Archive for the ‘SwanStuff’ category

Comic Art Friday: First thing we do, let’s kill all the lawyers

November 30, 2012

Shame on me — I haven’t posted a new Comic Art Friday since the dawn of the Internet. Okay… it hasn’t been quite that long, but it’s been a while. So, let’s rectify the omission, shall we?

In a Facebook group to which I belong, comic art collectors were recently asked to identify the greatest comic artists alive today. Along with the names you’d probably guess first — Neal Adams, George Perez, Adam Hughes, John Byrne — Tom Grummett garnered several mentions, including one from your Uncle Swan. Which is appropriate, because Grummett is one of the best in the business today, even though his name hasn’t quite reached household status outside the core of comics fanatics. Deftly blending old-school power and personality with a sleek, thoroughly modern sensibility, Grummett’s work on such titles as The Adventures of Superman, Superboy, New Titans, New Thunderbolts, and X-Men Forever has been dazzling readers for more than 20 years.

As you can see below, I pounced on the opportunity earlier this year to commission Tom for my Common Elements theme. (Click the image for a close-up look at Mr. Grummett’s spectacular drawing.)

Josiah Power and She-Hulk, pencils and inks by comics artist Tom Grummett

Featured in this potent panel are two of comicdom’s most prominent practitioners of the legal arts (that’s “attorneys” for the prosaically minded among us). On the left is Josiah Power, co-created Tom Grummett and writer Kurt Busiek as the star of DC’s Power Company series. On the right is mean, green Jennifer Walters, better known as the savage and sensational She-Hulk.

It’s tough to think of a more atypical superhero than Josiah Power. He doesn’t use an alias or secret identity, wear a costume, or even employ his awesome metahuman powers — seen in full display in Grummett’s artwork here — very often. Josiah prefers to work behind the scenes as leader of the Power Company, a team of superheroes for hire that’s structured like a law firm. He’s usually depicted in his normal human form, nattily attired in business suit and tie. Only on rare occasions, when his team is severely threatened, does Josiah explode into action in his transmogrified state — a gigantic, golemesque monster with skin like stone, crackling with energy. Even Superman himself stands in awe of Josiah’s might, describing him as one of the most powerful beings he’s ever encountered.

Josiah is also one of a small number of openly gay heroes in mainstream comics. He’s half of a stable, long-term couple with his partner Rupert. It’s refreshing to see a gay character portrayed in a superhero universe who is in no way stereotypical, and for whom his sexual orientation is an incidental aspect of his overall person, and not a device for sensationalism.

She-Hulk rates mention as the last major character created by Stan Lee before his retirement as the main man at Marvel. (Stan has “unretired” on a frequent basis since, both for Marvel projects and his own independent works.) Spawned during the television network run of The Incredible Hulk, She-Hulk served as a preemptive strike against the TV show’s producers, who were considering introducing a female counterpart to the Green Goliath. To enable Marvel to retain the rights to any such character, Stan and artist John Buscema concocted Dr. Bruce Banner’s lawyer relative, who gains her own emerald awesomeness via a blood transfusion from Cousin Brucie. Unlike her infamous family member, Jennifer not only controls her transformation into her super-sized self, but also retains her own personality and emotional balance while Hulked out. In fact, Jennifer eventually decides that she prefers her green Amazonian body, and simply stops changing back into her “normal” appearance. She continues to both practice law and fight supervillains in her tall, muscular, vividly verdant persona.

Also unlike her cousin, Jennifer is a social creature. She’s been affiliated with most of Marvel’s non-mutant superteams at one time or another, including the Fantastic Four (stepping in for an absent Ben “The Thing” Grimm), the Avengers, Heroes for Hire, and SHIELD.

Tom Grummett outdid himself in pitting his legal-eagle creation against the self-described “baddest babe in the universe.” Wouldn’t it be cool if this scene actually took place in the middle of a trial? I think our judicial system would be infinitely more entertaining if all lawyers settled cases by transforming into superhuman warriors and duking it out in the courtroom. Heck, I’d volunteer for jury duty just to watch.

And that’s your Comic Art Friday.

SwanShadow Gives Thanks: Part 9 — Defying the Mayans

November 22, 2012

Every Thanksgiving Day since 2004, I’ve posted in this space a 26-point alphabetical sampling of people, places, and things for which I’m grateful. I consider myself to have been truly blessed in life, despite having endured many of the dark times that inevitably arise when one lives as long as I have. I’ve been touched by so many great human beings and wonderful experiences that it’s impossible to list them all when I express my annual thanks. So, nine years ago, I hit on this structured overview method. I’ve returned to it each Turkey Day since.

This year has been a unique one. I got married for the second time, to the incredible force of nature I refer to in these posts as the Pirate Queen. We did some traveling, shared many fun times, and went about the business of being newlyweds, with all of the changes, reconfigurations, and negotiations that newlywedness entails. Quite a few of my appreciations this year derive from our freshly married life and our newly shared home in San Francisco, the world’s most spectacular city.

And on we go.

On this Thanksgiving Day 2012, I’m grateful for…

Acting and actors. It took me the better part of a half-century to figure out what I want to be if and when I grow up. Since embarking on a career as a voice actor, I’ve developed a deep appreciation for the craft of acting, and for the people who do it skillfully. (Which is pretty much every voice actor I’ve worked with to this point. But I’m getting better.) I’m fortunate here in the Bay Area to be part of a thriving community of voice acting professionals. My actor friends and colleagues amaze me continually with their talents, with their determination to succeed in a difficult field, and most of all, with their giving, encouraging spirits. You wouldn’t suppose that folks who compete daily with each other for paying work would be so supportive of, and generous toward, those against whom they compete, but I see it happen all the time. Not all creative people are good people — no more than all of the people in any category are good people — but most of the actors with whom I study and work are genuine and decent.

The Big Island of Hawaii, where the Pirate Queen and I spent a blissful chunk of our honeymoon. (And yes, I’ll get around to posting about that portion of the trip.) From the eerie moon-like desolation of the Kona Coast, to the lush tropical beauty of the island’s eastern shores, to the awe-inspiring power of Kilauea, the Big Island is a source of endless fascination. With luck, I’ll manage to get back more quickly than the 20-plus years than separated each of my first three visits.

My Clipper Card, my little plastic passport to public transportation. For the benefit of the foreigners in the room — that is to say, those of you not from the Bay Area — San Francisco is served by two separate transit systems. BART (Bay Area Rapid Transit) is the sleek electric railway that connects San Francisco with the East Bay, and with its own airport to the south. (They’re working on an extension that will run all the way to San Jose.) MUNI is The City’s own conglomeration of buses, cable cars, trolleys, and an integrated streetcar-subway network known as MUNI Metro. The Clipper Card, introduced just a couple of years ago, enables passengers to utilize both systems with a single payment mechanism. With parking in The City at a legendary dearth, we use BART and the Metro as often as possible to get from our neighborhood to downtown.

Dim sum, exquisite bites of savory or sweet ambrosia. We’re going for some with visiting friends this very weekend.

I loves me some European paintings. A long-ago course in college first opened my eyes to the works of the classical masters. This year, we had several amazing opportunities to view some of my favorites up close and personal. In February, we saw the exhibition “Masters of Venice” at the DeYoung Museum. Among the attractions in this show were several creations by my favorite Renaissance artist, Titian, including “Danae” and “Mars, Venus, and Cupid.” In September, the Metropolitan Museum of Art’s collection offered some of the most memorable moments of our junket to New York City. I stood for several minutes in slack-jawed bedazzlement at an original poster by Alphonse Mucha, the Czech genius who pioneered the Art Nouveau style. As the old saying goes, I might not know much about art, but I know what I like.

Festus Ezeli, the Nigerian center out of Vanderbilt chosen by the Golden State Warriors with the 30th pick in the 2012 NBA Draft. The kid plays hard, and gives a great interview. More than that, just saying his name makes me smile. Go ahead — try it.

Gray squirrels (specifically the Western gray squirrel, Sciurus griseus). Several of them visit our back yard on a daily basis. I get a kick out of watching them cavort and forage and play hide-and-seek with the neighborhood cats. It’s funny — after living for many years in a suburb surrounded by semi-rural agricultural land, I figured that I’d never see a wild animal again once I moved into the big city. I see more squirrel action outside our kitchen window in a week than I saw in three decades in Sonoma County.

My favorite Horsewoman, also known as my beloved Daughter. I could fill volumes with tales of how bright and witty and talented The Daughter is, but for this particular line item, I’ll confine myself to her equestrian hobby. After 10 years of riding, she fulfilled her dream this summer by acquiring her own horse — a tall, handsome, four-year-old chestnut Thoroughbred she named Gryffin. A half-brother to 2011 Kentucky Derby winner Animal Kingdom, Gryffin didn’t enjoy his sibling’s career at the track, but he’s made The Daughter deliriously joyful as her stable companion. Having endured so much tragedy over the past few years, including the passings of her mother, her grandfather, and our family dog, she deserved something special. I’m delighted for her that Gryffin came along.

Itoya Profolios, in which I store my comic art collection. They’re archival-safe, elegantly simple in design, and the perfect vehicle for original art on paper. One of my greatest thrills is sitting down with an Itoya on the table before me, and marvel at some of the treasures I’ve managed to pick up over the years.

Johnny Foley’s Irish House, home of the most entertaining dueling pianists you’ll ever come across. The Pirate Queen and I dropped into Foley’s on our fourth date, and we’ve made frequent weekend pilgrimages ever since. She even had her bachelorette party there. Stop by on a night when Nathan, Jason, or Lee are tickling the ivories and belting out requests. The rest of the crew is talented as well, but those three guys consistently put on the best show.

KJ. Life goes on, but I never forget. I would not be the person I am today without her nearly 30 years of influence on my life.

Lady Liberty. I didn’t expect to be as impressed or moved as I was by seeing the Statue of Liberty in person during our New York City trip — even despite the drenching downpour that struck during our visit. It was powerful to be reminded what a privilege it is to be an American citizen… and to be reminded that almost all of us are the descendants of immigrants, whether willing or unwilling. We get a bit stuffy sometimes about “those people” crossing our borders in search of a better life for themselves and their families. Unless you’re 100% Indigenous North American, “your people” came from someplace else, too. Let’s not forget that the Statue of Liberty lifts her lamp beside the golden door as a sign of welcome, not to slam the door shut.

Mount Davidson, the tallest of San Francisco’s 47 named hills. We live about a third of the way up.

Nineteenth Avenue, the busiest north-south thoroughfare on the western side of The City. For my final two years of college, I commuted along it several days each week to and from San Francisco State University. These days, it’s the path I travel when I head toward the Golden Gate Bridge to visit The Daughter, or other points northward. Man, there’s a lot of traffic on that street some days. But without it, it would be tough to get out of town in that direction.

Orange October. For the second time in three years, my San Francisco Giants won the World Series championship. This season, the Giants battled back from potential elimination six times during the Division and League Championship Series, on their way to a sweep of the Detroit Tigers in the main event. (Ironically, I was a Tigers fan as a youngster, before switching allegiance to the Giants when my family moved to the Bay Area in the mid-1970s.) Behind stellar play by World Series MVP Pablo “Kung Fu Panda” Sandoval, National League MVP Buster Posey, and a fortuitous late-season acquisition, second baseman Marco Scutaro, and with lights-out pitching by the best collection of arms in baseball, the Giants took a determined step toward establishing themselves as the Team of the Decade.

The Porthole Palace, as I nicknamed the Pirate Queen’s house the first time I came to pick her up for a date. Little did I know I’d live here someday. It’s quirky and cozy, and it’s home.

Quentin Tarantino. Because someone ought to be thankful for the director of Reservoir Dogs, Pulp Fiction, Jackie Brown, and Kill Bill. Someone other than QT himself, that is.

My Rode NT1A, the microphone that is my constant companion during my work day as a voice actor. It always makes me sound good. The performance is up to me. I took it on the road with me when we went to New York, and recorded an actual job on it in our hotel room. (My second microphone, which I also love, is a Studio Projects C1. But that doesn’t start with R.)

Subaru — specifically, the green Forester I inherited from KJ. It’s a sturdy, solid, dependable car. I was unaware until very recently that Subaru has a reputation as the unofficial vehicle of the lesbian community. (Seriously. It’s a thing.) I’m totally cool with that. I’d make a terrific lesbian. I like women, and I drive a Subaru.

The Trivia Championships of North America, which we’ll call TCONA to save me typing. Held in Las Vegas each summer, it’s a merry assemblage of trivia-obsessed folks from all over the continent. This year, I came home with a gold and a silver medal in team competition. More importantly, I spent a rollicking weekend at Circus Circus renewing old Jeopardy! acquaintances and making several new friends. Next year, TCONA will invade the Tropicana. You’ve been warned.

Union Square, the heart of San Francisco. Every now and again, it’s cool to just stand in the middle of all the commotion and watch the tourists hustle past. Wander through the ginormous Macy’s. Stroll into Neiman Marcus and pretend you can afford the stuff they sell there. Have a plate of silver dollar pancakes at Sears Fine Foods. Bask in the glow of the big Christmas tree if it’s the season. Wonder how so many panhandlers convened in one location. Drink in the atmosphere that is Baghdad by the Bay.

Video games, my favorite projects as a voice actor. (Okay, let’s be honest — my favorite project is any one that pays.) Among the characters I got to play in games this year were a Pied Piper, a snake monster, a Russian jeweler, a beatnik priest, a street thug, and a mysterious narrator. Yes, I love my job.

Our wedding, during which the Pirate Queen became my wife. (That’s a double W, if you’re keeping score.) On a beautiful, breezy Saturday afternoon in May, we exchanged vows in front of about 50 friends and family members outside the Argonaut Hotel on Fisherman’s Wharf. The Pirate Queen was a radiant vision in white, as lovely a bride as any man could hope for. The Daughter stood in as my Best Person, and carried out her assigned duties with aplomb. The accomplished a cappella quartet PDQ sang two soaring numbers. I managed not to drop the ring or trip over my own feet. It was the perfect start to our new life together.

XD. I don’t know exactly what Extreme Digital Cinema is, but they have it (and huge signs boasting about it) at the Cinemark cineplex where we occasionally catch a flick. I think it’s something like IMAX, only all digital. Aren’t you glad someone invented that?

Yirgacheffe, a delicious coffee from Ethiopia. As you probably know if you’ve been a regular here over the years, I love a good cup of coffee. I’m especially partial to the brightly tangy, citrusy varietals grown in East Africa, of which Yirgacheffe is one. A mug or two, and I’m ready to face the day.

Zaftig women. Rubens, Titian, and Botticelli knew what they were doing when they selected those voluptuous models for their masterpieces. I salute my female friends who refuse to succumb to the cultural propaganda that a woman can’t be attractive if she wears a dress size in double digits. Ladies, be boldly unafraid to rock the beauty in yourselves, curves and all. The legendary philosopher Sir Mix-A-Lot said it best: “To the beanpole dames in the magazines: You ain’t it, Miss Thing.” Word.

And of course, I’m thankful for you, friend reader. I’m sorry I’ve been AWOL these past several months — I’ll try to post more consistently in the coming year. (Yes, there will be a coming year. Those Mayans just ran out of tablets to write their calendar on.) I still have plenty to say… some of which may actually be worth your perusal.

I hope you and those you love have a magnificent Thanksgiving. Take a moment to count your own blessings, and let the people for whom you’re grateful know that you appreciate them. Now go have some turkey, already.

Our Hawaiian honeymoon: Day three

June 29, 2012

[Catch up on what happened on the first day and the second day of our adventure.]

Day three began with breakfast at a joint called Cheeseburger in Paradise. We did not — repeat, not — have cheeseburgers for breakfast. We did, however, have a sweet view of Waikiki Beach through the restaurant’s open window.

Paradise. Cheeseburger not required.

In case you were curious, this outlet is part of a chain that is apparently unrelated to the similarly named chain owned by singer Jimmy Buffett, whose similarly named song clearly inspired both chains. Now you’re not curious, merely confused. Join the club.)

Appropriately stoked with high-protein, high-carbohydrate fuel, we were itching to break in the snorkeling equipment we’d purchased the day before. Thanks to a tip from a guidebook and a recommendation from our Cheeseburger waiter — whose name was not Spicoli, but could well have been — we loaded up our rental car and headed for the north shore of Oahu. Specifically, we aimed for a spot dubbed Shark’s Cove.

Shark's Cove: Just because we didn't see sharks, doesn't mean you won't.

We did not — repeat, not — see any sharks. We did, however, spend a couple of joy-filled hours swimming with a variety of gorgeous tropical sea life, including an array of colorful fish that would do justice to any aquarium. In fact, snorkeling at Shark’s Cove offered a taste of what it might be like to swim in an aquarium, were one thus inclined.

A few tips we’d pass along to other snorkelers who make the trek to Shark’s Cove:

  • Get there early in the day. Parking is limited, and somewhat challenging to negotiate.
  • Leave your flippers in the car, or better yet, at your hotel. The rocky seascape here renders fins useless — or worse, makes them an encumbrance. Unless you’re venturing well out into deep water — which we would heartily advise against — flippers won’t benefit you in this environment.
  • Do, on the other hand, wear water shoes. The reef and rocks at Shark’s Cove are razor-sharp, as the numerous gashes they ruptured in my knees will demonstrate.
  • Currents here can be very powerful. As alluded above, it’s easy to get beaten up here by waves dashing you against the rocks. It’s easy to imagine that if you venture out beyond the relative shelter of the cove, fighting the motion of the ocean could quickly develop into a losing battle. Be careful out there.
  • Take a cheap waterproof camera. We didn’t, and wished we had.
  • As is true anywhere in Hawaii, don’t leave anything of value visible in your car. Predators abound. We didn’t encounter any problems ourselves, but all those signs posted everywhere warning you about thievery are there for good reason.

We give Shark’s Cove high marks as a snorkeling venue. It’s well worth the drive around the island from Honolulu to check it out.

On our way back into the city, we stopped for lunch at Giovanni’s Shrimp Truck in Kahuku. There are probably a couple dozen food trucks and shacks of every description as you drive through Kahuku on the Kamehameha Highway, all specializing in freshly caught local shrimp. (Imagine if Forrest Gump and his pal Bubba had moved to Hawaii and chosen the slacker life, rather than opening that gaudy chain of touristy restaurants.) Of these, Giovanni’s enjoys the most widespread reputation — a reputation we found well deserved.

We shared a plate of the hot and spicy shrimp; they were indeed as volcanic as advertised (a sign cautions that they don’t offer refunds if you find the dish too hot) and quite delicious. Or, to say it local-style, “Da shrimps stay so ono, broke da mout’! Chee!”

Giovanni's hot and spicy shrimp: Local-kine grinds... so ono!

Giovanni’s surrounds its truck with a nice permanent set-up, featuring picnic tables shaded by an open-air roofed structure, sinks for postprandial hand-washing, and indoor restrooms. There’s also a shave ice truck on site in case you need help cooling your mouth after downing the shrimp.

Appetites sated, we continued on to Valley of the Temples Memorial Park in Kahaluu. This multicultural cemetery features a half-scale replica of the ancient Byodo-In Buddhist temple in Uji, Japan. It’s a stunning building nestled in a lush, serene location at the base of the Ko’olau range.

Byodo-In Temple, Valley of the Temples Memorial Park

We spent a blissful hour wandering through the temple and its grounds, soaking in the quiet, admiring the architecture, and watching the fog creep in over the mountains. The Pirate Queen enjoyed seeing the massive Buddha statue inside the temple (she’s seen me shirtless often enough that you’d think this wouldn’t be much of an attraction, but apparently it was) and ringing the colossal bell in the courtyard.

I watched as a black swan scudded along the surface of the pond. I think she and your Uncle Swan shared a bonding moment.

When a swan meets a Swan, coming through the rye...

Our next stop, Nu’uanu Pali, offered a breathtaking view of the windward shore of Oahu from 1200 feet up the side of the dormant volcano. When I say “breathtaking,” I’m not speaking hyperbolically. The wind rips through the mountain pass with gale-like velocity, producing sufficient chill to make you forget for a few minutes that you’re in the tropics. Despite the briskness, the view is nothing short of incredible.

The view from Nu'uanu Pali Lookout

One can see all the way to the offshore island called Mokoli’i (“little lizard” in Hawaiian), also known as Chinaman’s Hat — or, as we might put it in these more ethnically sensitive times, Asian Person of Chinese Extraction’s Hat. We were, however, eager to get back into the cozy, cyclone-free confines of our rented Toyota in fairly short order.

Safely back in Waikiki, we ventured across the street from our hotel for dinner at Sansei. The Waikiki branch of a local chain of upscale sushi restaurants, Sansei serves up an intriguing spectrum of dishes, some of which can best be described as “experiments in seafood.” Some of the experiments work better than others — one or two of the combinations we ordered seemed to be outré for the sake of outré -ness — but on the whole, we enjoyed the dining experience, bizarre flourishes and all. It was pleasant to relax on the restaurant’s third-floor lanai in the relative cool of the evening, tucked around the street corner from the bustle of the main drag. Plus, there were those mediocre Hawaiian-tinged cover tunes wafting across from the tiki bar to serenade us.

Thus ended our third day in the islands. I’ll regale you with tales of Day Four soon.

Our Hawaiian honeymoon: Day two

June 15, 2012

[If you missed what happened on the first day of our adventure, read about it here.]

Our first full day in Hawaii — and all of our days in the Islands proved remarkably full — began with breakfast at LuLu’s Waikiki, conveniently located just around the corner from our hotel. With its spacious open-air dining room and decent food, LuLu’s quickly established itself as our go-to spot for morning fortification. (The popular breakfast choice on the Waikiki strip is a joint called Eggs and Things, centrally located in the hotel district, but we never saw a morning where that place didn’t have a line out the door. We didn’t fly all the way to Oahu to stand in an hour-long queue for an omelette.) LuLu’s is primarily a sports bar — judging by the decor, the owners are major Boston Red Sox fanatics — but they dish up a perfectly acceptable breakfast, and we never had a problem getting seated quickly so we could speed along with our touring.

Iolani Palace: Not the actual home of Hawaii Five-O.

Appetites sated, we headed for our first sightseeing stop: Iolani Palace, former residence of the Hawaiian royal family and the only royal palace located on U.S. soil. Iolani was high on the Pirate Queen’s list of must-dos, and she was duly impressed with the spectacle on display. After donning handmade cloth booties that fit over our shoes (to protect the palace’s vintage hardwood floors from thousands of clumsy tourist feet), we joined our docent, Cousin Tino — everybody’s your cousin in Hawaii — for a guided tour. You can’t take photographs inside the palace, but trust me when I tell you that you’ve never seen a house quite like this one.

Iolani Palace: "The Life of the Land is Perpetuated in Righteousness"

Between the opulent furniture, museum-quality artwork (mostly portraits of the Hawaiian royal family, and other monarchs whom they befriended), and fascinating history, we thoroughly enjoyed our visit. Cousin Tino made the time both informative and entertaining (we were his last tour of the morning, and a relatively small group, so he treated us to an extended stay with “extra stories”).

Ali'iolani Hale: Also not the actual home of Hawaii Five-O.

Following our stroll around Iolani Palace, we ventured across the street to check out the exterior of Ali’iolani Hale (“House of the Heavenly King”), the building that formerly served as the seat of Hawaiian government and today houses the state’s Supreme Court. It’s most recognized for the familiar statue of King Kamehameha I that decorates its courtyard. If you watch the current version of the TV series Hawaii Five-O, you might also recognize Ali’iolani Hale as the headquarters of Steve McGarrett and company. I regret to inform you that the Five-O team does not actually work here, and in fact, does not exist. Sorry… fiction. (Viewers of a certain age might recall that the original Hawaii Five-O used shots of Iolani Palace as the team’s home base. Sorry… also fiction.)

Kamehameha the Great: Not the original statue.

Ali’iolani Hale’s Kamehameha statue has a rather amusing back-story. Commissioned in 1878 to commemorate the 100th anniversary of Captain James Cook’s arrival in Hawaii (an arrival that didn’t turn out all that well for the captain), the Kamehameha statue was designed by Thomas Gould, an American sculptor living in Italy at the time, and cast in bronze in Paris. Unfortunately, the ship carrying the statue from France to Hawaii sank off the Falkland Islands, and the statue was thought lost to the Atlantic. The forward-thinking Hawaiian government had taken out a hefty insurance policy, the payout from which paid for a recasting of the statue, which Gould promptly shipped. But wait! Enterprising local Falklanders recovered the original statue and sold it back to the wrecked ship’s captain, who in turn sold it to the Hawaiian government. Finding themselves with two identical statues, the Hawaiians installed the original on the Big Island’s Kohala Coast, near Kamehameha the Great’s birthplace, and mounted the replica — which you’re looking at here — in front of Ali’iolani Hale.

Next, we made a stop at a Wal-Mart to purchase snorkeling gear that we’d use during the trip. We scored complete sets of equipment — snorkels, masks, fins, and water shoes — for a relative pittance. Wal-Mart in Hawaii is pretty much like Wal-Mart on the mainland, only with more aloha shirts and macadamia nuts, and with an L&L Hawaiian Barbecue concession instead of a McDonald’s.

National Cemetery of the Pacific at Punchbowl Crater

Our travels next took us up into the hills overlooking downtown Honolulu, to the National Memorial Cemetery of the Pacific at Puowaina. Lodged in the lush green concavity of an ancient volcanic crater (hence the nickname “Punchbowl”), the cemetery houses the remains of thousands of military veterans. Punchbowl is also home to a group of ten marble memorials to Service personnel from World War II, the Korean War, and the Vietnam War whose remains were never recovered — “whose earthly resting place is known only to God.”

Dedication stone, Court of the Missing at Punchbowl Cemetery

It’s a touch ironic, I suppose, that in a place as teeming with tropical life as Oahu so many of the attractions that draw attention are memorials to the deceased. Having grown up in a military family, however, I’m acutely conscious of the sacrifices our Servicemen and Servicewomen are called upon to make. For that reason, it was important to me to take the drive up to Punchbowl with the Pirate Queen, whose father was a sailor during the Second World War.

Statue of Columbia at Punchbowl Cemetery

Overseeing Punchbowl from the head of an enormous staircase is a statue of Columbia, the mythic female figure who personified the young United States in the 18th and 19th centuries — hence the name of the nation’s capital, the District of Columbia. (Moviegoers know her better as the logo of a popular film studio.) Columbia pretty much got shoved aside in American symbology in favor of Lady Liberty around the turn of the 20th century, but when Punchbowl was dedicated in 1949, she received her corner in the limelight.

All aboard for Paradise Cove!

Our day transitioned from reverence to revelry in the late afternoon, when we and a few dozen of our new closest cousins boarded a bus bound for the Paradise Cove Luau. When planning our luau experience, the Pirate Queen and I had debated driving our rental car out to Ko Olina on the far western edge of the island, where Paradise Cove is located. Our decision to take the shuttle instead proved perspicacious, as the slog through Honolulu’s rush-hour gridlock took nearly two hours to traverse. Much better to relax in air-conditioned comfort while letting a professional manage the stress.

Now, you might be thinking, “Isn’t a commercial luau all touristy and whatnot?” Um, hello… we’re tourists.

Paradise Cove's dancing cousins... well, probably not actual cousins.

Never having been to Hawaii before, the Pirate Queen wanted to take in a few of the classic essentials: see the kalua pig rise from the imu (the underground fire pit in which the pig is roasted); taste some poi; get a temporary Polynesian tattoo; watch some hula and a fire knife dance. Paradise Cove delivered on all of her expectations, in fine style. We scored front-row seats for the imu ceremony. The Pirate Queen was chosen as one of the audience participants in the always hilarious poi tasting (a culinary undertaking she will not eagerly repeat). She got a lovely flower drawn on her arm by a handsome, shirtless young Hawaiian gent. (She had mostly perspired through the tattoo by the time we got back to Honolulu.) We had a pretty fair meal and a great view of the entertaining show, complete with the requisite hula and fire knife dancers. We shared our table with a nice young couple from Australia, from whom we learned that Burger King franchises Down Under are called Hungry Jack’s (hey, you never know when trivia like that might come in handy) and whose accents I struggled to commit to memory for future voiceover projects. And, we saw an amazing sunset over the Pacific.

Sunset at Paradise Cove

All in all, we enjoyed a delightful evening of stereotypical aloha.

And that was our second day on Oahu. I’ll regale you with the Day Three doings next time.

San Francisco Restaurant Resolution: Week Two — La Taqueria

June 12, 2012

For our second weekend of new-to-us restaurant exploration (read this first if you missed the original premise), the Pirate Queen chose what many diners consider the best place in The City to score authentic Mexican food. We needed a no-frills, hassle-free stop on our way out of town for a concert, and La Taqueria on Mission fit the bill.

La Taqueria: Best in the world? I think not.

The prosaically named La Taqueria frequently appears on lists of San Francisco’s tastiest budget-friendly eateries. Its carnitas taco ranks at #4 on 7×7’s 2012 Big Eat, the local magazine’s annual checklist of “100 Things to Eat Before You Die.” When you enter the restaurant, you’re greeted by an entire wall plastered with dining awards and honors, in addition to a blazing neon sign that boasts, “The Best Tacos and Burritos in the Whole World.” That’s a lofty standard for the Mission District, home to more taquerias than you can shake your sombrero at. So, we went in with high expectations. Did La Taqueria deliver?

Well… sort of.

The Pirate Queen ordered two tacos, one filled with carne asada and one with chorizo. I mixed things up differently, pairing a carne asada burrito with the highly touted carnitas taco. We shared a basket of chips mounded with the house salsa. All five of our items proved delicious. The meats were uniformly well-cooked, tender, and flavorful. The beans in my burrito were nicely seasoned and boiled whole rather than refried. The chips offered good solid crunch, and the salsa accompanying them tasted fresh and bright.

But I kept looking at that sign, and asking myself, “Is this really the best taco and burrito in the whole world?” Bite after bite, the answer came back, “Not so much.”

Tacos at La Taqueria

I’m not even sure that La Taqueria serves the best tacos and burritos in the Mission, much less the entire planet. They’re good, yes, but not exceptional. In fact, the last burrito I ate in the neighborhood, at El Toro (on Valencia, between 16th and 17th Streets), was at least the equal of my La Taqueria example, and might have been just a skosh better. It was certainly bigger, and perhaps better value for the money. That’s one of the challenges at La Taqueria. Unlike most of their Mission competitors, they only make burritos in a single modest size, which pales in comparison to the deluxe and super options at other taquerias. If you have a decent-sized appetite, you’ll need to add at least an extra taco to your order so you don’t walk away still hungry.

The quality of the fare at La Taqueria is unquestionably high. Little complaints bugged me, though. Both the carnitas and the carne asada contained far too much juice for the amount of meat. While I have no issue with moist meat as opposed to the dry and tough variety, an overabundance of liquid results in limp tortillas and an overall soggy finished product. My burrito and taco both proved too waterlogged to be consumed out of hand, leaving me to poke into them with a flimsy plastic fork. That’s not my ideal taco- or burrito-eating experience.

I had a similar issue with the chips-and-salsa combination. There was absolutely nothing wrong with either element on its own. (I prefer a lighter, less dense tortilla chip, but that’s strictly an individual aesthetic.) However, I’d rather have my salsa served in a separate container, so that I can apply it to individual chips as I dine, thus maintaining chip integrity. La Taqueria dumps the salsa on top of the chips like cheese on a bad ballpark nacho, and achieves the same unfortunate effect — sodden chips that are both difficult to handle and less than pleasant to eat, tasty though they might be.

Chips and salsa at La Taqueria

As taquerias go, La Taqueria provides a better than average atmosphere for your culinary pleasure. The walls of the funky dining area are festooned with posters from old Mexican films. I got a chuckle from the visual pun created by the poster for a movie entitled “A.T.M.” mounted immediately above the ATM. The furnishings are simple yet comfortable, and there’s patio seating out front if you care to watch vagrants meandering by as you nosh. Counter service was efficient, if not particularly engaging. Once we placed our order, food was dispensed with lightning quickness.

Clearly, thousands of folks — many of whom paraded in and out of the restaurant during our dining hour — hold La Taqueria in much higher esteem. All of the points I make above are subjective. I certainly enjoyed the flavors of my repast at La Taqueria, and I wouldn’t mind eating there again. With so much nearby competition for my Mexican cuisine dollars, though, I’m sure that I’ll probably find my way into several other joints in the Mission before I circle back around to this one.

On the Uncle Swan scale, La Taqueria rates three tailfeathers out of a possible five. The Pirate Queen, less easily impressed than I, lobbied for two and a half, but I’m in a generous mood. You could certainly do far worse than this if your tastebuds are in a Mexican frame of mind, but I’m equally certain that you could do better, too. If nothing else, it’s an opportunity to check that carnitas taco off your bucket list.

You’ll find La Taqueria at 2889 Mission Street (between 24th and 25th Streets) in San Francisco.

A final sting from the Scorpions

June 11, 2012

The Scorpions: Klaus Meine, Matthias Jabs, Rudolf Schenker, and Paweł Maciwoda

Let’s get this on the table right now: I wouldn’t describe myself as a huge Scorpions fan. (We’ll leave the issue of whether I would ever describe myself as a “huge” anything for another time.)

Back in my radio days, I always thought of the Scorpions as “that German metal band with the weirdly misogynistic album covers” — i.e., the Scorps’ 1979 release Lovedrive, which depicted a woman with bubblegum stuck to her exposed breast. And, to be bluntly honest, too many of the Scorpions’ lyrics sounded like they were written by someone for whom English wasn’t a primary language… which, come to think of it, is true. I dug a few of their hits — “The Zoo” is a fun, chugging rocker with a catchy hook, “Wind of Change” is as solid a power ballad as the genre allows, and come on, who doesn’t bang his or her head to “Rock You Like a Hurricane”? — but not enough to land the group on my list of top-rated acts. Liked ’em, didn’t love ’em.

When the Pirate Queen mentioned a few months back that one of her favorite bands from the ’80s was coming to town, however, I rallied to the cause.

And so it was that last Saturday evening we made our way down to Mountain View’s Shoreline Amphitheatre — or as I prefer to call it, Le Grande Brassiere — to check out the Scorpions on their final pre-retirement tour. (Considering that Scorpions lead singer Klaus Meine turned 64 last month, and the band’s founder and guitarist Rudolf Schenker will join him at that age in August… yeah, it’s probably about time to hang ’em up.) The Pirate Queen had been ill for several days with a nasty cold, but as she put it, “Either you or I would have to be on our death bed for me to miss the Scorpions… and if it were you, I’d see if someone could watch you for a few hours.” (She was kidding. I think.)

The show kicked off with Tesla, the hard-rocking Sacramento quintet who’d opened for the Scorpions on their 2004 U.S. tour. (I gleaned this factoid from the back of a passing T-shirt.)

Tesla: Let's get uncoiled.

A talented act who’ve knocked around the circuit for nearly 30 years, Tesla’s repertoire boasts a total of two hit records — a power ballad with the astoundingly original title “Love Song,” which climbed into the Billboard Top 10 back in 1989, and a cover of the Five Man Electrical Band’s 1960s classic, “Signs.” The band served up their duo of familiar tunes, surrounded by plenty of perfectly serviceable filler, during an entertaining hour-long set.

Tesla guitarist Frank Hannon

To Tesla’s credit, their performance held my interest throughout, even though I couldn’t have named more than the aforementioned two songs. Lead singer Jeff Keith probably had better voice back in the day than he displayed on this particular night, but his cigarettes-and-whiskey rasp was more than enough to do the job. (I don’t know whether Keith either smokes or drinks, but if he doesn’t, he might as well. He already sounds as though he’s pounding down a fifth of Jack Daniel’s and two packs of Marlboros daily.) I was highly impressed with Tesla’s guitar combination of Frank Hannon — who worked much of his fretboard magic on a double-necked Gibson — and Dave Rude; I’d gladly pay to hear these two gents rip it up anytime.

I’ll award Tesla’s Saturday show two-and-a-half tailfeathers on the Uncle Swan scale of a possible five. They get docked a half for Jeff Keith’s wearing of the ugliest shirt I’ve seen on a rock concert stage in 35 years.

Tesla lead vocalist Jeff Keith: Dude, what's up with that shirt?

When the Scorpions took the stage (after nearly an hour of technical set-up), I could tell immediately that we were in for a fun evening. From the thunderous opening riff of “Sting in the Tail,” the title track of the band’s final all-original studio album, the Deutschland destroyers grabbed the audience by the throat and never let up.

Scorpions Rudolf Schenker and Klaus Meine

Klaus Meine displayed a remarkably powerful voice for a man of his advanced years — I’m sure that a couple of the high notes soared a half-tone or so higher in decades past, but all in all, the diminutive vocalist (who reminded me of the late Ronnie James Dio, another powerhouse instrument packed into an impossibly tiny frame) sounded about as incredible as he did on any of the Scorpions’ albums.

Scorpions lead vocalist Klaus Meine: He looks bigger on screen.

Meine’s vocals surfed above a sonic tsunami generated by one of the tightest — and unquestionably loudest — ensembles I’ve seen in a while. The Scorpions have always boasted a guitar tandem among the best in rock, starting from the band’s origins, when rhythm guitarist Rudolf Schenker played alongside his brother Michael, one of the most capable artists in the history of the instrument, to Uli Jon Roth, who replaced Michael on the Scorpions’ early albums and helped create the band’s signature sound. Rudolf hasn’t lost a step that my ears could detect, and lead guitarist Matthias Jabs — who joined the band in the late ’70s, just before the hits started coming — continues his dominant presence as the Scorpions’ melodic engineer. (It’s no accident that the Scorpions transitioned from metal legends to mainstream rock superstars when Jabs entered the fray.) Among the fastest fretmen in the game, Jabs blasted out one scorching cascade after another before taking the spotlight near the end of the set for a blistering extended solo (dubbed “Six String Sting” on the setlist) that would have made many of his fellow guitarists lay down their weapons in homage.

Scorpions lead guitarist Matthias Jabs: He be jabbin'.

Not to be outdone, drummer James Kottak kept the fire burning all night, combining powerhouse bass drum kicks with flashy stickwork across his kit, perched on a moveable riser that at times towered 20 feet above his colleagues. The lone American in the band, Kottak also added background vocals on several numbers while never missing a beat. His “Kottak Attack” solo featured his own customized music video — starring the drummer himself in a surrealistic parody of several of the Scorpions’ album covers — that brought down the house.

Scorpions drummer James Kottak: Attacking.

The Scorpions’ farewell tour setlist compiles most of their chart-making hits, including “Send Me an Angel,” “Holiday,” “Tease Me Please Me,” my favorite “The Zoo,” and the set-closing “Big City Nights,” while adding a sprinkling of more recent works, such as “Raised on Rock” and “The Best is Yet to Come.” (Interestingly, the show contained not a single number from their first five albums, a.k.a. the pre-Matthias Jabs years.) The band saved three of its biggest crowd-pleasers — “Still Loving You,” “No One Like You,” and of course, “Rock You Like a Hurricane” — for the no-surprises encore.

Scorpions: One final sting before retirement.

Uncle Swan gives the Scorpions a well-earned four tailfeathers out of five, and wishes them well in retirement. Assuming, of course, that they actually retire. Old rock bands never seem to truly go away, even when it’s time… just ask the Rolling Stones.

One final question, though… are there really scorpions in Germany?

Our Hawaiian honeymoon: Day one

June 8, 2012

Some of you have been clamoring for information about our little Hawaiian excursion. Well, for that subset of this rowdy crowd, this is your lucky day. That is, the first of your lucky days. This is going to take a few posts.

Our adventure began in the predawn hours of a chilly San Francisco morning… but I repeat myself. After being ferried to SFO by an upstanding member of the taxi-driving fraternity Hakka Cabba Dei, and thorough cavity searches performed by the ever-charming staff of the Transportation Security Administration, the Pirate Queen and I boarded a spacious Hawaiian Airlines Airbus and winged our way across the Pacific – a third of the way across the Pacific, at any rate – for the Land of Aloha.

With our suitcases crammed into the rear of our rented Toyota, we traversed the traffic-choked streets of Honolulu toward our Waikiki hotel. That’s far less easy than it sounds, because Honolulu currently holds the title of Gridlock Capital of America. Seriously – you can look it up. Driving in Hawaii’s largest city – okay, Hawaii’s only large city – involves navigating excruciatingly narrow roadways laid out with the organizational linearity of a bowl of spaghetti in the company of nearly a million people in no great hurry to get anywhere. Factor in the presence of tens of thousands of clueless tourists buzzing about blindly at the mercy of GPS or wandering blithely across intersections in flagrant violation of traffic signals, and you’ve got a prescription for automotive apocalypse.

But we got there: Waikiki Beach, U.S.A.

Waikiki Beach... you know you want to be there.

Upon our arrival at our hotel, we found ourselves confronted with a conundrum: What to do with our fine rental vehicle? The entrance to what appeared to be the parking area was rendered inaccessible by a massive delivery truck dropping off the day’s linens. We could spot no valet to whom we could hand over the keys. After several circuits of the crazily designed block, complicated both by one-way streets and hordes of fellow visitors, the Pirate Queen bailed out to seek aid in the hotel lobby while I sat in the blazing sun praying that the local gendarmerie didn’t happen by and cite me for double-parking. Eventually, the Pirate Queen returned with two fresh-faced young chaps, one of whom cheerily loaded our belongings onto a cart while his compatriot whisked the Toyota away for safekeeping. (Or joyriding. We didn’t really know at that point.)

Despite those frustrating first few moments, Hotel Renew turned out to be an excellent choice of lodging for our purposes. Located near the south end of Waikiki Beach, it’s far enough away from the major portion of attractions to be reasonably quiet – except for first thing in the morning, when the garbage trucks come clattering through the block – yet close enough to the beach that one can be sprawled on the world-famous sand after a mere two-minute stroll from the front door.

Hotel Renew... stay here, and get all renewed and stuff.

The Japanese-influenced décor, all straight angles and darkly painted wood, makes a soothing change from the typical chain hotel, and the staff is uniformly friendly and polite, if not always as Johnny-on-the-spot as they might be. The Pirate Queen, who’s known to be fussy about where she sleeps, found the bed and bathroom to her liking, while I was relieved to discover the in-room safe capacious enough for my mammoth laptop as well as all of our other valuables. All in all, we were glad we selected it.

Having settled into our accommodations, we launched ourselves on a leisurely promenade along Kalakaua Avenue, the street that traverses the tourist district. It had been 23 years since my last trip to Waikiki, and as KJ was heavily pregnant at the time, we didn’t do much extended walking. But I remembered traveling this stretch, and I was surprised both at what had changed in three decades and at what remained pretty much the same.

Waikiki Beach... smell the coconut oil on the sunbathing tourists.

What hadn’t changed:

An ABC Store on every corner, and sometimes two or three within a block. For the uninitiated, the ubiquitous ABC Store is Hawaii’s native mash-up of convenience store and touristy gift shop, and they are almost literally everywhere. I kept expecting to walk into a public restroom only to discover that they’d put an ABC Store in one of the toilet stalls.

This weird tree. This ginormous banyan should be transplanted to the grounds of Hogwarts. It’s freakin’ creepy. Albeit in a cool way.

Chinese music under banyan tree, here at the dude ranch across the sea

The crowds. We actually visited during one of Hawaii’s least jam-packed windows – the fallow period between the end of spring break in April and the start of summer travel season on Memorial Day weekend. But even in a traditional down time, Waikiki attracts tons of guests.

The International Marketplace. Imagine every cheesy jewelry, T-shirt, and souvenir shop in every tourist trap in America crammed into a colorful labyrinth of carts, stalls, and stands that winds along seemingly forever, and you’ll get the general picture of the International Marketplace. No wallet is safe.

Tall buildings. Did you know that Honolulu has more skyscrapers than any American city outside of New York, Los Angeles, and Chicago? Just a tidbit of architectural trivia from your Uncle Swan.

This is a tall building. In case that wasn't obvious.

What was new:

Panhandlers. Having lived around, and now in, San Francisco – Mecca for America’s down and out – for 35 years, I’m no stranger to homeless people cadging change on street corners. I was startled, however, to see so many mendicants on the sidewalks of Waikiki. I understand how so many homeless folks get to The City; Greyhound offers a dirt-cheap bus ride from almost anywhere in the contiguous United States. But if you’re flat broke, how the heck do you get to Hawaii? I’ll say this, though — if you have to sleep outdoors, better to do it in balmy Honolulu than in the Arctic chill of San Francisco.

Upscale shopping. The spending experience along Waikiki has always been pricey, but it used to feature much more local flavor. It’s kicked up several notches now with the presence of numerous internationally renowned high-end retail stores. I’m guessing this marketing strategy must be successful, but I question the logic. Does anyone really come to a tropical beach town to buy a Coach bag or a Rolex?

Insane traffic. I mentioned this earlier, but it warrants repeating. Honolulu totally sucks if you’re behind the wheel of a car. I don’t remember it being anywhere nearly this wretched in decades past.

Tiki's Grill and Bar: Be sure to tip your waiter.

We consumed our first Hawaiian repast at a restaurant called Tiki’s Grill and Bar, conveniently located on the third floor of the hotel right next door to ours. The place features an extensive menu of vaguely tropical themed cuisine, most of which was reasonably tasty; a killer view of the Waikiki sunset; live music in the evenings – Honolulu is the universal nexus of lame cover tunes performed on public stages by guys wearing aloha shirts – and yes, oodles and oodles of tikis. A roving photographer snapped our photo (which we were able to purchase for a nominal fee, because there ain’t no such thing as a free lunch in Hawaii) to commemorate the event.

And that was our first day on Oahu. I’ll tell you about our second day in my next post.

Sunset on Waikiki Beach. Just say "ahhhhh."

San Francisco Restaurant Resolution: Week One — Bissap Baobab

June 4, 2012

Shortly before our wedding, the Pirate Queen and I discussed measures we could take to maintain the fun and newness of our courtship as we entered our Spousal Unit phase. (Frankly, we feared falling into a rut over time, as many couples do.) We thought about the activities we most enjoyed together as we were dating, one of which was exploring interesting new dining options. Given that we’re fortunate to live in one of the greatest foodie destinations in the world, there’s no reason to confine ourselves to the same old joints… as excellent as some of those old joints may be.

So, we made a pact: Every weekend between now and Labor Day, we’ll challenge our palates with a San Francisco restaurant that neither of us has patronized previously. By the end of the summer, we’ll have discovered at least fourteen new places to eat — some of which, we hope, might work themselves into our list of go-to spots.

This past weekend, we began our culinary journey at Bissap Baobab, a Senegalese restaurant in the Mission. (The signage on the building reads “Little Baobab.” Apparently, the restaurant under that name merged with another establishment nearby, called Bissap. If you look for reviews on Yelp, either the old name or the new will get you to the correct page.) Although both the Pirate Queen and I have traveled — and dined — internationally, neither of us had sampled Senegalese cuisine. Truth to tell, before arriving at Bissap Baobab, I wasn’t aware that Senegal had its own unique cuisine. But then, that’s one reason we’re undertaking this experiment — to learn about unfamiliar cuisines.

As it turns out, those Senegalese know a thing or two about food. We began our repast with two appetizers: aloko (fried plantains accompanied by a tangy yogurt-based sauce), and prawns swathed in a spicy red curry. I liked the plantains more than did the Pirate Queen — as you’ll doubtless deduce as you read this and future posts on this topic, she’s not partial to sweets — but we both agreed that the curry prawns were a hit. The sauce was pungent, but not overly intense, and with surprising levels of flavor. The shrimp themselves were slightly overdone, but not rubbery. (Shrimp may be the most difficult protein to cook perfectly. No, I take that back — octopus and squid are even trickier.)

The Bissap Baobab menu includes only five or six entrees, most of which consist of a basic sauce to which a selection of meats (or tofu, for you vegetarian types) can be added. Depending on the sauce, the meat options range from lamb or chicken to fish (tilapia, mostly) or prawns. All entrees can be accompanied with either rice or couscous. The Pirate Queen chose the yassa (a rich, mustard and onion-based sauce) with lamb, and enjoyed it thoroughly. My entree, called coco, consisted of a tilapia fillet grilled on skewers, then layered with a slightly sweet coconut-onion sauce and sliced potatoes. The fish was expertly cooked, and the well-balanced sauce made a perfect match.

We found the flavor profiles surprising and memorable. I expected something similar to either Moroccan or Ethiopian cuisine — two styles of cooking with which I’m quite familiar. Instead, Bissap Baobab’s food reminded me more of both Caribbean (which made sense, given the West African heritage of many Caribbean residents) and Indian cuisine, the latter of which came out of left field. The unique combination of spices, aromatics, and other ingredients is distinctive and very appealing, and I’ll look forward to other opportunities to expand my connection with this wonderful regional style.

As for the restaurant experience beyond the food itself: Like many restaurants here in The City, Bissap Baobab suffers from complications of space, or lack thereof. We were shoehorned into a corner in which our table wedged cheek-by-jowl with three other small tables, two of which were occupied by other diners. The staff, to their credit, figured out quickly that the arrangement was too cramped, and removed the unoccupied table to create breathing room between the three that remained. Aside from this minor snafu, we enjoyed our visit. Our waitperson offered friendly, helpful explanations of both the dishes and the drink menu, and answered all of our questions with a smile. Food arrived at our table with reasonable promptness, though we did have to wait a stretch to settle our check at the end of the meal. The interior of the space is decorated with bright, hand-painted murals that lend the ambiance a vibrant energy.

Uncle Swan gives Bissap Baobab a solid three-and-one-half tailfeathers out of a possible five. If you’d like to try a regional cuisine that offers some savory surprises, check out the Senegalese fare at Bissap Baobab the next time you cruise the Mission. (A bit of trivia: Bissap is the hibiscus flower; baobab is a fruit tree also called monkey bread.)

You’ll find Bissap Baobab at 3388 19th Street (between Mission and Capp) in San Francisco’s Mission neighborhood.

Comic Art Friday: Remembering Ernie Chan

June 1, 2012

While we were off gallivanting about the Hawaiian islands (more on that sojourn to follow), I received the sad (and to me, unexpected) news of the passing of comics artist Ernie Chan. Coming so closely on the heels of two other tremendous losses from among my personal favorites in the comic art field — specifically, Al Rio and Tony DeZuniga — Ernie’s death came as an especially great shock.

Storm and Beta Ray Bill, pencils and inks by comics artist Ernie Chan

In an industry often characterized by enormous egos and self-important personalities, Ernie Chan was one of the nicest, least pompous creators I’ve ever met. His smiling face and easygoing demeanor were indelible highlights of the comics conventions I attended over the years. I always looked forward seeing and chatting with Ernie — and of course, adding a new piece of his artwork to my collection.

Shang-Chi and the Bronze Tiger, pencils and inks by comics artist Ernie Chan

Ernie was among the dozen or so talented artists who joined the American comics industry from the Philippines in the early 1970s, under the pioneering leadership of Tony DeZuniga. Quickly, Ernie established himself as a two-way star, both as a penciler and inker. In the former capacity, he shone as DC Comics’ busiest cover artist during the mid-’70s, frequently signing his work “Ernie Chua” (a misspelling on his immigration paperwork). At Marvel, Ernie gained acclaim as inker on Conan the Barbarian, over the pencils of the legendary Big John Buscema. Ernie would revisit Robert E. Howard’s Cimmerian warrior in hundreds of drawings and commissions, including the Common Elements teamup with Iron Man he’s holding in this photo I took at WonderCon 2011.

Ernie Chan at WonderCon 2011

I frequently referred to Ernie as the Amazing Chan for his speed in delivering commissioned art. On more than one occasion, Ernie completed a fully penciled and inked piece for me in less than a day — not a convention sketch, mind you, but a detailed, cover-quality illustration completed in his home studio. Once, he sent me a scan of a finished Common Elements commission — this one, featuring Hawkeye and Lady Rawhide — before I knew that he’d even accepted the job. Now that’s fast.

Hawkeye and Lady Rawhide, pencils and inks by comics artist Ernie Chan

I’ll miss Ernie’s lively humor and fun-loving personality as much as I’ll miss seeing new creations spring from his potent pencils and pens. He was always a hoot to chat with, engaging to his fans, and with an inerrant eye for feminine pulchritude.

Rest in peace. Mr. Chan.

And that’s your Comic Art Friday.

Comic Art Friday: Avengers assemble!

May 4, 2012

Unless you’ve been living in an underwater grotto for the past year or so, you know what today is: the U.S. premiere of Marvel Studios’ summer blockbuster, The Avengers. (Also known as Avengers Assemble, if you happen to live in the U.K. In which case, you already saw the movie a week ago.) While I didn’t feel compelled to queue up for a midnight showing, I do have the flick on my weekend to-do list.

In the meantime, I thought it would be fun to revisit a few pieces from my galleries featuring the heroes from the film’s roster of Avengers. It’s a much shorter list than the slate of current and past Avengers in the Marvel Comics universe, which, the last time I counted, has included more than 80 heroes and heroines over the superteam’s half-century of history.

Interestingly, there’s never been an incarnation of Avengers in the comics that included the movie’s Big Six — Captain America, Iron Man, Thor, Black Widow, Hawkeye, and the Hulk — at the same time. The Hulk, a founding member of the team, ditched the others by the second issue of the original run. He made guest appearances in a couple more early stories, but was gone entirely by issue #6. To the best of my knowledge, ol’ Greenskin hasn’t been an active Avenger at any time since early 1964, a year before Hawkeye signed on, and nearly a decade before the Widow became a permanent member.

Let’s start with one of the first drawings I acquired when I began collecting original art. Thor faces off with his not-so-jolly green compadre in this scene penciled by Dan Jurgens and inked by Bob Almond.

Thor vs. the Hulk, pencils by Dan Jurgens, inks by Bob Almond

Next up, here’s the Incredible One again, this time doing battle with yet another fellow founding Avenger, Iron Man. The late, great George Tuska — the definitive Iron Man artist of the 1970s — lent his potent pencil and imagination to this one.

Iron Man vs. the Hulk, pencils by George Tuska

People who don’t follow comics closely might assume that Captain America was an original Avenger, so identified is he with the team. In fact, Cap didn’t join until Avengers #4 — he was busy being frozen in ice prior to that. No sooner had the Star-Spangled Super-Soldier thawed out, though, that he became the heart and soul of the ever-changing ensemble, assuming his longtime leadership role in Avengers #16 when the remaining founding members — Iron Man, Thor, Ant-Man (who’d changed his code name to Giant-Man by then), and the Wasp — departed en masse. Cap’s been the center of the Avengers most of the time since. Here he is with his doppelganger and one-time fellow Avenger, the U.S. Agent (or USAgent, if you prefer), as drawn by Ron Lim and embellished by Bob Almond.

Captain America and the U.S. Agent, pencils by Ron Lim, inks by Bob Almond

The Black Widow didn’t become a full-fledged Avenger until 1973, though she made periodic guest shots before then. At the time she joined the team, the Widow was probably best known as the partner (both in and out of costume) of the blind crimefighter Daredevil, whose comic she co-headlined for four years. Readers of a certain age, however, will recall that before she settled in with the Man Without Fear, the spy formerly known as Natasha Romanoff starred in her own year-long series in Marvel’s Amazing Adventures in 1970 and ’71. In this Common Elements commission by Ty Romsa, the Widow chills with Silver Sable, one of the very few Marvel heroes who has never been an Avenger. (At least, not yet.)

Silver Sable and Black Widow, pencils by Ty Romsa

Alas, I don’t have a solo drawing of Hawkeye in my collection. Which surprises me, because I’ve always liked the guy. (I’m tempted to throw up my Mike Grell Green Arrow instead, just to see whether anyone would even notice the difference.) He does, however, make an appearance in my Common Elements series, in a terrific piece drawn by the legendary Ernie Chan.

Go see The Avengers. But wait a day or two until the crowds thin out. It’ll still be the same movie, but you’ll be able to get a better seat.

And that’s your Comic Art Friday.