Comic Art Friday: No love for the Valkyrie

Posted November 14, 2014 by swanshadow
Categories: Cinemania, Comic Art Friday, Hero of the Day, Ripped From the Headlines, SwanStuff, Teleholics Anonymous, That's Cool!

Those of us who follow comics news — and, more specifically, news of appearances by comics characters in other media, i.e., film and television — have heard quite a bit in recent weeks about the increasing profile of female superheroes in the live-action universes of Marvel and DC.

Wonder Woman finally received the green light for her own solo film, following on the heels of her debut in the upcoming Batman v. Superman: Dawn of Justice.

Carol Danvers, the former Ms. Marvel turned newest Captain Marvel, is now slated to headline a movie as well.

The Scarlet Witch will be joining the Black Widow on the roster of Earth’s Mightiest Heroes in next summer’s Avengers sequel, Age of Ultron.

The TV series Marvel’s Agents of SHIELD recently introduced Bobbie Morse, better known as the heroine Mockingbird, to its cast of characters (although I don’t believe she’s actually been referred to by that code name on the show).

And Jessica Jones (who once used the superhero handle Jewel, and is best known as star of Marvel’s private detective saga, Alias) has been tapped to star in one of Marvel’s impending Netflix programs, culminating in the team epic, The Defenders.

Speaking of the Defenders, there’s at least one key name missing from all of this chatter: The Valkyrie, longtime stalwart in the Defenders superteam, and one of Marvel’s most recognizable (to comics geeks, anyway) heroines.

Valkyrie, pencils and inks by comics artist Leo Matos

To me, Valkyrie is a no-brainer for the silver screen. She’s a powerful visual — a badass blonde in Viking garb who slings a wicked sword and spear. She even rides a winged horse, named Aragorn. Who wouldn’t want to see that in IMAX?

And Val isn’t just a pretty face. She’s a warrior to the stone core, who takes neither guff from nor back seat to any man (not unlike the Lady Sif, who’s already been portrayed in both of the Thor theatrical films, and has guest-starred on the SHIELD TV series). She’s exactly the kind of strong female image the audience is clamoring for, and that the studios keep promising, without much actual delivery to date.

So far, however, Marvel Studios isn’t showing the love. There are no plans, so far as has been reported, for Val to make an appearance in any of the company’s movie or television properties. That’s a missed opportunity, in my opinion.

Here’s hoping that Valkyrie gets her day on camera sometime soon.

It’s what America wants.

And that’s your Comic Art Friday.

Comic Art Friday: You don’t have to be a star, baby, to be in my show

Posted November 7, 2014 by swanshadow
Categories: Celebritiana, Cinemania, Comic Art Friday, Hero of the Day, Reminiscing, SwanStuff, That's Cool!

Gamora and the Black Panther, pencils and inks by MC Wyman

Those of you who have followed the development of my Common Elements commission theme know that I maintain a lengthy to-do list of Common Elements concepts. (And for those of you who are new: Common Elements is a series of themed original artworks, each of which brings together otherwise unrelated comics characters who share some aspect in… wait for it… common.)

Some of these concepts have been on my list for years, awaiting assignment to artists who will bring them to fruition. In fact, there are still a handful of unused ideas that date back to the start of Common Elements, nearly a decade ago.

The concept illustrated in today’s artwork by former Marvel Comics stalwart MC Wyman has been collecting dust for a few years now. Back in February 2011, the Black Panther took over the lead role in the monthly series that had belonged to Daredevil, a.k.a. “The Man Without Fear.” Retitled Black Panther: The Man Without Fear, the series continued — using the existing Daredevil issue numbers, beginning with #513 — for the better part of a year. Then, with issue #523.1 (November 2011, and no, the “.1″ is not a typo), the series was again retitled, this time becoming Black Panther: The Most Dangerous Man Alive. The book carried on under its new moniker through issue #529, when the run concluded.

At the time the “Most Dangerous Man” title surfaced, it occurred to me that there was already a Marvel character with a similar tagline. Gamora, an interstellar assassin who first turned up in Jim Starlin’s Warlock series in the mid-1970s, then reappeared as a key player in the Infinity Watch/War/Crusade saga in the early 1990s, had long been known as “The Most Dangerous Woman in the Universe.” Recalling that fact, I made an entry in my Common Elements log entitled “Most Dangerous,” that would match the two characters who now had borne that description.

Little did I know that in just a couple of years, Gamora would become a major movie star as one of the leads in Marvel’s cinematic blockbuster, Guardians of the Galaxy. When the film was announced, I didn’t even know that the Guardians in question were not the team I associated with that name from my comics-reading youth.

I’ll explain. Back in 1969, the Guardians of the Galaxy debuted in Marvel Super-Heroes #18. This team of weirdly mismatched, far-future space rangers was co-created by writer Arnold Drake, who had a penchant for off-kilter characters. (Drake was also responsible for DC Comics’ Deadman and Doom Patrol.) The original Guardians crew consisted of Vance Astro, an Earthman who’d spent a millennium in suspended animation; Charlie-27, a being from Jupiter whose stout, powerful physique reflected his home planet’s intense gravity; Martinex, who hailed from Pluto and whose body was formed out of crystal; and Yondu, a bow-slinging soldier of fortune from Alpha Centauri. The foursome eventually added a fifth member, a mysterious mutant who went by the name Starhawk.

Like many of the peculiar super-teams Marvel cooked up during the Bronze Age (the Champions, anyone?), the Guardians popped up mostly as guest stars in other teams’ ongoing series (in particular, the Avengers and the Defenders) in and around brief runs in their own stories. They pretty much disappeared once the wild and wacky ’70s ended. Marvel resurrected the Guardians for a while in the early 1990s — because no property ever goes away permanently in comics — then once again allowed them to fade from view.

In 2008, Marvel restarted the Guardians, this time with a new collection of characters, including Gamora. Although I was aware that there was a new Guardians series on the market, I never read an issue, and was unaware that the team had been completely reimagined until news of the film began leaking out. And I was as surprised as anyone — except, obviously, the folks at Marvel Studios — when the Guardians movie exploded into theaters as a massive hit. Who’d’a thunk that a flick about a talking raccoon and a sentient tree would make megamillions?

Now, the once-obscure Gamora is a household name, thanks to the Guardians film. Even better, my longtime favorite Black Panther is finally getting his own big-screen presence, with a guest-starring role in the third Avengers movie to be released in 2016, and headlining his own motion picture in 2017. Chadwick Boseman, brilliant as baseball pioneer Jackie Robinson in 42, seems like a near-perfect choice to bring T’Challa of Wakanda to life. I can hardly wait until the aforementioned titles hit the silver screens in my neighborhood.

Until then, we have this pairing of the Most Dangerous Man and Woman Alive… two unlikely cinematic stars.

Ain’t Hollywood grand?

And that’s your Comic Art Friday.

Comic Art Friday: Dude looks like a lady… and vice versa

Posted September 12, 2014 by swanshadow
Categories: Comic Art Friday, Hero of the Day, SwanStuff, That's Cool!

Before we jump into today’s Comic Art Friday, permit me to apologize for the paucity of posts in recent weeks. As regular readers here know, the Pirate Queen and I just wrapped up a big move across the Bay, so it’s been rather busy around the new homestead. (Plus, the old homestead is going on the market shortly, so there’s activity around that as well.) I will do my best to get back to our accustomed schedule as soon as possible.

In the meantime, there’s this.

Citizen V and Madam Fatal, pencils by comics artist Luke McDonnell

Today’s featured artwork came out of the blue as a generous gift from fellow commission collector and longtime friend Damon Owens. Damon has previously commissioned a couple of nifty pieces for my Bombshells! gallery, but I was completely floored when this astonishing addition to my signature theme, Common Elements, arrived on The Kasbah’s doorstep. Not only did Damon commission one of my favorite artists, Luke McDonnell, to draw the piece, but Damon’s clever concept absolutely nails everything I’ve attempted to accomplish with Common Elements over the past decade. Words fail to express how humbled and honored I was to receive this.

I was also more than a trifle stumped.

The character on the right I identified immediately. Madam Fatal, who debuted in Crack Comics #1 back in May 1940, holds the distinction (so far as I know) of being comics’ first transvestite superhero. In real life, Madam Fatal is millionaire actor Richard Stanton, who decides that the most effective way to move through the underworld unnoticed is to disguise himself as an elderly woman. (Because no one pays any attention to a little old lady, unless she’s your grandma.) Armed with a cane that doubled as a fighting staff, Madam Fatal used his/her unassuming appearance to get close to villains, then whomp the stuffing out of them. This being the 1940s, the psychosexual undertone of a man who habitually dresses as a woman in public is left largely unexplored, though it is established that Stanton is a widower with a young daughter.

So that much I knew, when I first saw the Owens/McDonnell opus. What I didn’t know was this: Who’s the character on the left, and what is that individual’s “common element” with Madam Fatal?

I’ll let Damon explain in his own words what’s going on here. Take it away, Mister O:

Madam Fatal you already know.  The other character is the modern-day descendant to the Marvel/Timely Comics character Citizen V.  Now its about to get tricky.

Back in the 1990s, Marvel launched a title called Thunderbolts. It was a team of superheroes who stepped in the void when Marvel shipped off the Avengers and some of their other characters to Rob Liefeld and Jim Lee during the infamous “Heroes Reborn” debacle. The leader of the Thunderbolts was Citizen V, who claimed to the grandson of the original. In reality, this Citizen V was Baron Helmut Zemo, and the Thunderbolts were actually members of the Masters of Evil. They were posing as heroes as part of some plan Zemo had at attempted world dominance.

Anyway, Zemo and company were eventually exposed, and he discarded the Citizen V identity since he no longer needed it. But unknown to him, the real grandchild of Citizen V decided to take on the identity and go after Zemo for desecrating the original’s name and legacy — not to mention that fact that Zemo’s dad — the original Baron Zemo — killed the original Citizen V by strangling him to death.

Thing is, though, this new Citizen V was actually the original’s granddaughter, named Dallas Riordan. But she didn’t want anyone to know she was a woman, so she padded her costume to make herself look like a man. She maintained that guise until she wound up in a fight with Captain America (who initially thought it was his old foe, son-of-Zemo). Cap then realized that not only was it not son-of-Zemo, it wasn’t even a guy. After a truce, he then convinced her reveal her true gender. She took his advice, got rid of the padding, and continued to fight in a more feminized version of her costume.

Whew — so basically, what we have with CV3 and Madam Fatal are two characters who fought crime dressed as members of the opposite gender.

So there you have it.  My first and last “Common Elements” idea.  Head still hurts just thinking about it.

Thanks, Damon, for both the incredible gift and the detailed background. If I look up “mensch” in the Oxford English Dictionary, I’m certain that I’ll find your picture there.

For the record, Damon becomes only the second person (other than your Uncle Swan) to devise a Common Elements scenario in the official canon. The concept that matched Space Ghost with the original Ghost Rider sprang from the imagination of Suzy Rosema, whose husband Scott I commissioned to draw it. Thus the great Mr. Owens finds himself in rarified company — as he already is, within the comic art commission collecting community. (Say that five times, fast.)

One last note: With this, his fourth entry into the Common Elements pantheon, Luke McDonnell leaps into a tie for second place among pencilers with the most appearances in the series. Other pencilers with four Common Elements commissions to their credit include Geof Isherwood, MC Wyman, and the late Ernie Chan. Ron Lim leads the field with five CEs on his resume.

And that’s your Comic Art Friday.

Comic Art Friday: Invasion Force!

Posted July 25, 2014 by swanshadow
Categories: Celebritiana, Comic Art Friday, Hero of the Day, SwanStuff, Teleholics Anonymous, That's Cool!

Writers of fiction frequently get asked, “Where do you get your ideas?” The obvious answer is, “From my brain, duh.” Most writers not named Harlan Ellison are too polite to respond quite that bluntly.

Since I don’t write much fiction, this question is usually directed toward my Common Elements commission artworks: “Where do you get the ideas for all those bizarre matchups?” To which I reply…

From my brain. Duh. (Take that, Harlan Ellison.)

In humbler truth, I don’t always know where my Common Elements concepts originate. Usually, it’s a random thought, triggered by some equally random event or factoid. But then, if you know me in real life, you understand that’s just me. My brain is constantly kicking out random ideas, some of which spew forth from my lips or keyboard entirely without filter.

The others sometimes end up as Common Elements commissions.

The Fourth Doctor, Cyborg, and Blue Beetle, pencils and inks by Ibrahim Moustafa

The concept behind today’s featured artwork languished on my to-do list for several years, so the impetus for it has long since swirled down the drain of my vanishing memory. I think I might have been watching a TV documentary about the British Invasion of the early 196os when the concept just sort of fell together, as things in my brain often do. Whatever the genesis, that singular era in popular music history spawned this grouping of the Fourth Doctor (because Tom Baker will always be The Doctor to me), Cyborg, and the third incarnation of the Blue Beetle, a.k.a. Jaime Reyes.

You know…

A Be(a)tle, a Stone (Victor, Cyborg’s real identity), and a (Doctor) Who.

***drops mic***

Credit to artist Ibrahim Moustafa, co-creator (with writer Christopher Sebela) of the Eisner-nominated digital comic series High Crimes, for bringing my whacked-out notion to life. A special thanks to my fellow collector Jerry Livengood at Serendipity Art Sales for managing a smooth commission experience.

And that’s your Comic Art Friday.

Back to the ‘burbs: a transition

Posted July 22, 2014 by swanshadow
Categories: My Home Town, SwanStuff, That's Cool!, Where in the World is Uncle Swan?

All my adult life, I wanted to live in my favorite city. Today, I do.

Now, having realized that dream for less than three years, I’m heading back to the suburbs.

Before you get all distraught, let me assure you that this is a good thing. The Pirate Queen landed an excellent new job earlier this month, and after years of exhausting commuting hither and yon – the last six of which saw her trekking daily between San Francisco and San Jose, which is more of a haul than you non-Bay Areans probably realize – she decided she wanted to live within a few minutes’ drive of her new office.

Given that my commute most days is the several steps from the bedroom to my studio space, I can hardly argue with that desire.

We managed to find a lovely house in the East Bay city of Walnut Creek, a mere stone’s throw from the Pirate Queen’s workplace (assuming that you throw your stones with a howitzer). We both knew that the Kasbah — as I nicknamed it, for its fortress-like frontage and ginormous palm tree — was our new home the moment we first stepped inside.

Following the usual negotiation and paperwork craziness, escrow closed on the property this morning. Our action plan is to move by mid-August, after which we’ll put our San Francisco home on the market and say a bittersweet farewell to this first chapter in our life together.

I have loved living in The City. Its vibrant energy, diverse culture, and unparalleled urban landscape make it a fascinating place to spend one’s days. It’s impossible to place a value on being able to glimpse the Pacific Ocean (a tiny slice of it, anyway) from my living room window. I will miss that view, and the joy it brings me every day. Looking on the positive side, however, as I am wont to do, there are some things I’ll eagerly embrace about our new suburban environs:

A real, full-service supermarket just blocks away. In fact, an impressive shopping complex – complete with a drugstore, a Starbucks, a dry cleaner, and several inexpensive eateries – surrounds the supermarket, all of which is within comfortable walking distance from the new house. One of my ongoing challenges in The City is that many of these types of businesses aren’t conveniently located, at least not where we live. (If you ever want to experience a rush of first-world-problem compassion, just visit the Monterey Boulevard Safeway. Then tell me you don’t feel pity for the neighborhood denizens for whom it’s the primary grocery option.)

Easy parking. I will never underappreciate the blessing of going to a local shop or restaurant secure in the knowledge that ample parking awaits. Few factors frustrate me more about big-city life than the debacle that results every time I have to circle several blocks hunting down a place for my car, or parallel park along San Francisco’s notoriously jam-packed streets. In the suburbs, there’s almost always a big parking lot near where you need to go.

Warm summer weather. Okay, when I say “warm” in regard to the East Bay beyond the Oakland hills, I really mean “hot” for two-thirds of the year. As much as I’m not a fan of blazing heat, I’ll scarcely miss the relentlessly gloomy, blustery, semi-Antarctic climate of our San Francisco hillside neighborhood. Besides, we’ll have air conditioning. And a pool.

East Bay life will also have an advantage over my former digs to the north. Venturing into San Francisco from Sonoma County requires a long, tedious drive in often stupefying traffic, plus the aforementioned parking challenge. By contrast, our Walnut Creek home is convenient to two BART stations – the trains, in fact, pass a few hundred feet from the house – from which we can whisk to and from The City at relative leisure. Heading downtown to dine or catch a play will hardly take more effort than it does for us living in SF.

Our new abode has many features to recommend it.

First, no stairs, no hills. Our San Francisco house, like many single-household residences throughout The City, is what’s termed a “soft-story” building. The primary living space is all on one level, but that level is built on top of the garage. This means that entering and leaving the house – or even going to the garage to do laundry — involves mounting a tall, steep, narrow staircase. The older my knees and back get, the less fond they are of that adventure. Conversely, the Walnut Creek property is a traditional California ranch-style house. (There’s a sunken living room, but seriously, that’s two steps.) It will be wonderful to simply walk through a door to carry the laundry basket out, or heavy bags filled with groceries in. Likewise, the entire neighborhood sits on flat terrain. The views are uninspiring, but it’s a lot more conducive to long walks.

Second, both the Pirate Queen and I will have our own individual office spaces. In our little two-bedroom in The City, the second bedroom does quadruple duty as a two-person office, guest room, pet bedroom, and dressing room (because most of my clothes reside in its closet and dresser). The new house has four bedrooms, one of which will give the Pirate Queen a dedicated home office that she doesn’t have to share with my desk, my clothes, the guest bed, or the Studio Assistant. Another bedroom will convert into my combination office and studio, which will liberate my recording equipment from the corner of the living room where it has resided for the past three years. I’ll be able to do a lot of things with my workspace that I simply didn’t have room to do here, including install a proper, fully contained recording booth.

Third, two bathrooms. The importance of this development cannot be overstated.

Fourth… did I mention the pool?

Make no mistake, the move will be a monumental adjustment. It will be even more so for the Pirate Queen, who has lived in The City for nearly 20 years, than for me, who spent the better part of three decades in North Bay suburbia. But it’s a change we’ve contemplated for some time. Last year, we actually looked at houses in the South Bay, thinking that we might move closer to the location where the Pirate Queen was then working. When her new opportunity emerged, there was no question for either of us that this was the right time to switch sides of the Bay.

I’ll miss being a San Franciscan. In the immortal words often sung by Tony Bennett, I’ll leave a bit of my heart here – a bit that I will return to visit as often as I can.

But if you’re looking for me at the Porthole Palace, look quickly.

My new crib is the Kasbah.

It rocks.

Comic Art Friday: A Bettie by any other name

Posted June 20, 2014 by swanshadow
Categories: Celebritiana, Cinemania, Comic Art Friday, Dead People Got No Reason to Live, Disney, Hero of the Day, Reminiscing, Ripped From the Headlines, SwanStuff, That's Cool!

In my online gallery at Comic Art Fans, there’s a page I call — for lack of a better term — “The Coed Room.” It’s the place where I file random artworks that feature some combination of male and female characters.

Some of the pieces in this section are group shots — the Barry Kitson Justice League sketch, for example, or my Suicide Squad commission by Geof Isherwood. Others are pairings of related characters — the Superman and Supergirl piece by Al Rio and Bob Almond fits this category, as do the two pinups starring Doc Savage and his cousin Pat, by Darryl Banks and Ernie Chan.

Several of the Coed Room items, however, are what I would term “couples shots” — depictions of male and female characters who have been romantically linked at some point. Here’s the latest addition to this particular category: an action scene showcasing the high-flying Rocketeer and his lovely paramour, as drawn by a talented artist from the Philippines named Brian Balondo.

The Rocketeer and Jenny Blake, pencil art by Brian Balondo

You’ll notice at the top of the page that Brian titled this piece “Rocketeer and Jenny.” If you know the history of these characters, you’ll get a chuckle out of that. Jenny Blake was the name given to the female lead in the 1991 Disney film The Rocketeer; in the movie, she’s played by Jennifer Connelly. In Dave Stevens’s original comic book stories, however, Cliff “Rocketeer” Secord’s girlfriend’s name is Betty — an homage to 1950s pinup queen Bettie Page, whose likeness Stevens used as the model (no pun intended) for the character’s appearance.

When screenwriters Danny Bilson and Paul DeMeo — now familiar to genre buffs as co-creators of such TV series as Viper and the 1990s version of The Flash — pitched the concept to Disney, they changed the name of the main female character to Jenny (and gave her a surname, Blake, which she lacked in the comics), masking the connection to the notorious star of nude postcards and bondage porn… not exactly in line with Disney’s family-friendly image. (Although I can pretty much guarantee that everyone’s family has at least one member who’s a fan of nude postcards, or bondage porn, or both.) The name change was cemented when the film went into production.

I can always tell, when The Rocketeer comes up in conversation, whether people know the character from the comics or the movie — by which name they use for the heroine.

Dave Stevens’s use of Bettie Page’s likeness in the Rocketeer comics helped spark a renewed interest in the legendary model, who by the early 1980s had largely faded from the public consciousness. In the decades since, Ms. Page (who passed away in 2008 at the age of 85) has risen to cult status far above that of her 1950s heyday. There have been two feature films about Bettie — a fictionalized production starring Gretchen Mol in the title role, as well as an award-winning documentary (the Pirate Queen and I attended a screening of the latter last year) — an infinite assortment of Bettie-inspired art (most notably by Jim Silke, creator of the Bettie Page comic series, and internationally recognized pinup artist Olivia De Berardinis), as well as a cottage industry of licensed (and, I suspect, bootleg) Bettie Page paraphernalia.

Until just a few days ago, a nationwide chain of Bettie Page clothing stores (including a location on Haight Street here in San Francisco) featured retro-styled fashions inspired by Ms. Page. As a result of litigation by the firm managing licensing for Ms. Page’s estate, the retail chain lost the right to use the Bettie Page name as well as her likeness, which formerly was splashed all over the store. The Pirate Queen owns several pre-lawsuit Bettie Page dresses and, of course, looks smashing in them.

Brian Balondo’s drawing is rather smashing as well. Although hardly as much so as the Pirate Queen.

And that’s your Comic Art Friday.

Comic Art Friday: It’s a con test

Posted May 23, 2014 by swanshadow
Categories: Comic Art Friday, Hero of the Day, My Home Town, SwanStuff, That's Cool!

Last weekend brought us the Bay Area’s biggest annual comics-related event: Big Wow ComicFest at the San Jose Convention Center. (Of course, the Bay Area used to have an even bigger annual comics-related event called WonderCon. But don’t get me started on that.)

For me, as a comic art collector, a convention marks my best opportunity to interface one-on-one with artists and add new artworks — commissioned on the spot — to my collection. Many artists, due to their schedules for publication projects, only find time for commissions at cons. Even with those artists who regularly do commissions out of their home studios, there’s something special about being able to watch a drawing take shape in real time, and to make a personal connection with the creator as the magic happens.

Big Wow 2014 delivered on that score, and on several others. This con continues to expand and improve each year, filling the WonderCon void aptly. But even as Big Wow grows, it maintains its focus on comics and comic art — in contrast to the big daddy of cons, San Diego Comic-Con, and its smaller sibling WonderCon, whose foci have gone mass-market Hollywood in recent years. Big Wow’s comics- and comic art-friendliness can be traced directly to its owners, Steve Morger and Steve Wyatt, who are themselves fans, art collectors, and artists’ representatives.

I went into this year’s con with specific objectives, and almost without exception, I achieved them. As you scroll through the rest of this post, clicking on any of the photos will take you to a closer scan of the art depicted. Trust me — you’ll want to see these pieces in detail.

Brian Stelfreeze and Isis, Big Wow ComicFest 2014

My first priority was an Isis commission by Brian Stelfreeze, who drew Mary Marvel for me at Big Wow last year. I pitched the idea to Brian’s art representative in advance of the show, and serendipitously, Brian turns out to be almost as enthusiastic an Isis fan as I am. In fact, Brian had just recently discussed Isis with a friend during a trip to Australia. He loved the idea of doing a drawing of her — so much so that he stayed at his table working on it more than an hour after the con closed on Sunday. Here’s the proud artist with the result of his creative efforts. (You can check out a YouTube video of Brian at work on Isis, here.)

Aaron Lopresti and Mary Marvel, Big Wow ComicFest 2014

I’ve had a running joke with Aaron Lopresti about the fact that I always seem to miss getting a commission from him. At every opportunity, I dutifully add my name to Aaron’s sketch list. For four straight con seasons, I’ve fallen a slot or two shy of the goal. At last year’s Big Wow, Aaron was working on the request immediately above mine on the list as the con concluded. He told me to remind him of that the next time I saw him, and he’d be sure to take care of me. This year, Aaron was as good as his word — this lovely Mary Marvel helped take the sting out of my five-year Lopresti drought.

David Williams and Ms. Marvel, Big Wow ComicFest 2014

David “BroHawk” Williams is one of the most underrated talents in comics, in my opinion, as well as one of the nicest people I’ve met in my convention experiences. Although David wasn’t sporting his trademark hairstyle this year, he still came through with a stunning Ms. Marvel. When I showed David’s creation to a pair of fellow collectors, one said, “That should be a cover image.” The other had but one word: “Iconic.” I can’t argue with either assessment. I’ve been telling David for years that he doesn’t charge enough for his con commissions. Even though he bumped his prices up this year, I still feel as though I picked his pocket, given the labor of love he poured into this one.

Ron Lim and son, with Vixen and Black Cat, Big Wow ComicFest 2014

My Common Elements theme gallery gained two new additions — Common Elements #118 and #119, respectively. Ron Lim, one of the artists who first inspired this series, contributed a matchup of two animal-themed heroines, Vixen and the Golden Age iteration of the Black Cat. These two characters share at least a couple of other commonalities: (1) both of their alter egos are in show business (Mari “Vixen” McCabe is a model in non-costumed life; Linda “Black Cat” Turner is an actress and stunt performer); and (2) both are characters for whom I had reference images on hand and for whom I could concoct a “common element” on the fly. Seriously… I didn’t plan this one ahead of time. Sometimes, you just have to improvise. (As you can see in the photo above, Ron is already embarking on a self-cloning project that will ensure new Lim art into the next generation.)

Chris Marrinan and the three Novas, Big Wow ComicFest 2014

The second Common Elements came with much more forethought. I’ve long wanted a commission from Chris Marrinan, but it seemed as though every con passed without my having connected with him. This time, I came with a project tailor-made for Chris: a scenario starring Nova the Human Rocket (whose adventures Chris both drew and wrote in the mid-1990s), Marvel’s “other” Nova (Frankie Raye, former herald of Galactus — Frankie appears in non-powered form in the second Fantastic Four movie), and Nova Kane, girlfriend of First Comics hero E-Man. Chris did a terrific job on his “triple Nova” assignment. (Credit an assist to Ron Lim, who provided the art board on which Chris’s commission is drawn.)

Tone Rodriguez and Taarna, Big Wow ComicFest 2014

Some years back, Tone Rodriguez contributed a Wonder Woman drawing to a charity auction that I immediately fell in love with. Which means, of course, that I got outbid at the last minute and the piece went home with someone else. Turns out that artwork was a favorite of Tone’s also, as I discovered while chatting with him at Big Wow. It still rankles me that I missed out on that Wonder Woman, but I love this Taarna that Tone drew for me almost as much.

Dave Johnson and Supergirl, Big Wow ComicFest 2014

There are two prominent comics artists who could sign their work “D. Johnson” — Dave and Drew. (Neither of them actually signs that way. But they could.) Both were in attendance at Big Wow this year, and both added stellar new art to my portfolio. First up, “Reverend Dave” Johnson — he’s an ordained Methodist minister — channels the 1970s in his Supergirl drawing.

Lady Blackhawk, pencils and inks by Drew Edward Johnson

Next, Drew Johnson imbues his Lady Blackhawk pinup with heroic flair. Somehow, I missed getting a picture of Drew with his artwork. My only excuse is that I picked it up first thing on the morning of the con’s second day, and I probably hadn’t had sufficient coffee. Please be advised that Drew is a fine-looking specimen of a human being, and the absence of his photo is not in any way intended to reflect otherwise. Mea culpa.

Steve Mannion and the Golden Age Valkyrie, Big Wow ComicFest 2014

I’m a huge fan of Steve Mannion‘s work. He’s that rare comics artist whose distinctive style can’t be mistaken for anyone else’s — when you see a Mannion, you know instantly that Steve drew it. This gorgeous pinup of the Golden Age Valkyrie (aviator hero Airboy’s sometime-nemesis, sometime-ally) will always be special to me for a reason beyond its inherent beauty: Steve drew it on his wedding day. He and his longtime partner Una were married elsewhere in the convention hall mere minutes before I snapped this photograph.

Cat Staggs and Black Cat, Big Wow ComicFest 2014

When I saw this drawing of the modern Black Cat by artist Cat Staggs, I couldn’t resist the opportunity to add a “Cat by Cat” to my collection. Cat — the artist, not the comics character — does some absolutely beautiful work, much of it for the various Star Wars comics. One of these days, I’m going to persuade her to draw a Common Elements piece.

As hard as it is to imagine, Big Wow 2014 offered several highlights even above and beyond all of the fantastic art I acquired.

Darick Robertson with his 2006 Common Elements commission, Big Wow 2014

Eight years ago, Darick Robertson drew the 42nd installment of Common Elements during a signing at the Comic Book Box, the fine retail shop owned by my friend (and current Eisner Awards judge) Kathy Bottarini. (You can view a YouTube video of Darick at work on the piece, here.) I thought it would be fun to get a photo of Darick with his creation all this time later. When he saw the piece, Darick immediately recalled it, and the circumstances in which he had drawn it. Neither he nor the art have changed one bit in eight years. Nor have I. (Ahem.)

Frank Cho painting Emma Frost, Big Wow 2014

I took some time to watch Frank Cho paint (above) and Brent Anderson ink (below), in live art demonstrations.

Brent Anderson inking Batman, Big Wow ComicFest 2014

The Pirate Queen (who accompanied me on Day Two) and I met one of our favorite comics creators, Terry Moore, and his wife and publisher Robyn. Terry graciously autographed both volumes of my Strangers in Paradise Omnibus (I spared him the chore of signing all 30 issues of Echo) and the Pirate Queen’s Rachel Rising trades.

I got my Xenozoic compilation volume signed by Mark Schultz. Sadly, I can only afford Mark’s incredible artwork when it’s published in book form.

Throughout the two days, I visited with several other artists I’ve met at previous cons, many of whose works are represented in my collection.

I also met in person for the first time several fellow collectors whom I know from various online forums. It’s always good to put faces and voices to names.

All in all, Big Wow 2014 offered all the excitement that its name implied. I’m already looking forward to next year!

And that’s your Comic Art Friday.


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