Archive for the ‘Teleholics Anonymous’ category

SwanShadow Gives Thanks, Volume 18: Emerging From the Silo Edition

November 26, 2021

So, yeah… this pandemic has been, and continues to be, a thing.

But here we are. A year ago, we were all pretty much locked down, shut in, and wondering if or when we would ever be able to resume some semblance of normal life. Today, we’re several months into having effective anti-COVID vaccines available — many of us have already received both initial doses, plus a booster — which have facilitated at least some measure of mobility.

At our house, having everyone vaccinated meant enjoying the in-person Thanksgiving dinner with close family that would have been unthinkable last year. The Pirate Queen and I were able to take the Hawaiian vacation we’d had to postpone for a year and a half. And I got to see the two most recent Marvel Cinematic Universe films — Shang-Chi and the Legend of the Ten Rings and Eternals — in an actual movie theater. I would not have believed how much I would treasure such experiences, until they were snatched away.

None of that erases the fact that more Americans died from COVID-19 this calendar year than last, or that millions of people both here and abroad continue to suffer from the consequences of this plague.

But I’m thankful for the progress that we’ve made.

As always, my Thanksgiving list of gratitude is topped by loved ones — the Pirate Queen, The Daughter, and The Daughter’s family, which expanded by one in April. The Little Dude is a genuine delight, and is as adorable as it’s possible for an infant human to be. I wish I had a better world to welcome him into. But it is what it is.

Without further folderol, then, here’s this year’s A-Z sampling of people and things for which I’m grateful this Thanksgiving season. As is our tradition in this space, this list is not intended to be comprehensive, but rather a kind of synecdoche (look it up) standing in for the countless reasons I have to give thanks.

Thus, in November 2021, I’m thankful for:

Adobe Audition. I’ve toyed for years with the notion of upgrading my digital audio workstation (a technical term for “recording software”) from freeware to something more professional. Even though I’ve had extensive experience engineering with Audition in a studio setting, I hesitated to replace the familiar and comfortable Audacity (which I was using long before I got into pro voiceover work) in my home environment. This year, I pushed myself to make the switch. My only regret is that I didn’t do it ages ago.

Brandon, Buster, and Belt. My beloved San Francisco Giants returned to playoff form with a 107-victory season in 2021, with the Three-B Triumvirate of veterans leading the way. Shortstop Brandon Crawford not only earned his fourth Gold Glove, but also finished fourth in the National League MVP voting with a career-best offensive campaign. First baseman Brandon Belt blasted 29 home runs despite a couple of significant injury absences. Catcher Buster Posey capped a stellar career — he announced his retirement at season’s end — by winning the NL Comeback Player of the Year Award.

The Chase. What I was NDA-bound not to reveal in last Thanksgiving’s list became clear in January, when I added a few seconds to my 15 minutes of TV quiz show fame (I say, “fame,” as though I were actually famous) with a successful appearance on ABC’s revival of The Chase. My teammate Daniel and I managed to outrace Jeopardy! superstar James Holzhauer to split a bankroll of $325K. Although it aired this year, our episode actually taped in November 2020 under strict COVID protocols.

Dr. Strange. He’s guest-starring in the third MCU Spider-Man film next month. He entered my statue gallery earlier this year. I’m wearing his T-shirt as I type this post.

Everything bagels. Not literally “everything,” but still, a savory flavor combination that’s hard to resist. So popular that you can now get “everything” seasoning on dozens of other foods, or even just by itself you that you can apply it to your own creations. There’s a bottle in my spice rack.

Fandango. It was pleasant to return to the cinema after nearly two years, with the ubiquitous movie-ticket app making the admission process contact-free. Also pleasant: being able to see how many other tickets had been sold in advance for each performance, to have a sense of how crowded (or not) the theater might be.

The Gospel According to Luke. I’ve read a fair number of rock star bios and memoirs in recent years, but none I’ve enjoyed more than this one by longtime Toto guitarist Steve Lukather. In addition to his decades-spanning Toto run, Luke has played hundreds of sessions behind other music legends — everyone from Michael Jackson (that’s Luke playing the non-Eddie Van Halen guitar parts on “Beat It”) to Elton John, from Aretha Franklin to Boz Scaggs, from Stevie Nicks to Chaka Khan. But I was surprised to learn just how deep his backing credits run. That’s Luke on Lionel Richie’s “Say You, Say Me”? On “Talk to Ya Later” by the Tubes? On Spinal Tap’s “Break Like the Wind”? Who knew?

Haiku. A mere three brief lines. Just seventeen syllables. Poetic word art.

Insecure. Issa Rae’s groundbreaking HBO series about a young African-American woman navigating life with her circle of friends and lovers is currently in its final season. It’s impossible to overstate the power of seeing Black people on television leading authentic lives and dealing with everyday relationship complexities that always feel real. I’ll miss Issa, Molly (played by the sublime Yvonne Orji), and their crew, and I’ll look forward to seeing what Ms. Rae brings to the table next.

Jodie Whittaker. Speaking of TV departures, I’m also going to miss the Thirteenth Doctor when she departs Doctor Who at the end of this series. It took Jodie’s quirky, impetuous Time Lord (and her glorious Yorkshire dialect) to get me back on board with a show I hadn’t cared about since halfway through David Tennant’s run as the Tenth Doctor. I can only hope that whoever the Fourteenth Doctor might be (the role has yet to be cast), they’ll bring as much joy to the character as did Whittaker.

Kailua. One of the highlights of our Oahu trip this year was touring this delightful town on the Windward Coast. Between its world-class beaches, walkable central district, and relaxed, congenial vibe, Kailua’s an easy place to love. (The other Kailua, on the Kona Coast of the Big Island, is pretty awesome too.)

Little Dude. Did I mention that he’s adorable? Yes, I believe I did.

Magenta. It’s been a long while since I added a new entry to my catalog of all-time favorite bands. These Welsh progressive rockers cracked the code this year. A three-person core — multi-instrumentalist Robert Reed, guitarist Chris Fry, and vocalist Christina Booth, plus Reed’s brother Steven who contributes lyrics — supported by a changing cast of supporting players, Magenta takes cues from such earlier prog acts as Yes, Genesis, and Renaissance, but ends up sounding very much like its own thing. What separates Magenta from its prog predecessors for me is Rob Reed’s insistence upon “giving priority to melody rather than technical showmanship.” Magenta’s music focuses on evocative songs rather than endless instrumental noodling; songs sumptuously conveyed by Booth’s alternately delicate yet powerful voice. Magenta also takes the well-worn trope of “concept album” in interesting new directions. Their most recent effort, 2020’s Masters of Illusion, dedicates its tracks to once-prominent horror film actors, including Bela Lugosi, Christopher Lee, and Ingrid Pitt. Previous albums have employed such themes as the seven deadly sins (Seven) and rock stars who died young (The Twenty-Seven Club).

Nachos Bell Grande. You know that craving you have every now and again for something that’s barely food, but that satisfies that craving like nothing else can? Of course you do.

One hundred eighty. My Common Elements comic art commission theme reached this milestone number in 2021. (A couple of entries are still in the hands of their creators.) Seventeen years ago, when I first got the idea to commission an original artwork featuring otherwise unrelated comic book heroes who shared some feature in common, I would never have predicted that I’d eventually own 180 of them. And yet, here we are. Which of the 180 Common Elements drawings is my favorite? The next one.

Packing cubes. They seem like a gimmick at first, but these magic pouches have become an indispensable part of traveling. I have always struggled to fit everything for a trip into a single suitcase. Packing cubes transform my checked bag into a TARDIS — bigger on the inside.

Queen of Swords. I was reminded recently of this short-lived period series from the early 2000s, in which Tessie Santiago starred as a kind of female Zorro. You can find a handful of episodes on YouTube, which only make me wish some streaming service would collect the entire run. Also: the title of one of my favorite songs by Idina Menzel.

The Real Housewives of Henry VIII, my Online Quiz League team. The name derived from the fact that the team originally had six members. When two of our players moved on after the first season, we kept the name. Since I usually occupy the fourth position in our playing rotation, I hold the Anne of Cleves seat. (From a historical perspective, Anne did alright for herself — she got a rich settlement, was beloved by everyone including her servants, and never had to be intimate with Henry, whom she outlived. None of which can be said for Anne Boleyn or Catherine Howard.)

Smart Resume. Why doesn’t every channel offer this feature on every DVR recording? Because they want us to watch the commercials, obviously. But I employ Smart Resume every chance I get.

TD Ameritrade, the nice folks who provide the tools to manage my investment portfolio. For the record, today (Friday, November 26, 2021) was not a good day for the market. But I can’t blame TD Ameritrade for that.

“Unpretty.” Still my favorite TLC jam, with an ever-relevant message — especially for young women — about not allowing other people to define you.

Vaccines. As I noted in the introduction to this post, vaccines have helped ease us back onto the path toward a semblance of normal life. We’d be even further along that path were it not for an active misinformation campaign sponsored by villains about whom, quite frankly, I don’t have much positive to say. Vaccines helped rid the world of smallpox and, for the most part, of polio. Vaccines reduced the threat of measles, a disease that used to kill millions of children, and of other scourges such as typhoid, cholera, tetanus, and diphtheria. Just get your shots, people.

Warriors. The Dubs are back in full force, after a few seasons on struggle street. Steph Curry has redefined basketball — bold words, I know, but I can’t think of a more accurate way to put it. And Steph once again has a supporting cast around him that’s capable of a deep playoff run. Just wait until the other Splash Brother, Klay Thompson, returns to the floor next month.

Xiao long bao. I don’t know who invented soup dumplings, but whoever you are, bless you.

Yu Oughta Know. Lynn Q. Yu’s daily current events email/quiz helps keep me up to date on what’s fresh and exciting in the world, as well as information that just might turn up in competitive trivia sometime in the near future. I’d need more fingers than I have to count the number of times recently that something I only knew because of Lynn’s newsletter fell into my lap during a quiz. Every point matters.

Zot! Cartoonist Scott McCloud might be better known these days for his Eisner Award-winning Understanding Comics and its sequels, but long before those seminal masterworks, he was known for Zot!, a superhero pastiche about a relentlessly positive do-gooder from a utopian parallel Earth. We could all use a bit of Zot’s cheerful optimism these days.

As I express every year, I am thankful for you, friend reader. I hope you’ll use this opportunity to reflect on the people and things for which you’re grateful. May we all survive another circuit around the sun, so that we’ll have even more to celebrate in a year’s time.

SwanShadow Gives Thanks, Volume 15: Crystal Turkey Edition

November 22, 2018

As unlikely as it seems, this post marks the 15th anniversary of my yearly Thanksgiving Day blog entry. Given that crystal is the traditional gift for a 15th anniversary, I will attempt herein to be as transparent, sparkling, and multifaceted as possible.

Those of you (and you know who you are) who’ve kept up with these posts over the years know that I have many, many people and things in my life for which I am thankful. I don’t take that responsibility of gratitude lightly. I earnestly, honestly appreciate how blessed my life is.

When I roll over the side of the bed every morning, even when that effort comes accompanied by the creaks and crackles of advancing age, I am grateful that I have two feet to stand on, and legs that support the standing. I know there are millions of people in the world who can’t get out of bed and would give anything to do so. And, as I go about my day, I am thankful that I have a comfortable home, clean clothes, abundant food and water, work I enjoy, the entertainment of a companion animal, and the love of a life partner. I know there are millions of people who have few, or none, of these, and would sacrifice anything they do have to possess that which they do not. I am not better, or more deserving, than they. I am merely more fortunate. Again, I don’t take that for granted.

And especially when I find myself living in a state where entire communities have been consumed by disastrous wildfires over the past year-plus, robbing people of every material possession and a lifetime of treasured memories…

I take none of this for granted.

Because I have far more things to be thankful for than I can enumerate, on Thanksgiving Day it’s been my custom these past 15 years to focus my gratitude on a list of just 26 items, one for each letter of the alphabet. Some items on the list are trivial (indeed, some are literally that). Others are profound. All stand in the place of many, many others that I simply haven’t time in one day to name. It’s just my way of acknowledging how deeply moved in soul and spirit I am when I pause to consider how rich my life is, even in those countless moments when I feel poorly within.

With all that said, on Thanksgiving Day 2018, here are the things for which I’m giving thanks.

Air. In our part of the world, it’s easy to forget about air — we have it fresh and without limit… until an event like the fire that destroyed Paradise, California clouds the atmosphere with toxic fumes and ash for days on end, even for those of us living a couple hundred miles from the event. After breathing soot for two weeks, today’s clean air (courtesy of our first rains in months) gives us NorCal residents something extra special to celebrate.

Bob Almond. My comic art collection began in earnest almost simultaneously with these annual posts, 15 years ago. During that time, one artist’s work has come to be represented in my galleries far more frequently than any other — more than 50 times, at last count. It might be easy to miss that, however, because Bob Almond toils as an inker, an embellisher of other artists’ pencil drawings. Bob’s unique ability to meld his ink lines with a broad variety of styles — always enhancing, never imposing or interfering — gives me the confidence to keep putting projects in his capable hands, knowing that the art will always return to me better than when it left. And, as founder of the Inkwell Awards, Bob labors tirelessly to gain recognition and appreciation for other practitioners of his craft — artists whose work often goes unnoticed, but is indispensable to the art form we call comics.

Confetti. I play quite a few online trivia games (although fewer all the time, it seems, as some of the upstarts have gone or are going out of the picture). I have the most fun playing the Facebook-based Confetti every weeknight. Confetti’s distinction is that it allows one to play in concert with one’s Facebook friends, seeing their responses to each question in real time and benefiting from their collective wisdom. Assuming, of course, that one has smart friends. I just happen to be lucky that way.

Doctor Who. Until this season, I haven’t been a regular viewer of Doctor Who, the venerable BBC science fiction series, since the days of the Fourth Doctor, played by Tom Baker in the 1970s. When the show was revived several years back, I sampled an episode or two of each new incarnation of the Doctor, but was never drawn back into steady attendance. Then came the Thirteenth Doctor, played with charm and spunk (and a goofy-to-American-ears Yorkshire accent) by Jodie Whittaker, the first female actor to be cast as the Time Lord. In the Doctor’s own phrase, “Brilliant!”

Egg foo young. Yes, I know, it’s not real Chinese cuisine. But sometimes, I just gotta have it. It’s probably the gravy.

Freddie Mercury. I have yet to see Bohemian Rhapsody, the recent biopic starring Rami Malek as the legendary front man of Queen. Part of my reluctance is the reviews. The greater part, though, is my fear that nothing could compare with the reality of Freddie, perhaps the most uniquely talented performer in rock history, and one whose music and memory means so much to me.

Garlic. Can’t cook without it. Okay, maybe breakfast. But not after that.

Hawaiian Airlines. Truly the friendliest airline in the skies. You’d be friendly too if every one of your round trips ended in Hawaii. At the Pirate Queen’s insistence, I got a new credit card this year that earns Hawaiian Airlines flying miles. Maybe one of these years I’ll earn enough miles to just stay.

Infinity War. Every time I think the Marvel Cinematic Universe has gone about as far as it can go, Kevin Feige and company find a whole new way to turn things up past 11. Coming in hot on the heels of Black Panther — quite possibly, the greatest superhero film ever made, and one that could have dominated this Thanksgiving list had I not decided not to be quite so obvious — Avengers: Infinity War raised the stakes and broke our hearts by taking our Panther (and several other Marvel headliners, including Spider-Man and Doctor Strange) away. The sequel can’t get here fast enough. (Also, Black Panther 2.)

Journalists. I’ve never practiced the trade — the closest I came was my years as an online film reviewer — but I trained at university as a journalist. I value the talent and commitment of those who tell the true stories within our world, and deliver the news even when those in power would undermine and even physically thwart them. Now more than ever, we need legitimate journalism, and we all need to support those outlets and individuals determined to publish the truth.

Kansas. This summer, the Pirate Queen and I spent a weekend in Central California centered around a concert by the classic rock band Kansas. This was the fourth time I’ve seen Kansas live — the first was on my 19th birthday, at the Cow Palace — but the first time in more than 20 years. I still love the music. Kansas is the only significant American band to focus largely on progressive rock for the majority of its career (yeah, I know, Styx — but they were only prog-ish, and at that, only sometimes). Rock and Roll Hall of Fame? Maybe not… but who cares? All we are is dust in the wind.

Lutron. One of the many things I love about our little abode here at Pirates Cove is the auto-dimming LED light fixtures, manufactured by a company named Lutron about whom I know nothing. Great lights, though.

Marriage. In the words of a certain Impressive Clergyman, “Mawwiage is what bwings us togevvah today.” In May, The Daughter entered into vows with The Son-In-Law. It was a beautiful day, and they still seem totally happy together six months later. I’m glad she found someone special to share her heart and her life with (and he does indeed seem like a great guy). I’m glad that the Pirate Queen and I found each other, too. Ain’t love grand?

Notability. An essential tool in my everyday working life — I import all of my scripts into it, where I can annotate and mark them up as I will. I also use it for note-taking in workshops and sessions, and for general brainstorming. If you can use a high-quality document markup / notation tool with a wealth of functionality, I highly recommend Notability. (Not a paid endorsement. Just a satisfied customer.)

Outrigger Reef Waikiki. We stayed here on this year’s trip to Oahu, and it immediately became our new favorite hotel on the island. Centrally located on Waikiki Beach, the Outrigger Reef offered a ton of features that we liked: unmatched location, warm hospitality that personifies aloha, first-rate beach access, a reliable breakfast venue, super-convenient layout that minimizes walking (something that can’t be said of many large resort hotels), great pool, live music nightly, and a Starbucks. I almost hate to mention it here, because now you people will fill it up the next time we want to stay there.

Pre-Raphaelite Brotherhood. The Legion of Honor Museum in San Francisco has presented a couple of exhibitions in recent years featuring the works of the Pre-Raphaelite Brotherhood, an association of 19th-century British artists and writers. This year’s show afforded the opportunity to see a number of stunning paintings by the Brotherhood’s leading lights: Dante Gabriel Rossetti, William Holman Hunt, and John Everett Millais. I’m always impressed by art that keeps me thinking about it for days after I’ve seen it. The Pre-Raphaelites and their acolytes accomplish that.

Quizmasters. Having written a few quizzes for LearnedLeague and elsewhere, and played thousands more, I’m acutely aware of how difficult it is to compose top-shelf trivia questions and answers. I’m in awe of people — including LearnedLeague Commissioner Thorsten A. Integrity and newly inducted Trivia Hall of Fame member Paul Paquet — who manage to do it consistently over long periods of time.

Radio. As some of you know, I was a radio disc jockey in a previous life. Thanks in part to the SiriusXM subscription that came with our new Subaru Forester, I’ve been listening to more radio of late. It’s a format that I hope never goes away.

Stan Lee. Some idolized Marvel Comics writer/editor/publisher “Stan the Man” and gave him perhaps more credit than he deserved. Others in their zeal to counteract Stan’s penchant for self-aggrandizement were perhaps too quick to denigrate his contributions. All I know is this: Stan Lee co-created (we can disagree as to what percentage) several of the most iconic characters and stories of my lifetime, including some that had a tremendous impact on my youth and beyond. I can’t say this about many people whom I never met, but I would be a dramatically different person today were it not for Stan Lee. Rest in peace, and excelsior.

Taarna. I don’t like to talk myself up, but for some years, I was among the primary resources online for information about the 1981 animated science fiction anthology film Heavy Metal. I compiled and maintained the Squidoo lens spotlighting the movie, contributed significantly to its Wikipedia entry, and wrote material about the film for several (mostly now defunct) websites. My art collection reflects my obsession, with its gallery of commissioned artworks featuring Taarna, the lead character in Heavy Metal’s concluding segment and star of its iconic poster. When Sideshow Collectibles announced early this year that they were releasing a statue of Taarna, I knew I had to own one, even though I’m not a statue collector. The Taarakian defender now upholds The Pact from a shelf in my office/studio.

Ukulele. I decided a while back that I wanted to learn to play the ukulele. This decision did not come without trepidation — I took years of guitar lessons as a youngster and never got very good at playing the guitar. (Which is a charitable way of saying that I totally sucked at playing the guitar.) I’ll probably never be very good at playing the ukulele either. But even my clumsy fretting and strumming brings me joy. That’s something, yes?

Victoria Coren Mitchell. One of the world’s best female poker players, and the presenter of one of my favorite quiz shows, Only Connect. Is there anything she can’t do?

Walt Disney’s Enchanted Tiki Room. I fell in love with the Tiki Room on my first visit to Disneyland, way back in 19[mumble][mumble]. When I visited with the Pirate Queen in February of this year, I found my love unabated. It’s cheesy yet classic, dated yet timeless, silly yet charming. The performances by the lead voice actors (Wally Boag, Thurl Ravenscroft, Fulton Burley, and Ernie Newton) remain engaging, despite their broad (some might say stereotypical, and some might not be wrong) accents. There’s always at least one Audio-Animatronic character that doesn’t function quite perfectly. And yet, the moment the Tiki Room show concludes, I want to queue up again for another round. It’s one of my favorite childhood memories. Also, Dole Whip.

Xenon. It’s the noble gas used most frequently in film projection lamps. When you go to the movie theater and look at the brightly lit screen, you’re seeing xenon at work.

Yacht Rock. It’s not just a musical genre — it’s a way of life. The smooth, studio-crafted, jazz-inflected sounds of such late-’70s/early-’80s acts as Steely Dan, Toto, Kenny Loggins, Christopher Cross, Al Jarreau, and the Michael McDonald-era Doobie Brothers are my jam. (One of my jams, anyway.) Please don’t confuse true Yacht Rock with that stuff that gets played on the SiriusXM channel of the same name — most of it’s Nyacht Rock. (Hint: Jimmy Buffett is Nyacht Yacht Rock.) For the real deal, check out the pioneering 2005 web video series Yacht Rock, and Beyond Yacht Rock, the subsequent podcast hosted by connoisseurs JD Ryznar, Dave Lyons, Hunter Stair, and “Hollywood” Steve Huey.

Ziploc bags. I don’t know who invented them, or how that individual came up with the technology. But how did we ever live without them? The ones with the slider sealing mechanism? Pure engineering genius.

And as always, friend reader, I’m grateful for you. Thanks for stopping by on yet another Thanksgiving. I hope you’ve found much to be thankful for today. If you have, share some with someone who has a little less.

Peace.

Comic Art Friday: Redheaded queens

May 4, 2018

I have often contemplated the fact that women artists are severely underrepresented in my commission collection. My efforts to remedy this problem — and it is a problem — are complicated by the fact that women artists are underrepresented in mainstream comics in general, and in the superhero genre specifically.

Although this situation is improving ever so slightly — with the advent of such talented creators as Amanda Conner, Nicola Scott, Babs Tarr, Becky Cloonan, Kelly Sue DeConnick, Sara Pichelli, Joelle Jones, and Afua Richardson, among many others — there are still far too few women comics artists, and even fewer who are regularly available to do commission projects.

But I keep trying.

Medusa and Mera, pencils by Cross (Lori Hanson)

I’m especially intrigued by the concept of women artists drawing female characters. Not because I wish to fence women artists into a virtual ghetto where women only draw “girls’ comics” (whatever that implies), but because the objectification and hypersexualization of female characters in mainstream comics is real, and I find it refreshing to see these characters depicted by artists who view them through a more personal filter. (In the same way, I don’t want to see African-American comics creators limited to writing and drawing black characters, but I often find something unique in the mix when they do.)

Which brings us to today’s spotlight artwork. The pencil-wielder behind this beautiful piece is the artist known as Cross (a.k.a. Lori Hanson). When I first saw the graceful, swirling lines that typify Cross’s work, I immediately thought of hair. (The body accessory, not the Broadway musical.) I also observed a certain regal quality in the way Cross portrays people. Putting those two characteristics together brought me to this Common Elements concept matching a pair of royal ladies with distinctive red hair: Medusa, queen of the Inhumans in the Marvel universe, and Mera, queen of Atlantis in the DC universe.

Speaking of Medusa… man, that Inhumans series Marvel ran on ABC last year was terrible, wasn’t it? It was shocking to see a creative enterprise that has succeeded beyond expectations at almost everything they’ve attempted fail so spectacularly. Almost nothing about the show worked, from casting (I felt sorry at times for Iwan Rheon, who was so compellingly evil in Game of Thrones, but here seemed to be constantly looking for the exit) to scripting (did any of the writers actually read any Inhumans comics?) to general concepts (what’s the point of having a character whose superpower is prehensile hair if you’re going to shave her head in the first episode?).

Fortunately for us, we always have comic art to come back to. Cross reminds us of the glory and greatness that Medusa’s hair was meant to embody.

And just in case we needed an additional post-TV-bomb palate cleanser, here’s a nifty portrait of Attilan’s royal family — Queen Medusa, King Black Bolt, and their faithful canine companion Lockjaw — by animator Steven E. Gordon that restores our faith in Inhumanity.

Medusa, Black Bolt, and Lockjaw, pencils by Steven E. Gordon

Hopefully, Mera will fare sufficiently well in the upcoming Aquaman feature film that we’ll have no similar need for catharsis. Then again, it’s a DCU movie, so I’ll trust it when I see it.

And that’s your Comic Art Friday.

Comic Art Friday: Common Elements Sesquicentennial

December 1, 2017

When I began my Common Elements commission series back in 2004, the thought never really seeped into my consciousness that one day I would own 150 of these custom artworks. And yet, 13 years later, here we are.

Mary Marvel and Isis, pencils and inks by Ramona Fradon

From the beginning, Common Elements has been a labor of love. (Or maybe obsession.) Not only has it afforded me the opportunity to interact with more than 100 individual comic artists — 111 at present count — but it’s also served as a unique testimony to my spider-web-like thought process.

People who know me in the real world will attest that I have a bizarre knack for mentally tying disparate things together. Mention a movie, a book, a song, or even just a word, and I immediately think of a dozen other items that connect in some way to whatever you mentioned. (If you want to know the secret to my dubious success as a Jeopardy! champion, that’s two-thirds of it right there.) Sometimes those connections are obvious. Sometimes they’re ties that almost no one else would identify. And that, of course, is Common Elements in a nutshell.

(Which reminds me: I really need to get Squirrel Girl into a CE. And yes, I already have a couple of ideas.)

When I realized that the next Common Elements piece I commissioned would be #150, I wanted to do something special to mark the anniversary. Then a note scrolled by on my Facebook feed indicating that Eisner Hall of Fame artist Ramona Fradon was celebrating her 91st birthday. Since I don’t know of any comic artists who are 150 years of age and still drawing breathing, I figured that the legendary Ms. Fradon was as close as I was likely to find. Toss in the fact that Ramona also penciled Common Elements #91 (featuring her co-creation Metamorpho alongside Hourman), and the appropriateness could not have been more clear.

Knowing the lovely lighter tone which with Ms. Fradon depicts characters, I assigned her the pairing of Mary Marvel and Isis. Those of you of a certain vintage will remember that Mary’s brother Captain Marvel (called Shazam in more recent DC comics, mostly due to trademark conflicts involving the several Marvel Comics characters known as Captain Marvel, all of whom postdate the Big Red Cheese) headlined his own live-action Saturday morning TV series in the mid-1970s.

Originally, Filmation — the studio that produced the program — wanted to pair Captain Marvel with his sister Mary. Depending on whose account you believe, either DC wanted more money in broadcast rights fees for the use of Mary Marvel than Filmation wanted to pay, or DC refused to offer Filmation Mary’s broadcast rights in order to keep her available for future TV/movie projects. Whatever the particulars, Filmation decided to proceed without Mary. Instead, they created a new character called Isis, who shared several of Mary’s attributes — an ordinary young woman (an adult schoolteacher, unlike the teenaged Mary) gained a costume and superpowers (based on figures from Egyptian mythology, whereas Mary’s derived from mostly Greco-Roman deities) by speaking a magical incantation (“O mighty Isis!” instead of “Shazam!”). Thus, The Secrets of Isis became the companion series to Filmation’s Shazam!

DC published, concurrent with the TV show, a comic book series featuring Isis. They didn’t hire Ramona Fradon to illustrate it, but as you can judge from our featured artwork, they would not have been wrong if they had. (No slight intended to the talented Mike Vosburg, who drew most of the Isis comics and did a fantastic job.)

Interestingly, a retooled version of Isis recently joined the cast of the TV series, DC’s Legends of Tomorrow. The new character, played by actress Tala Ashe, goes by the code name Zari instead of Isis, for reasons that you can easily surmise if you’ve read or watched the news anytime in the last decade. And though she doesn’t transform, she does wear an amulet resembling the one originally worn by Isis.

In honor of Common Elements’ 150th, I’ll share a few random facts about the series to date:

Most prolific pencil artist: Ron Lim, with six Common Elements credits (CE #’s 48, 80, 100, 111, 118, and 124).

Most prolific inker: Bob Almond, who has inked 15 Common Elements projects thus far, and will doubtless ink more in days and years ahead.

Characters most frequently represented: Wonder Woman and Vixen, with four appearances each (although none together). Six characters have made three appearances: Storm, Valkyrie, Luke Cage, Ms. Marvel, Mary Marvel, and Black Cat (that’s Linda Turner, the Golden Age Black Cat; the modern-era Black Cat, Felicia Hardy, appears only twice, counting one commission that is currently in progress). A total of 39 characters appear twice each.

Characters who appear in multiple guises: Four Jean Grey (as Marvel Girl and Phoenix), Steve Rogers (as Captain America and Nomad), Michael Jon Carter (as Booster Gold and Supernova), and Greer Nelson (as Tigra and The Cat).

And the saddest list of all — the artists who have passed since contributing their Common Elements creations: RIP Herb Trimpe, Rich Buckler, Ernie Chan, Dave Hoover, Tony DeZuniga, and Al Rio. I’ll extend an honorary mention to Dave Simons, who was working on a Common Elements commission at the time of his passing. The concept Dave was assigned was later commissioned to, and completed by, Dave’s longtime collaborator Bob Budiansky (CE #92).

Questions I’m asked:

What’s your favorite Common Elements commission? I’d never be able to narrow it to just one. Even if I chose a Top Ten, I might pick an entirely different group if you asked me on another day. Thus, my standard answer: “The next one.”

If money were no object, who’s the “holy grail” Common Elements artist? It would be difficult to top a Common Elements piece by Adam Hughes, Alex Ross, or Mark Schultz. There are several others close to those three, but whom I realistically think I might be able to land someday.

Are there artists who are no longer with us whom you regret not commissioning when you could have? So many… but at the top of the list (limiting the scope to artists active since I began Common Elements) would have to be Mike Wieringo and Darwyn Cooke. My all-time dream would be Dave Stevens, but Stevens would have been unattainable even when he was still alive and working.

Name three artists from any period in history you’d resurrect to draw a Common Elements commission. Titian, Alphonse Mucha, and Albert Joseph Moore. Add one from comics history: Matt Baker.

How many Common Elements concepts are still on your to-do list? Probably another 150… and the list grows all the time.

And that’s your Comic Art Friday.

Comic Art Friday: The girls most unlikely

March 3, 2017

I occasionally sit in awe of how far the superhero genre has risen in popular culture in the past few years.

Back when I was a wee lad, we felt incredibly lucky to see our favorite comics heroes live out their adventures on television in dreadfully animated, clunkily voice-acted cartoons, like the tragic Grantray-Lawrence Marvel Super Heroes series or the only mildly dorky Super Friends. On the rare occasion we got to see these characters in live-action, the gamut ran from the campy Batman and Wonder Woman to the embarrassing Marvel efforts of the 1970s (the Nicholas Hammond Spider-Man series, the ghastly Captain America TV movies, the WTF-inducing Doctor Strange pilot). Even the more credible attempts bore only passing resemblance to the stalwarts we knew and loved (I’m looking at you, The Incredible Hulk). But we were glad to have them.

Fast forward to the present day, and we’re living in Superhero Nirvana. Not only do we see the major players from both Marvel and DC comics explode from the silver screen on a near-constant basis (the latest Wolverine feature film, Logan, is premiering at your local cinema even as I type), but our television viewing hours are chock-full of real live superheroes 24/7, from the DC-based series filling The CW’s nightly schedule (Supergirl, Arrow, The Flash, Legends of Tomorrow) to Marvel’s Agents of SHIELD and the outstanding slate of MCU series on Netflix (Daredevil, Jessica Jones, Luke Cage, and the forthcoming Iron Fist, The Defenders, and Punisher). Even C-list characters like The Inhumans (cast list announced today!) and Cloak and Dagger have live-action series in the works.

It’s a grand time to be a superhero fan.

Mantis and Gypsy, pencils by Robb Phipps

If you’d asked me before the present boom times to name the least likely former members of both the Avengers and the Justice League ever to see the light of live-action film or television, the two heroines depicted in today’s featured artwork (created by penciler Robb Phipps a full decade ago, in 2007) would have landed near the top of both lists.

Mantis — a half-Vietnamese, half-German martial artist and former prostitute raised by the alien Kree to be the Celestial Madonna (hey, I don’t make this stuff up, I only report it) — was a peculiar addition to the Avengers lineup even in the freewheeling, anything-goes Bronze Age of the ’70s. Gypsy — a one-time teenage runaway with illusion-creating powers — typified the mid-’80s Justice League era that many fans consider the most forgettable period in the team’s storied history.

And yet, here they are, living and breathing before your very eyes. Gypsy is now a recurring guest star on The Flash, played by Sleepy Hollow veteran Jessica Camacho. Mantis (played by the charmingly named Pom Klementieff) is the newest member of the Guardians of the Galaxy, whose second blockbuster motion picture arrives in May at a theater near you.

While it’s true that the live-action versions of both characters differ substantially from their comic book counterparts — the TV Gypsy, in particular, shares little in common with her printed predecessor besides the code name — it’s also true that I never thought I’d see the day when either of these remarkable superwomen would be portrayed in any form by a flesh-and-blood human being in a big-budget Hollywood production.

As I said before… it’s a grand time to be a superhero fan.

And that’s your Comic Art Friday.

Comic Art Friday: Things are about to get hairy

December 2, 2016

millionairelogo

Hey, did I mention that I’m going to be on Who Wants to Be a Millionaire on Monday, December 5?

Now I did.

I’ll have more to say after the show airs. But for the time being, make sure to set your DVR. (Check your local listings for time and channel.)

It’s fair to suppose that if I walk away from my latest foray into television gaming a millionaire, I will probably spend at least a few shekels on new comic art. (My art collection may even rate a mention on Millionaire… but you’ll have to wait and see.) In the meanwhile, I can still admire the pieces I already own — including this one, commissioned earlier this year at San Francisco Comic Con, by the talented Casey Jones.

The Cat and The Beast, pencils and inks by Casey Jones

On a Comic Art Friday a few months back, we discussed Greer Grant Nelson’s transformation from the costumed heroine known as the Cat into the half-human, half-feline Avenger Tigra. It occurred to me that Greer wasn’t the only character to undergo a similar makeover.

In March 1972, just a half-year before Greer first donned her Cat-suit, founding X-Men member Henry “Hank” McCoy — a.k.a. the Beast — was starring in his own feature in the anthology series Amazing Adventures. From his debut in Uncanny X-Men #1, Hank’s mutant abilities had manifested in overly large hands and feet, combined with superhuman strength and ape-like agility. Aside from his impressive appendages, Hank looked pretty much like a normal human.

But in Amazing Adventures #11, Hank’s self-experiment in hormonal therapy pushed his mutation to another level, enhancing his powers (making Hank even stronger than before, and adding a Wolverine-like healing factor), covering his body with fur (initially gray, later blue), and giving him a vaguely simian appearance. Subsequent changes would alter his image into a more cat-like mold. In time, Hank’s more feline attributes faded, and he morphed into something closer to a furry, blue approximation of his original self, albeit retaining the fangs and claws from his second mutation.

Amazing Adventures #11, cover art by Gil Kane and Bill Everett

As much as we’ve grown fond of Greer and Hank in their lovably hirsute forms, we still remember the way they looked when we first met them — and it’s those original appearances that Casey Jones enshrines for us in this fine Common Elements commission. Because they may be gone today, but hair tomorrow.

And that’s your Comic Art Friday.

Remember: Catch me on Millionaire this coming Monday!

Comic Art Friday: Frankenheimer’s castle

February 5, 2016

People who know that I’m a film buff sometimes ask me, “What’s your favorite movie?” Which is, of course, an impossible question to answer. I love many movies for many reasons, and they’re not interchangeable. How does one compare a favorite horror film (Psycho) to a favorite comedy (Blazing Saddles), or the appeal of two markedly different fantasy films (say, The Princess Bride vs. Heavy Metal)? Do I love Die Hard more or less than Double Indemnity? Streets of Fire more or less than Enter the Dragon?

You see the problem.

Anyway…

One night I happened to be parked in front of the television watching yet another of my favorite films, John Frankenheimer’s brilliant crime drama, Ronin. It’s a great piece of entertainment, combining a twisty plot; crackling dialogue; understated performances by a fine cast (including Robert DeNiro’s last truly stellar acting job before he dove headlong into self-parody, apparently permanently); and one of cinema’s all-time great car chase sequences. (Although it has his signature style all over it, many people don’t realize that Ronin was scripted by David Mamet, using the pseudonym Richard Weisz.) It’s also that rare film in which Sean Bean appears but does not die, although he does get booted from the story a third of the way in.

As I was viewing Ronin for the umpteenth time, a thought flashed to mind: “Isn’t there a superhero named Ronin?” Another thought quickly followed the first: “Didn’t Frankenheimer also direct The Birdman of Alcatraz and The Iceman Cometh? Birdman and Iceman are superheroes, too.”

And that’s how Common Elements concepts are born.

Iceman, Birdman, and Ronin, pencils by Val Semeiks

Ronin the superhero — as distinct from Ronin the movie — has actually been embodied by several different characters in the Marvel Comics universe, including Clint Barton (the Avenger better known as Hawkeye) and Eric Brooks (better known as Blade, the vampire hunter). Shown here is the original Ronin, Maya Lopez, who herself is probably more familiar to comics readers under her subsequent costumed identity, Echo. Maya is both one of the more prominent Latina heroines in superhero comics, and one of the genre’s few deaf characters.

Iceman — a.k.a. Robert “Bobby” Drake — is one of the founding members of the X-Men, going all the way back to the debut of the franchise in 1963. Historically, Bobby was the youngest in the original lineup, and was often portrayed by Marvel writers as somewhat immature and impulsive. More recently, Iceman gained publicity for coming out as gay — a revelation questioned by some readers as a retcon, given that Bobby has been romantically involved with numerous female characters over the course of his X-career.

Birdman will be familiar to those of a certain age (ahem…) as star of the fondly remembered 1960s animated TV series, Birdman and the Galaxy Trio. Designed by legendary comics artist Alex Toth (also responsible for such characters as Space Ghost and the Herculoids), Birdman is actually Ray Randall, a normal guy who receives an array of superhuman abilities from the Egyptian sun god Ra. He can fly using the powerful wings that erupt from his back, and can also fire beams of solar energy from his hands. Because his gifts derive from the sun, Birdman frequently found himself in dilemmas where the lack of sunlight robbed him of his powers temporarily. He was accompanied on his adventures by a pet eagle named Avenger.

Younger readers know Birdman from his comedic retooling in the late 1990s. In the Cartoon Network series Harvey Birdman, Attorney at Law, the former superhero is presented as a rather dimwitted defense lawyer, whose client list includes a diverse collection of his fellow Hanna-Barbera characters. Avenger is nowhere to be found in this adaptation, likely due to embarrassment.

Today’s featured artwork — #123 in my Common Elements theme — springs from the potent pencil of veteran comics artist Val Semeiks. This marks Val’s third foray into the world of Common Elements. As is true of both of his previous efforts, this one rocks.

And that’s your Comic Art Friday.

Comic Art Friday: Always be yourself, unless you can be Mary Marvel

January 15, 2016

A couple of years ago, I met a talented Canadian artist named Sanya Anwar at a local comics convention. Sanya created this gorgeous Art Nouveau-inspired portrait of one of my favorite heroines: Isis, star of the 1970s TV series The Secrets of Isis. (I probably just landed on some national security watchlist for typing the name “Isis.” You people need to chill.)

Isis_Anwar

At the time Sanya drew the Isis piece, we talked about her doing a companion piece featuring Mary Marvel, the inspiration for the Isis character. Sanya and I revisited that conversation last spring at Big Wow ComicFest. It took a few months for Sanya to work the project into her hectic schedule, but in the end, this beautiful rendition resulted.

Mary Marvel, pencils and inks by Sanya Anwar

Since I first discovered the Marvel Family characters in the early ’70s, I’ve always found the concept of Mary Marvel intriguing. Unlike her brother, the original Captain Marvel, Mary’s accessing the powers of various mythological beings doesn’t transform her into a different person (or, at least, persona — for decades, comics writers couldn’t decide whether Billy Batson and Captain Marvel were separate entities, or just differently aged versions of the same individual). When Mary says “Shazam!” she doesn’t grow older or muscle up. She’s the same sunny-spirited teenager whether she’s Mary Batson or Mary Marvel. The latter just has more amazing abilities.

Which always raised the question in my mind: If you could be Mary Marvel and still be fully and completely Mary Batson, why would you ever not be Mary Marvel? What would be the reason for changing back into your non-powered self, and spending most of your life that way? If I had the option of being Just Plain Me or Superhuman Me, I would opt for Superhuman Me all the time.

The lesson is: Always be yourself.

Unless you can be Mary Marvel.

Then, always be Mary Marvel. (Or Isis. That works, too.)

And that’s your Comic Art Friday.

Comic Art Friday: No love for the Valkyrie

November 14, 2014

Those of us who follow comics news — and, more specifically, news of appearances by comics characters in other media, i.e., film and television — have heard quite a bit in recent weeks about the increasing profile of female superheroes in the live-action universes of Marvel and DC.

Wonder Woman finally received the green light for her own solo film, following on the heels of her debut in the upcoming Batman v. Superman: Dawn of Justice.

Carol Danvers, the former Ms. Marvel turned newest Captain Marvel, is now slated to headline a movie as well.

The Scarlet Witch will be joining the Black Widow on the roster of Earth’s Mightiest Heroes in next summer’s Avengers sequel, Age of Ultron.

The TV series Marvel’s Agents of SHIELD recently introduced Bobbie Morse, better known as the heroine Mockingbird, to its cast of characters (although I don’t believe she’s actually been referred to by that code name on the show).

And Jessica Jones (who once used the superhero handle Jewel, and is best known as star of Marvel’s private detective saga, Alias) has been tapped to star in one of Marvel’s impending Netflix programs, culminating in the team epic, The Defenders.

Speaking of the Defenders, there’s at least one key name missing from all of this chatter: The Valkyrie, longtime stalwart in the Defenders superteam, and one of Marvel’s most recognizable (to comics geeks, anyway) heroines.

Valkyrie, pencils and inks by comics artist Leo Matos

To me, Valkyrie is a no-brainer for the silver screen. She’s a powerful visual — a badass blonde in Viking garb who slings a wicked sword and spear. She even rides a winged horse, named Aragorn. Who wouldn’t want to see that in IMAX?

And Val isn’t just a pretty face. She’s a warrior to the stone core, who takes neither guff from nor back seat to any man (not unlike the Lady Sif, who’s already been portrayed in both of the Thor theatrical films, and has guest-starred on the SHIELD TV series). She’s exactly the kind of strong female image the audience is clamoring for, and that the studios keep promising, without much actual delivery to date.

So far, however, Marvel Studios isn’t showing the love. There are no plans, so far as has been reported, for Val to make an appearance in any of the company’s movie or television properties. That’s a missed opportunity, in my opinion.

Here’s hoping that Valkyrie gets her day on camera sometime soon.

It’s what America wants.

And that’s your Comic Art Friday.

Comic Art Friday: Invasion Force!

July 25, 2014

Writers of fiction frequently get asked, “Where do you get your ideas?” The obvious answer is, “From my brain, duh.” Most writers not named Harlan Ellison are too polite to respond quite that bluntly.

Since I don’t write much fiction, this question is usually directed toward my Common Elements commission artworks: “Where do you get the ideas for all those bizarre matchups?” To which I reply…

From my brain. Duh. (Take that, Harlan Ellison.)

In humbler truth, I don’t always know where my Common Elements concepts originate. Usually, it’s a random thought, triggered by some equally random event or factoid. But then, if you know me in real life, you understand that’s just me. My brain is constantly kicking out random ideas, some of which spew forth from my lips or keyboard entirely without filter.

The others sometimes end up as Common Elements commissions.

The Fourth Doctor, Cyborg, and Blue Beetle, pencils and inks by Ibrahim Moustafa

The concept behind today’s featured artwork languished on my to-do list for several years, so the impetus for it has long since swirled down the drain of my vanishing memory. I think I might have been watching a TV documentary about the British Invasion of the early 196os when the concept just sort of fell together, as things in my brain often do. Whatever the genesis, that singular era in popular music history spawned this grouping of the Fourth Doctor (because Tom Baker will always be The Doctor to me), Cyborg, and the third incarnation of the Blue Beetle, a.k.a. Jaime Reyes.

You know…

A Be(a)tle, a Stone (Victor, Cyborg’s real identity), and a (Doctor) Who.

***drops mic***

Credit to artist Ibrahim Moustafa, co-creator (with writer Christopher Sebela) of the Eisner-nominated digital comic series High Crimes, for bringing my whacked-out notion to life. A special thanks to my fellow collector Jerry Livengood at Serendipity Art Sales for managing a smooth commission experience.

And that’s your Comic Art Friday.