was my favorite?), was called Jun in the original Japanese presentation. In Battle of the Planets, she became Princess. In G-Force, she was known as Agatha June (often “Aggie” for short). In Eagle Riders, her name was Kelly Jennar. (Why the characters in Eagle Riders suddenly had extraneous surnames is unclear to me. But then, has any of this nomenclatural folderol been clear to you?)

In all iterations, her primary fighting tool was a yo-yo. You did know that before it was marketed as a toy, the yo-yo was a Filipino weapon, yes? So the next time you yo-yo — y’know, like you do — you can thank the Ilocano people, not Mr. Duncan. Or Tommy Smothers.

Still confused? I must be telling the story correctly, then.

I first discovered Gatchaman in the late ’70s under the Battle of the Planets banner, so the young heroine depicted above by artist Iago Maia will always be Princess to me. But if you want to call her Jun, or Agatha June, or even Kelly, I won’t argue. Just don’t call her anything but awesome.

And that’s your Comic Art Friday.

Michael Rankins. Jeopardy! 1980s Fan Favorite. Vote. Yadda, yadda.

Posted September 30, 2013 by swanshadow
Categories: Jeopardy!, Reminiscing, Ripped From the Headlines, SwanStuff, Teleholics Anonymous, That's Cool!, Trivial Pursuits

Choose Michael Rankins as your Jeopardy! 1980s Fan Favorite!

So, here’s the deal.

I’m Michael Rankins — you knew that, right? nobody’s real name is SwanShadow, for crying out loud — and way back in 1988, I was a five-time undefeated champion on Jeopardy!, America’s favorite quiz show. You can see how young and serious I was then, in the graphic above. (You’d think they’d have found a pic of me smiling, wouldn’t you?) I was also a semifinalist in the 1988 Jeopardy! Tournament of Champions; a participant in the first prime-time Jeopardy! tournament, Super Jeopardy! in 1990; the winner of the Jeopardy! Battle of the Bay Area Brains in 1998; and a Round One winner in the Jeopardy! Ultimate Tournament of Champions in 2005.

Okay, résumé over.

Now, I’m competing for the chance to go head-to-head against other 1980s Jeopardy! champions in the show’s 30th Anniversary Season Battle of the Decades! The Battle of the Decades is bringing back former Jeopardy! champions from the 1980s, 1990s and 2000s to compete in a multi-level tournament, that will begin airing in February 2014. The show’s producers have already selected 14 champions from each decade, but the 15th and final spot in each tournament is up to Jeopardy! fans — this means YOU — via an online voting campaign. I’ve been selected as one of five candidates for the 1980s Fan Favorite slot in this mega-event.

To get there, I need your help!

Here’s how you can throw me your support starting today, and continuing daily until 6:59 a.m. Pacific Daylight Time on Monday, October 7.

  • If you’re on Facebook, you can go to the Jeopardy! Facebook page (a.k.a. Facebook.com/Jeopardy) and use the Battle of the Decades voting tab. Just like on the Jeopardy! site, you can choose me as your Fan Favorite, and click “Vote Now!”
  • If you’re a Twitter user, you can vote for me by tweeting: Michael #JeopardyVote. (Be sure to include both my first name and the hashtag.) One such tweet per day counts as a vote for me.

It’s that easy! You can vote for me once each day in each format — that’s one vote on Jeopardy.com, one vote on the Jeopardy! Facebook page, and one vote via Twitter using my first name and the special hashtag: Michael #JeopardyVote. Again, voting starts today, and continues until next Monday morning, October 7, at 7 a.m. PDT.

I’m not the sort to ask folks for much — if you know me, you know that. But if you would take a moment each day this week to vote for me — once per day in all three locations, if you have Facebook and/or Twitter accounts — I would be eternally grateful. (Well, for this lifetime, anyway.) And I’d especially consider it an honor and favor if you’d invite your friends, family members, and other contacts to vote for me too.

By the way, each of the other four nominees is a worthy champion also. Some of them I’ve come to know at least a little over the years, and they’re all cool people. Any of us would do you proud in representing our Decade of the 1980s as your Fan Favorite. But if you’re inclined to give me your votes, please know that I treasure your generous support. (And please, vote fairly. No spambots. I want your help, but not that kind.)

Thanks for your time, friend reader.

Now, please… go vote for me as your Jeopardy! 1980s Fan Favorite!

Comic Art Friday: I say Martin, you say McDaniel

Posted September 27, 2013 by swanshadow
Categories: Comic Art Friday, Hero of the Day, Taking Umbrage, That's Cool!

A while back, I was randomly browsing the comic art listings on eBay — you know, like you do — and I stumbled upon this drawing by artist Michael McDaniel of one of my favorite heroines, Wanda Maximoff, the Scarlet Witch.

The Scarlet Witch, pencils and inks by Matt Martin

Except… this isn’t a drawing by Michael McDaniel.

It’s a drawing by another artist, Matt Martin.

I can understand how the eBay seller, who I will presume is not terribly familiar with either artist’s work, could make that mistake. Both Matt Martin, who’s probably best known as a cover artist for Avatar Press (Lady Death, Crossed) and for his creator-owned series Snowman and Vortex, and Michael McDaniel, a popular pinup artist, sign their work with only their initials, MM.

Matt Martin’s signature, however, is unique in that he always surrounds it with a word balloon, as you can see in the Scarlet Witch piece above. Martin also stylizes his initials in an immediately recognizable fashion, as though the letters were dripping inky blood. (He’s primarily a horror artist, so that makes perfect sense.)

Conversely, McDaniel’s signature is clean and very linear, as shown in his own rendition of the Scarlet Witch, below.

The Scarlet Witch, pencils by Michael McDaniel

Having commissioned both artists on multiple occasions, I immediately recognized the mislabeled drawing as a Martin, rather than a McDaniel. That worked out fine for me. Now, I’m glad to have a Wanda in my collection by each of these talented gentlemen.

If you’d like to see another same-character comparison, take a gander at these two images from my Taarna gallery, both of which I commissioned directly from the artists in question.

First, here’s Michael McDaniel’s take on our Taraakian avenger.

Taarna, pencils by Michael McDaniel

Now, here’s Taarna, as envisioned by Matt Martin.

Taarna, pencils and inks by Matt Martin

Would you confuse the styles of these two creators, friend reader? I’m confident that you would not. But then, you’re probably not selling comic art on eBay.

In the above-cited instance, we’re talking about what I’m positive was an unintentional error on the part of the seller. (I want to make that clear. I’ve done business with this person numerous times over the years, and have never found him to be dishonest.) It underscores, however, the old maxim: Caveat emptor.

Stories abound of unscrupulous sellers misrepresenting art in order to increase its price tag. It’s not at all uncommon to find pieces in eBay’s comic art listings that are blatant copies of works by established name artists, or worse, outright forgeries. (In fact, I personally know a collector who unwittingly bought a forged version of an original drawing that I own, by an extremely popular artist.)

And I have no doubt that there are as many — perhaps more — cases like my Scarlet Witch, where the seller simply doesn’t know what he or she has. A buyer who is equally ill-informed might well end up purchasing something he or she will be disappointed to learn isn’t what it was represented to be.

Consider yourself warned.

And that’s your Comic Art Friday.

A LearnedLeague update: LL58 postmortem

Posted September 25, 2013 by swanshadow
Categories: Jeopardy!, LearnedLeague, SwanStuff, Trivial Pursuits, Uncategorized

LearnedLeague Season 58 concluded this week, and in the immortal words of Gloria Gaynor, “I will survive.”

After a grueling 25-day campaign, I managed to finish 17th in Rundle A West — without dispute, the league’s most talent-loaded bracket. By placing above the bottom 10 in our 32-player Rundle, I avoided relegation (the LL euphemism for “demotion”) to a lower bracket for next season. Not escaping that fate were several esteemed competitors whom I consider superstars in the trivia world.

Sometimes, it is indeed better to be lucky than good.

It’s worth noting that my placement in A West plummeted nine slots between last season (when I finished 8th) and this, even though my statistical performance in both seasons was similar. (My head-to-head matchplay record in LL57 was 11-9-5; this season, LL58, I went 10-9-6.) The primary contributing factor here was the disbanding after LL57 of the League’s previous top level, Rundle Championship, and the redistribution of its participants into the four A-level Rundles. A West inherited several former R-Champ members, raising the difficulty factor of our bracket exponentially. (Not that it needed to get more difficult. Rundle A West has long borne the nickname “A Murder” with good reason.) I would have to check name by name to be certain, but I’m pretty sure that every A West member who was in R-Champ in LL57 finished above me in LL58. So, there you go.

Now that I’ve completed three full LL seasons, the last two in A West, it’s a good time to analyze my overall performance in the League to date.

My win-loss-tie record stands at 42-21-12. That’s significantly skewed by my rookie season, in which I went 21-3-1 against other rookies and won my Rundle. None of my fellow R Central competitors had yet advanced to A-level as of LL58 (I believe one or two just earned promotion to A for next season), so it’s fair to say that I compiled that gaudy rookie record against less-stiff competition than what I’ve faced in A West the past two seasons. So, let’s call that first season’s 21 wins an outlier. In A-level competition, I’m a just–over-.500 hitter.

It’s also important to understand wins, losses, and ties in the context of LearnedLeague’s unique method of match play. In LL, defense — that is, the point values assigned to each day’s questions by each player, based on his or her estimation of that day’s opponent’s likelihood of answering each question correctly — plays a critical role. Quite frequently, a player wins or ties a match in which his or her opponent offers more correct answers — simply by virtue of more effective defense. Here’s an example: Player A gets four of the match’s six questions correct; Player B assigned those four questions values of 3, 2, 2, and 1. (Player A therefore missed two questions, valued at 1 and 0.) Player B gets five out of six, earning the following points: 0, 1, 1, 2, 2. (Player B missed the sixth question, valued by Player B at 3.) Player A’s score is 8(4) — that is, 8 points on 4 correct responses. Player B’s score is 6(5) — 6 points on 5 correct responses. Since only the match points, and not the number of correct answers, determines the outcome of the match, Player A wins, despite getting one less question right than Player B.

As a hardcore trivia guy, I sometimes find that system less than satisfying. Ideally, every trivia matchup would be decided purely on the basis of “who knows more stuff.” But the fact is, even Jeopardy!, the venue from which whatever minuscule trivia street cred I possess is derived, works the same way. I’ve certainly won games in my Jeopardy! career where one of my opponents answered more questions correctly, but I happened to get more of the high-dollar-value questions, or a Daily Double or two, correct. It’s how game creators make games competitive and exciting. I get that, and I’m cool with it.

I do, however, like to keep track of my own performance based strictly on my percentage of correct answers. When it comes to LearnedLeague, I’m pleased that I’ve continued to improve in this regard. In my rookie season, I notched 118 correct responses for a .787 batting average. In LL57, my first season in A West, I got 124 answers right, upping my average to .827. In the season just concluded, I scored 125 correct answers (.833). Some of that is pure luck, of course — you happen to get asked things that you know, or can figure out — but I’ve also been working on upping my game by reviewing material in categories where I could use a boost. I also spend at least a bit of time each evening playing quizzes on Sporcle. You just never know when knowing, say, the capital of Burkina Faso will come in handy. (It’s Ouagadougou, in case you were curious.)

Speaking of categories where I could use a boost…

To help facilitate defense, LearnedLeague publishes extensive statistical background on each player’s performance. At a glance, you can survey an opponent’s track record in every category, and see where his or her weaknesses lie. (You can — if you’re really into it — review every question your opponent has ever played, and discover which specific items he or she got right or wrong. I’m not quite that anal-retentive.)

Were you to review my statistical profile, you’d find few surprises if you know me well at all. After three seasons, my highest correct percentages are in Current Events (100%), Television (96.9%), Film (96.7%), Theatre (92.9%), Lifestyle (a catch-all category that encompasses such diverse areas as religion and fashion — 91.7%), and Games and Sports (90%). You’d have predicted that, yes?

Conversely, my nemeses are Art (60%), Classical Music (58.8%), and of course, Math (16.7%). Again, if you know me, you know that my ineptitude in mathematics rivals only my distaste for country music. In fact, I believe that Hell is an eternal algebra class with country music playing at ear-splitting volume over the loudspeakers.

I’ve been doing some brush-up reading on art, and trying to memorize some basic facts about the most notable classical composers. I think it’s helping. Nothing will help me get better at math. If you find yourself facing me in a future LearnedLeague match, and there’s a math question in the day’s sextet, you might as well slap a big fat 3 on that one. (Then again, I do pull one out of thin air 16.7% of the time. So, you never can be too certain.)

For what it’s worth, I’ve also attempted to work on my defense. I’m consistently a subpar — although not altogether horrible — defender, which means I do a mediocre job at assigning points based on my opponent’s perceived strengths and weaknesses. I could probably win an extra couple of games each season just through better defense, so I’m trying to take more time with that portion of each day’s quiz. My defensive efficiency rating improved to .672 this season, from the previous season’s .651, so I suppose I’m doing something right. Or at least, less wrong.

LearnedLeague 59 begins November 11. I’m looking forward to the next challenge.

Comic Art Friday: You’re Thor? I’m tho Thor I can’t write an ethay

Posted September 20, 2013 by swanshadow
Categories: Comic Art Friday, Hero of the Day, SwanStuff, That's Cool!

The truth can now be told: I’ve never much liked Thor.

Steel vs. Thor, pencils by Trevor Von Eeden, inks by Joe Rubinstein

I actually think the concept of Thor — lightning-wielding proto-Viking with a flying hammer — is pretty awesome. The character himself? Not so much.

I want to like Thor. He’s a pillar of the Marvel Universe, an original Avenger, wears a wicked costume, and talks as though he wandered in from an improvisational Shakespeare road company. His adventures have been drawn by some of the greatest artists in comics history: Jack Kirby, John Buscema, Keith Pollard, and Walt Simonson, to name just a few. What’s not to like?

But from the dawn of my comics-reading days until now, Thor has always left me kind of cold.

Thor, pencils by Geof Isherwood, inks by Bob Almond

For me, Thor doesn’t work very well as a superhero. A superhero is a rather narrowly specific kind of fantasy character, a creature of modern urban mythology. Thor, who’s more or less a port-over from ancient Norse legend given a comic book twist, feels awkwardly shoehorned into superherodom. He’s too powerful to waste his time beating up Earthbound bad guys — which, let’s be frank, is also one of the main problems with the prototypical superhero, Superman — and yet, that’s mainly what superheroes do. It’s no accident that Thor’s best storylines place him outside the terrestrial realm and give him a more cosmic scope. But since he’s not a true spacefaring quasi-science-fictional character, like, say, Adam Strange or the various Green Lanterns, that doesn’t suit Thor very well either. So, he kind of floats in between, neither fish nor fowl.

We see this problem play out in Joss Whedon’s Avengers movie. Of all the titular heroes, Thor’s by far the least interesting — and, despite his familial connection to the villain of the piece, the one whose presence adds the least to the story. Which is saying something, considering how brutally that film treats Hawkeye, a character for whom I have a fair amount of affection. At least Hawkeye’s narrative, clumsy as it is, has some semblance of an arc.

Thor’s supporting cast can be fun. I’ve always had a soft spot for the Warriors Three, the triumvirate of bickering adventurers who occasionally pal around with the big guy. And Thor’s half-brother Loki makes a decent villain, as his enjoyable appearances in the first Thor and Avengers films attest. There’s at least a modicum of potential in the whole Asgardian thing.

Just not for me, I guess.

Thor, pencils and inks by Bob McLeod

To his credit, though, Thor does make for some appealing pictures.

At the top of this post is a Common Elements scenario pitting the Thunder God against another hammer-slinging hero, Steel. Penciler Trevor Von Eeden said that he wanted to comment on the relative merits of the two characters. I believe it’s clear whom Trevor favors in this duel. Veteran inker Joe Rubinstein contributed the finishes.

Next up, penciler Geof Isherwood and inker Bob Almond team up to present old Winghead in all his Mjolnir-gripping glory.

Lastly, Bob McLeod gives us a classic rendering of the Asgardian wunderkind.

Ah, Thor. I wish we could be better pals. Unfortunately, that would require you to be less lame. No Dr. Don Blake reference intended.

And that’s your Comic Art Friday.

Comic Art Friday: O Captain, my Captain!

Posted September 13, 2013 by swanshadow
Categories: Cinemania, Comic Art Friday, Hero of the Day, SwanStuff, Teleholics Anonymous, That's Cool!

Ms. Marvel, pencils and inks by Aaron Lopresti

In the entertainment world, rumors are a dime a dozen. With the advent of social media, that value has plummeted to, say, about a dime per quadrillion.

Still, I was intrigued to note earlier this week the rumor that actress Katee Sackhoff — best known to genre fans as Starbuck on the reimagined Battlestar Galactica, and currently costarring on A&E’s modern-day Western-slash-police-drama Longmire — is being touted for a film role as one of my favorite superheroines, Ms. Marvel.

Except… okay… she’s not Ms. Marvel any more. She’s Captain Marvel now.

But not the guy in the red union suit with the lightning bolt on the chest. Then again, he’s not Captain Marvel any more.

I’ll explain.

Marvels vs. Marvels, pencils by Luke McDonnell

The original Captain Marvel first appeared in Fawcett Publications’ Whiz Comics #1 way back in February 1940. Enormously popular from the get-go — comics featuring Captain Marvel routinely outsold those starring Superman — the Big Red Cheese (as he was lovingly nicknamed) spawned an entire family of spinoff characters, including his sister Mary Marvel, his protege Captain Marvel Jr., and numerous Lieutenant Marvels. The publishing concern today known as DC Comics — National at the time — took Fawcett to court, arguing that Captain Marvel was a ripoff of their Man of Steel. (Never mind that Superman was himself, in some respects, a ripoff of Doc Savage and other characters who preceded him. But that’s an essay for another day.)

After years of legal wrangling, National/DC forced Fawcett to stop publishing the adventures of Captain Marvel and his cohorts, effectively pushing Fawcett out of the comics business. By the early 1970s, DC had won all rights to the Fawcett characters, and began putting out their own Marvel Family comics.

Only they couldn’t use “Captain Marvel” in the title of any of those books.

Why? Because in the intervening period when Captain Marvel lay fallow, the entity today known as Marvel Comics (who’d operated under various names, including Timely and Atlas, before settling on Marvel in the early 1960s) had created a new character named Captain Marvel, thus seizing claim to the then-inactive trademark. Marvel’s hero, unrelated to the Fawcett character other than in name, was a former soldier from a distant planet who embarked on a series of increasingly cosmic exploits. The real-world upshot meant that as long as Marvel kept a comic in active publication (that is, within a three-year window) with “Captain Marvel” in the title, DC couldn’t use that trademarked phrase in marketing any of its comics. Thus, DC resorted to “SHAZAM!” — their Captain Marvel’s transformational magic word — as the umbrella title for books featuring Cap and company.

Ms. Marvel, pencils by Michael Dooney

In 1977, Marvel debuted Ms. Marvel, a distaff version of their Captain Marvel. (As both audience-expanding and trademark-grabbing moves, Marvel generated a host of female spinoffs during this period, including Spider-Woman and She-Hulk.) Ms. Marvel was the freshly superpowered incarnation of Carol Danvers, a supporting character who had floated around in the Marvel Universe background for several years prior. An officer in the U.S. Air Force, Carol’s new abilities (mainly super-strength, invulnerability, and flight) and costumed identity made her essentially Marvel’s equivalent to DC’s Wonder Woman, another powerhouse who likewise had a military career in her past.

Following the cancellation of her eponymous series after a two-year run, Carol (who flirted briefly with other codenames, including Binary and Warbird, but always returned to calling herself Ms. Marvel) moved on to a stint in the Avengers and occasional guest appearances in other Marvel books. She didn’t regain her own title until 2006, when writer Brian Reed and a revolving door of artists (Roberto de la Torre and Aaron Lopresti notched the longest tenures on the series) chronicled Ms. Marvel’s adventures until the book folded after four years. Last year, Carol ditched her longtime nom de guerre in favor of Captain Marvel (a name that had bounced around between a couple of different characters over the previous two decades), and began a new self-titled series under that banner.

Meanwhile, back at DC, the original Captain Marvel — who, as noted above, had headlined a variety of books with “SHAZAM!” in the title since the ’70s — finally gave up on the marketing nightmare a couple of years ago, and changed his own codename to Shazam (the name by which many readers called the character anyway, given the cover designation).

Ms. Marvel, pencils and inks by the comics artist Buzz

I’ve always really liked Ms. Marvel — I haven’t quite gotten the hang of calling her “Captain” yet — because from the time of her debut, she represented the kind of heroine that Marvel hadn’t had previously; an immensely powerful fighter who could battle mano a mano with any villain in the Marvel Universe. Plus, having grown up in a Air Force family, I felt a special connection to Carol due to her history in that service.

She remains one of my all-time favorites. I’d love to see her on the big screen someday. Katee Sackhoff, who exudes a kind of scrappy toughness, wouldn’t be a bad choice to portray her.

Of course, given how many decades I’ve been waiting for a Wonder Woman motion picture, I’m not holding my breath.

Ms. Marvel, pencils by Matthew Clark, inks by Bob Almond

A few notes on the art we’re presenting today, starting at the top of this post:

Ms. Marvel in her original (and still my favorite) costume by Aaron Lopresti, who at the time this piece was drawn (at WonderCon 2007) was the regular penciler on the Ms. Marvel comic.

A battle of the two Marvel Families, penciled by Luke McDonnell (JLA, Suicide Squad). On the left, from top to bottom: Mary Marvel; the original Captain Marvel; Captain Marvel Jr. On the right: Marvel’s first Captain Marvel (Mar-Vell of the Kree); Ms. Marvel; Marvel’s second Captain Marvel (Monica Rambeau).

Ms. Marvel, again in her original costume, penciled by Michael Dooney (Teenage Mutant Ninja Turtles). This piece was my very first Ms. Marvel commission, and also the first of my many commissions from Dooney.

Ms. Marvel in her second and longest-tenured costume (which I refer to snarkily as the Warbird Swimsuit), in beautiful brushed ink by the comics artist known as Buzz. (Buzz was supposed to draw Carol in her original costume, but forgot. I love this piece anyway… in spite of the Warbird Swimsuit.)

And back to the original — see how much better that looks? — with pencils by Matthew Clark (Adventures of Superman) and inks by Bob Almond (Black Panther, Infinity Gauntlet).

Finally, below: Ms. Marvel in battle against the sometime-villainous, sometime-heroic Moonstone; pencils by Scott Rosema (Space Ghost), inks again by Bob Almond.

And that’s your Comic Art Friday.

Ms. Marvel and Moonstone, pencils by Scott Rosema, inks by Bob Almond

Comic Art Friday: The universal me

Posted September 6, 2013 by swanshadow
Categories: Comic Art Friday, Getting Racial Up In This Piece, SwanStuff, That's Cool!, You Gotta Have Faith

The Thing and Sabra, pencils and inks by comics artist Rich Buckler

L’shana tovah and Happy New Year to all of my Jewish friends! (I will presume that you know who you are.) May the year 5774 bring you and everyone you love much good, and none ill.

In celebration of Rosh Hashanah, today’s Comic Art Friday features artworks starring the four most prominent superheroes of the Hebrew persuasion. At the top of this post, you’ll encounter Ben “The Thing” Grimm and Ruth “Sabra” Bat-Seraph, drawn by longtime Marvel Comics stalwart Rich Buckler. Further down, you’ll see Denny “The Spirit” Colt and Kitty “Shadowcat” Pryde, rendered by the artist known as Briz (a.k.a. Brian Douglas Ahern).

Someone asked me several years ago why I always post messages to Facebook and Twitter wishing folks well on Jewish holidays, given that I’m not Jewish. The best answer I can come up with is found in the lyrics of one of my favorite popular songs from the 1990s, Marc Cohn’s “Walking in Memphis”:

Muriel plays piano
Every Friday at the Hollywood
And they brought me down to see her
And they asked me if I would
Do a little number
And I sang with all my might
She said, “Tell me, are you a Christian, child?”
And I said, “Ma’am, I am tonight!”

The point being, here’s a Jewish musician singing Christian gospel music in a blues club… and why not?

The Spirit and Shadowcat, pencils and inks by Brian Douglas Ahern ("Briz")

Which is the frame of reference from which I come. I’m not Jewish, but I have a lot of friends who are — in fact, I’m sure that I probably have friends who are Jewish whose religion/heritage is unknown to me — so why would I not wish them well when they’re celebrating? It may not be my holiday, but it is theirs, and they’re my friends and I want them to be happy. That doesn’t seem all that difficult to understand — at least, not to me.

Incidentally, the same principle applies to my friends who identify as some denominational brand of Christian. I’m a Christian, but I don’t celebrate religious holidays as part of my faith practice. That doesn’t mean I can’t wish my friends whose religious practice does include holidays like Christmas and Easter much happiness as they celebrate. (And yes, I do celebrate Christmas — and, to a lesser degree, Easter — in a secular manner. I just don’t acknowledge December 25 as the “birthday” of Jesus, or attach any religious significance to the date.)

Although I don’t always apply this principle perfectly — mostly because it’s a lot of work to keep track of who might be celebrating what this week, and I’m sure I miss somebody’s Festivus Maximus or whatever — but I do apply it as universally as is practical. I tell my ethnically Asian friends “Gong Hei Fat Choi” at the Chinese New Year, even though I’m not ethnically Asian. I wish my female friends well on International Women’s Day and Women’s Equality Day, even though I’m demonstrably not a woman. I salute my friends who identify as LGBT during Pride Week, even though I’m pretty much a 0 on the Kinsey scale.

And why not? It doesn’t have to be my holiday for me to want you to enjoy it if it’s yours.

I believe a key reason why we have so much division among people — both generally, and in American culture specifically — is our tendency to separate ourselves from those we perceive as “different” or “other.” Now, there’s great value in finding and bonding with people with whom we share commonalities. I treasure the bonds I’ve made with folks whose beliefs or vocation or interests or hobbies mirror my own. I think it’s vital, however, to also connect with people who differ from me, so that I don’t end up living in a bland, homogenous world.

I’m glad that, even though I’m a nondenominational Christian, I have friends who identify with other varieties of Christian practice, and friends who are Jewish, and Buddhist, and Muslim, and Wiccan, and atheist. (And yes, I really do have friends who fit each of those labels, and more besides.) I’m glad that, even though I’m genetically biracial and identify primarily as African-American, I have friends who reflect every shade in the melanin spectrum, from inky to pasty and all of the various browns and pinks and goldens in between. I’m glad that even though I test out as more or less left of center politically, I have friends who range from left-wing socialist/anarchist pinko to right-wing reactionary whacko (and I use those terms advisedly). And I’m glad that even though, as previously noted, I’m unrepentantly hetero and monogamous, I have friends who are openly gay and lesbian and bi and trans and poly (and, I imagine, others who aren’t out to me).

I’m glad why? Because I love them all, and I learn from them all. And because my world would be less rich and glorious without them all.

And by “them,” I mean “you.”

So, yes. L’shana tovah to my Jewish friends today. And happy whatever your thing is, when your thing comes around. I’ll try to remember. (If I forget, it doesn’t mean I don’t love you. It just means I forgot. Or didn’t know. I’ll try to do better.)

And that’s your Rosh Hashanah Comic Art Friday.

Comic Art Friday: I wish I knew how it would feel to be free

Posted August 30, 2013 by swanshadow
Categories: Comic Art Friday, Getting Racial Up In This Piece, Hero of the Day, Soundtrack of My Life, SwanStuff, That's Cool!

This past Wednesday marked the 50th anniversary of Dr. Martin Luther King Jr.’s “I Have a Dream” speech, delivered on the steps of the Lincoln Memorial during the August 1963 March on Washington for Jobs and Freedom.

Thinking about that historic event put me in mind of a classic song, “I Wish I Knew How It Would Feel to Be Free.” Written in 1954 by jazz pianist Billy Taylor, the song was first recorded by Taylor in November 1963, just three months after Dr. King’s speech. Although dozens of artists have covered it since then — including a version by British pop singer Sharlene Hector that appeared in a Coca-Cola commercial a few years back — the best-known rendition of “I Wish I Knew” is the 1967 recording by the legendary Nina Simone.

As I sit here with Ms. Simone’s magnificent, inimitable voice resounding through my headphones, kindly take a moment to read and reflect on these lyrics, composed by Taylor and songwriting partner Dick Dallas.

I wish I knew how it would feel to be free.
I wish I could break all the chains holding me.
I wish I could say all the things that I should say —
Say ’em loud, say ’em clear, for the whole round world to hear.

I wish I could share all the love that’s in my heart —
Remove all the bars that keep us apart.
I wish you could know what it means to be me.
Then you’d see and agree that everyone should be free.

I wish I could give all I’m longing to give.
I wish I could live like I’m longing to live.
I wish that I could do all the things that I can do —
Though I’m way overdue, I’d be starting anew.

I wish I could be like a bird in the sky —
How sweet it would be if I found I could fly!
Oh, I’d soar to the sun and look down at the sea
And I’d sing ’cause I’d know how it feels to be free.

Like Dr. King — and like Billy Taylor, and Nina Simone — I long for the day when every person on earth can truly be free… free to be themselves, free to enjoy the wonders and blessings of life, free from hunger and want and pain and fear, free to be loved and accepted and embraced for their own individual uniqueness without reservation or qualification.

I don’t know that that dream will be fulfilled in my lifetime, or The Daughter’s lifetime, or even in this old round world’s lifetime.

But it sure would be sweet, wouldn’t it?

Free Spirit and Mister Miracle, pencils by comics artist Geof Isherwood

The Common Elements entry pictured above is entitled “Breaking Free,” mostly because it features Mister Miracle (whose real name is Scott Free) and Free Spirit, who was Captain America’s sidekick for a brief time in the mid-1990s. (Her real name is Cathy Webster, in case you’re keeping track.) Artist Geof Isherwood masterfully expresses the character’s feelings of liberation and joy in this gorgeous drawing. Every time I look at it, I feel just a little bit more as though I might know what it’s like to be free. That makes me smile.

And that’s your Comic Art Friday.

TCONA 3: Most of my pursuits are trivial

Posted August 16, 2013 by swanshadow
Categories: Aimless Riffing, Celebritiana, Jeopardy!, LearnedLeague, SwanStuff, Teleholics Anonymous, That's Cool!, Trivial Pursuits, Vegas, Baby

I just flew in from Las Vegas, and boy, is my brain tired.

Actually, the Pirate Queen and I flew back from Bright Light City two days ago, and I’m mostly not tired any more. I’d headed to Vegas last weekend for the third annual Trivia Championships of North America — henceforth, TCONA, or I’ll be typing all day. The Pirate Queen joined me on Sunday following the festivities, and we spent a blissful three days checking out the sights and sounds of one of my favorite vacation destinations.

But let’s talk TCONA.

What began two summers ago as a largely informal gathering of game show champions, Quiz Bowl veterans, and pub quiz mavens has ballooned in this third installment into a real live media event. Not only were crews from two nationally televised game shows — NBC’s Million Second Quiz, and The Chase, GSN’s new Stateside version of the UK hit — on site to conduct in-person auditions, but the stars of both the US and UK editions of The Chase also participated in several of the weekend’s competitions. The Experts, easily the best weekly quiz program on YouTube, taped four episodes before a live audience. And of course, there was in attendance the usual assortment of trivia geeks from all over the continent, and beyond. (I met at least one fellow who’d come all the way from Sweden. Or maybe Norway. Somewhere in Scandinavia, anyway.)

A summary of one attendee’s highlights follows.

The weekend commenced on Friday morning with a multi-part written quiz. This opening salvo serves not only to start the neurons firing, but also to provide an initial gauge of one’s level among the competitors. My first thought after completing the test was that I should have ingested more coffee before we began. I was relatively pleased, once the scores were published later that day, to discover that I hadn’t fared as poorly as I feared, and in fact, I’d outpointed several folks whose names are far better known in the trivia world than my own. With another triple latte in my system, I might have performed even better.

One of TCONA’s primary individual events is 5×5, a buzzer battle whose gameplay bears distant similarity to a certain television quiz program with which I am intimately acquainted. Despite the aforementioned acquaintance, I never seem to do very well at 5×5, and this year’s contest was no exception. I lost my first match thanks to a foolishly aggressive final wager — I was leading up to that point — on a question about Celebrity Apprentice, a program with which I am clearly not as intimately acquainted as I thought. I was never a factor in my second game, and thus lost any hope of advancing to further rounds.

I had high expectations for myself in another individual event, LearnedLeague Live. At TCONA 1, I won my first round against seven other competitors, despite never having played the game before. Last year, I held my own at an eight-player table that included several seasoned LearnedLeague veterans; I didn’t win the table, but I felt that I acquitted myself decently. This year, I made the critical error of playing at a table featuring two of the greatest (and two of my favorite) players in Jeopardy! history, Jerome Vered and Dan Melia. Note to self: Next year, instead of sitting with people you like, sit with people you might stand a chance of beating. Assuming there are any.

For the main team event, Quiz Bowl, I reconnected with two other members of last TCONA’s silver-medal-winning squad for a run at fresh hardware. Our team captain, Dave Legler, who once bagged $1.7 million on the game show Twenty-One, recruited as our fourth player a trivia host from Chicago, Jeremy Cahnmann. Combine that with our not-so-secret weapon, Jonathan Hess, a soft-spoken grad student from South Carolina who knows more arcane information than I’ve forgotten — and I’ve forgotten a lot over the years — and little old me (you remember that I’ve won eight games on that TV quiz show with the Canadian ex-pat, right?), and we liked our chances going in. We galloped off to a tremendous start, going undefeated in our first three games and winning our four-team bracket. Then, in our first elimination match, we ran into a tough crew led by Anne Hegerty, one of the “chasers” on the original British version of The Chase. As coincidence would have it, the game commenced with a battery of Anglocentric material that Anne leaped all over like a wolf attacking a Porterhouse. Our side rallied, though, making up ground furiously as the game progressed, only to lose in the end by the value of a single question. It was a hard loss to stomach… but there’s always next year.

Luckily for me, redemption came in the other team event, the Pub Quiz Mashup. Another Jeopardy! Ultimate Tournament of Champions veteran, Dr. Shane Whitlock, invited me to team up with him and his charming bride. We added three other players to fill our roster, which Shane dubbed (in the time-honored pub quiz tradition of quirky team names) “Natalie Portmanteau.” After seven often-hilarious rounds of play, we walked away with the silver medal. Except… well… we didn’t exactly. An apparent scoring error, uncovered between the end of the event and the medal presentation the following day, resulted in our being bumped from second place to third. So we got the bronze medal instead of the silver. I don’t care — it started out silver, and I’m sticking to that. It’ll always be silver to me.

Having the two hottest new game shows in television making their first TCONA appearances generated considerable buzz. Both Mark “The Beast” Labbett, the “chaser” on the US version of The Chase, and the show’s producer came in for Q&A sessions. (Not only is Mark a smart fellow, he’s also ginormous. They don’t call him The Beast for nothing.) Quite a few folks auditioned for Million Second Quiz; it’ll be interesting to watch the show and see how many people I know who made the final cut.

Speaking of game shows, if you aren’t already watching The Experts every Monday (or whenever you choose — it’s on YouTube, so tune in when it suits you, but the new eps post on Mondays), you should be, doggone it. Produced by my Jeopardy! colleague Alan Bailey, it’s consistently as entertaining a 20 minutes as you’ll spend. Alan and his crew shot four new games on Saturday night, including an all-star slugfest between The Chase‘s Anne Hegerty (whose subject specialty was Terry Pratchett’s Discworld) and Jeopardy! superstars Brad Rutter and Roger Craig (experts on Mad Men and Prince, respectively). All four games offered action, suspense, brain-shredding trivia superiority by the contestants, and abundant joviality for all. I won’t spoil the outcomes for you — you’ll just have to hie yourself over to YouTube when the new shows post, and check them out for yourself.

There were, as usual, plenty of ancillary events in and around all of the above. Quiz hosts and trivia producers from all over North America bring their favorite material and stage impromptu games throughout the weekend, which anyone can drop into and play. TCONA is also the home of the World Championship of Kno’dgeball, an amusing yet bizarre hybrid of trivia and dodgeball. (Your Uncle Swan declines participation in the latter, preferring not to combine mental challenge with risk of bodily injury. But the Kno’dgeballers do seem to enjoy themselves.)

Of course, TCONA’s most memorable highlights are always the connections and reconnections with my fellow trivia mavens. TCONA is the one place each year where I run into some of the many amazing people I’ve met via Jeopardy! — Bob Harris, Roger Craig, Brad Rutter, Steve Chernicoff, Dan Melia, Shane Whitlock, Alan Bailey, Jerome Vered, and I’m probably forgetting others, for which I’ll apologize in advance. (Yes, all of those people are as intelligent as they appear on TV. More, even.) It’s also a chance to meet up again with my Quiz Bowl teammates Dave and Jonathan, as well as many other new acquaintances I’ve made over these past three events, including such quiz show stars as Who Wants to Be a Millionaire winners Ed Toutant and Joe Trela, whose exploits I’ve admired from the other side of the tube. It was fun to put faces to many of the names with whom I compete in LearnedLeague — I think at least half of Rundle A West, my current LL bracket, was in attendance this year, several of whom I met for the first time.

Kudos to the TCONA team for lining up an infinitely superior venue this time out. The Tropicana met the event’s needs as well as anyone could have hoped after the horrors of Circus Circus last year. The Trop’s not perfect — in particular, its dining options are limited, especially in the budget-friendly/quick-service areas (there’s neither a buffet nor a true food court). Still, it’s an easy stroll across the street to the MGM Grand, New York New York, or the tram-connected Excalibur/Luxor/Mandalay Bay trio, so ample eating choices are right nearby. On the positive side, the conference center is easily accessible, and eminently convenient if you’re staying in the Trop’s Club Tower — basically, step off the elevator and you’re there. I couldn’t have been more satisfied with my room, which was large, well-appointed, clean, and comfortable. The in-room high-speed wifi worked splendidly. (Don’t get me started about the execrable Internet access situation I encountered when I moved over to Excalibur after the convention ended.) And, if you like to while away your free time and dollars in the casino, I found the Trop’s blackjack dealers as friendly and helpful as any I’ve encountered anywhere in Vegas.

Speaking of the Trop, TCONA shared the hotel’s weekend hospitality with another niche convention: the National Pole Dancing Championships. (Yes, that’s a thing. I kid you not.) I can assure you that, for the most part, you’d have had scant difficulty determining which guests were there for the trivia, and which for the pole dancing. Let’s just say that, were you to draw a Venn diagram depicting quiz nerds and pole dancers, there would be precious little overlap between the two sets. Maybe none.

Before I departed, I registered in advance for TCONA 4. You could join me in Vegas (probably at the Trop, but that’s yet to be negotiated) next August 8-10. But I’ll warn you: You’d better bring your A game.

Comic Art Friday: Superheroines’ day off

Posted July 26, 2013 by swanshadow
Categories: Comic Art Friday, SwanStuff, That's Cool!

I’ve written on other occasions about how my philosophy as a comic art collector — and specifically, a collector of commissions and other unpublished drawings, as opposed to pages from published comics — differs from many others. I tend not to sweat the details.

For example, most of the time, I’m not persnickety about whether an artist gets a character’s “look” exactly right, so long as it’s recognizable. That approach isn’t all that different from the prevailing wisdom at the Big Two these days, where artists are given much greater license to tweak characters’ appearance to suit their own creative sensibilities. No one much cares these days how large the eye holes in Spider-Man’s mask are, or whether Captain America’s shirt is made of chain mail, scale mail, or just plain fabric. We’ve come a long way from the days when house styles were so rigid that when Jack Kirby — the man who pretty much defined how superhero comics should be drawn — switched from Marvel to DC, the DC editorial staff would have another artist (usually Al Plastino) redraw the heads on Kirby’s Superman figures, because Kirby’s Kal-El veered too far off-model.

So I don’t mind too much when an artist decides to take a fresh approach to a character. I’m certain that in the comics, Storm has never worn an outfit precisely like the one Christopher Foulkes designed here. But you know what? I’m okay with that. Maybe it’s her day off.

Storm, pencils and inks by comics artist Christopher Foulkes

In fact, I like the idea of superheroes taking a break from the daily grind of world-saving now and again. They’re only human — or mutant, or android, or refugees from other planets — right?

I had that very notion in mind when I commissioned this drawing of Mary Marvel from artist Charles Hall. I thought it would be interesting to see what Mary would do when she arrived home after a long, strenuous day of beating up villains. Wouldn’t it make sense that she’d want to kick those boots off and collapse on the floor?

Mary Marvel, pencils by comics artist Charles Hall

Perhaps my favorite image of a superhero at rest is this Wonder Woman scene by Peter Krause, who’s probably best known for his work on DC’s Power of Shazam. Here, mighty Diana sheds her confining bustier (seriously, how comfortable can that thing be?) and boots for the comfort of a tank top and bare feet, as she dangles her toes in the cool water of a lake on a warm summer day.

Wonder Woman, pencils by comics artist Peter Krause

Tomorrow, she’ll be back duking it out with the forces of evil. Today, she’s all about the R&R.

I hope your weekend affords you a bit of the same.

And that’s your Comic Art Friday.