Archive for the ‘Good Reads’ category

SwanShadow Gives Thanks, Volume 21: Winning Blackjack Hand Edition

November 28, 2024

Twenty-one — an ace plus a face card or 10 — means a win in blackjack (or at worst, a tie or “push”). In Texas hold-’em poker, the same hand might have great potential (especially if the face card is a king or queen) that could go undeveloped if the board fills up with middle-value cards.

Is our 21st annual edition of the Thanksgiving Day blog post an immediate winner, or merely awash with unfulfilled potential? That, friend reader, will be for you to decide.

As always, I have so much more to be grateful for than a simple list can encompass. Thus, our customary exercise: I’ve chosen 26 seemingly random items — one for each letter of the alphabet — to stand in for everything and everyone in my life that I love, admire, treasure, and appreciate. I began my Thanksgiving Day chatting via FaceTime with The Daughter and the two Little Dudes (The Son-In-Law peeked in briefly for a hello and a “Happy Thanksgiving” as well), an interaction that reminded me again how fortunate I am to have loved ones and to be loved. There’s much more love in the enumeration below, if you know where to look.

And with that, let’s do the do.

On this Thanksgiving Day 2024, I’m thankful for…

Agatha All Along. Marvel Studios has taken a fair bit of heat for some of their latter-period offerings, but for my money (and as a Disney stockholder, it kind of is my money, to some infinitesimal degree), the MCU smashed it out of the park with the most recent made-for-streaming-TV event. Agatha All Along, the followup series to the acclaimed WandaVision from a few years back, gave us everything we expect from Marvel — engaging characters, exciting action, a compelling and twisty storyline, and a sense of both drama and fun that hearkened back to the Marvel Comics of old. Kathryn Hahn made the most of her star turn as the ageless witch on a quest to regain her lost mojo. Her supporting coven, led by Sasheer Zamata, Joe Locke, Patti LuPone, and the ubiquitous Aubrey Plaza (who seems to be in everything these days), each brought their own flavor of awesomeness. Personally, I’ve been happy with most of the MCU Disney+ product — I even enjoyed the widely derided She-Hulk: Attorney at Law — but Agatha All Along served notice that Kevin Feige and Company still can pull magic out of their pointy hat.

Bluesky. Like many of you, I pretty much gave up on Twitter as it entered its Age of Elon a couple of years ago. While the jury is still out, Bluesky seems at least for the moment a viable alternative to what the Twittersphere once provided. I’m SwanShadow there as here, so feel welcome to follow if you’re inclined. Also, here’s a tip: You can obtain a download from the former Twitter of all your content posted there. I pulled one in advance of abandoning my account altogether, so that I can repurpose some of my classic tweets for future use on Bluesky.

Concierges. There are both pluses and minuses to living in a vast concrete jungle. One of the true upsides in my highrise life is the concierge staff who man/woman/person the front desk in my building. I never have to worry about a package being porch-pirated or a DoorDash delivery going misdirected. And more often than not, I get a smile and friendly greeting when I walk past on my way to the mailroom or the Amazon Hub.

Dominant eye. One might suppose that when one has inhabited a body for as many decades as I’ve inhabited mine, one would know all there is to know about this mortal frame. But in fact, I only recently learned something fascinating about my physical self: I am one of the roughly 18-20% of humans who are cross-eye dominant. That means that while I am naturally right-handed, my brain favors my left eye. It’s especially a challenge for things like target sports — think shooting or archery, even darts — but also partially explains my lifelong lack of hand-eye coordination. Now that I know that my cross-eye dominance exists, I can learn to compensate for it. (You can test your own eye dominance thusly: Extend your arms in front of you. Make a triangular space by partially crossing your hands; your thumbs will form the base of the triangle. Center the triangle on some fixed object across the room. Now, keeping both eyes open and focused on the object, draw your hands slowly toward you until your hands touch your face, and the triangle lands over one of your eyes. That eye is your dominant eye.)

Eggnog. People who know me in the real world know that I’m not a huge fan of the holiday season in general. One feature of this time of year that I do enjoy is eggnog, which can be difficult to find outside of the fall-to-winter window. The Kroger store brand is surprisingly decent.

Fans. When one lives in a high-desert location that can reach peak temperatures of 120 (as Las Vegas did one day this past summer), anything that provides cooling air circulation is a godsend. The three powerful tower fans around the Nest — one in my office, one in the living room, one in the master suite — help keep the HVAC system from working too hard during the long hot Mojave summer.

Graduation. The Daughter collected her hard-earned master’s degree in library and information sciences at a ceremony this past June. She deserves abundant plaudits for completing her coursework while holding down a full-time job and — not insignificantly — giving birth to and caring for two children. Fortunately, she inherited her late mother’s determination. I could not be more proud.

The House, a.k.a. Michelob Ultra Arena, home to my beloved Las Vegas Aces. A championship three-peat escaped our grasp during a challenging season, but I thoroughly enjoyed every home game… even the ones the Aces didn’t win. The House draws great crowds (every game this season was a sellout, and season tickets are already sold out for next season as well), and the Aces’ enthusiastic fan base always shows up and shows out. (Some show out a little more than others.)

“I Can’t Drive 55.” I have been a major Sammy Hagar fan since he was the lead vocalist in Montrose in the early 1970s. In the ’80s, seeing Sammy perform live became an annual ritual; I caught the Standing Hampton, Three Lock Box, and VOA tours in consecutive years. This summer, I got to see Sammy alongside his former Van Halen bandmate Michael Anthony, guitar wizard Joe Satriani, and drummer Jason Bonham, playing a mix of tunes from across his career. The guy still can sing up a storm (unlike certain other former VH frontmen who shall remain unnamed here), and he brings plenty of fire to the stage even now in his mid-70s. Sammy might not be able to drive 55, but he is outliving it in style.

Josh Johnson. In case you’re unfamiliar with Josh, he’s a standup comedian who’s also a correspondent on The Daily Show. His standup is nothing short of brilliant, especially considering that — unlike most working comics — he performs a set of brand-new material almost every night, often drawing inspiration from current events. He’s topical and socially aware without being overtly political (usually); adult in orientation without working blue (usually); and his onstage persona is engaging and charismatic without any of the grotesque bravado that characterizes a lot of today’s standup. Check out his YouTube channel — he posts clips from recent performances frequently — and catch him live if he comes to your town. I will challenge you not to laugh.

Kamala Harris. She made the best of a tough campaigning circumstance, and carried herself with dignity and grace to the very end. Thank you, Madame Vice President.

Las Vegas Boulevard. Not just that roughly four-mile portion known to the world as The Strip, but all of its nearly 50-mile length. Drive along the Boulevard for a while, and you’re bound to see something you’ve never seen before, and most likely would not see anywhere else.

Mucha. My love for comic art is well known to those who have frequented this space in earlier years, but I also have a deep appreciation for many other kinds of graphic art. One of my all-time favorite artists is the Czech-born illustrator and painter Alphonse Mucha (1860-1939), famed for his creations in the Art Nouveau style. Mucha is one of the most renowned artists whose most familiar work was done in the field of advertising. He created hundreds of theatrical posters, product advertisements, and print illustrations in an ornate style that was compelling, immediately recognizable, and often imitated. Mucha’s art never fails to bring a smile to my face and peace to my heart.

Neewer. I’ve been working for some time on a video project (more about this, soon). Neewer makes a wide assortment of photographic accessories, from lighting to tripods, several pieces of which I now own. I find their products to be of good quality, easy to use, and competitively priced. This is not a sponsored ad — I just like their stuff.

Olympics. This year’s Paris Games provided some of the finest spectacle in sport. From the triumphant return to competition of All-Everything gymnast Simone Biles to the home-crowd-pleasing successes of French swimmer Leon Marchand; from the continued US domination of men’s and women’s 5×5 basketball to the even more dominant performances in the diving pool by Team China; from the constant thrills of insanely close races on the athletics track to… whatever that breakdancing thing was; the Games of the XXXIII Olympiad had it all.

Pizza Rock, serving the best pizza in Las Vegas in this pizza connoisseur’s estimation. To be fair, I haven’t tried every single pizza available in the Valley. But I’d be hard-pressed to find any that outclasses the offerings from Tony Gemignani’s downtown hotspot.

Quokkas. Because the world needs all the furry cuteness we can get right now.

Richard Osman’s House of Games. I adore British quiz shows in general, but I hold a special fondness for this quirky series presented by the former Pointless creator and co-host (and now, bestselling mystery novelist) Richard Osman. Each week, four “famous faces” (translated: “celebrities” familiar to much of the British TV-viewing public, but completely unknown to most Americans) play five days’ worth of quizzes, ranging from simple word games (“Rhyme Time”) to find-it-on-a-map geography (“Where Is Kazakhstan?”) to merging clues with pictures (“Answer Smash,” which concludes each day’s proceedings). The “celebrity” who wins each day’s contest gets to select from a motley assortment of tacky prizes, all of which bear Osman’s silhouette; the player amassing the most points over the course of the week takes home a cheesy trophy cup that most bowling alleys would be embarrassed to give away. It’s all in good fun, and plays much better than I’ve just made it sound.

Sunflowers. They are magnificent and magical, regal and radiant. They stand out in any arrangement. Artists and artisans throughout history have drawn inspiration from them. Their beauty is undeniable, and beyond compare. Who doesn’t love sunflowers?

Trots and Bonnie. I’ve been revisiting at times throughout this year the wonderfully creative cartooning of Shari Flenniken, whose strip appeared originally in the legendary humor magazine National Lampoon from 1972 until 1990. Trots and Bonnie features the everyday exploits of two junior-high school teens — bright-but-naive Bonnie and her more precocious friend Pepsi — and Bonnie’s sharp-witted talking dog Trots. As was typical of the Lampoon‘s fare, Trots and Bonnie skews quite adult at times, but Flenniken’s charming artwork and thoughtful, realistic sensibility set the strip at a higher level.

Unsung Titles, the theme of my ninth One-Day Special quiz for the Internet’s premier daily trivia competition, LearnedLeague. I’ve enjoyed presenting each of the 1DS quizzes I’ve written over the years, but I was particularly fond of this one, which focused on popular songs whose titles never appear in their lyrics. It was a fun set to create, and people seemed to enjoy playing it. Here’s a sample question (I’ll put the answer at the end of this post):

You might think this song is called:
“We Come From the Land of the Ice and Snow” (1970, #16 US Hot 100)
It’s easy to see why this song became Thor’s walk-on music in the Marvel Cinematic Universe, what with all that Norse mythology “hammer of the gods” and “Valhalla” stuff in the lyrics.
But you know what’s not in the lyrics? Passports. Or visas. Or the actual title of this song.

Video editing, a new skill I’m struggling to acquire. As mentioned above, I’m working on a video project. The thing is, despite many years of experience editing audio files — and I consider myself a pretty solid audio editor — I haven’t worked with video since college, back in the Dark Ages. Some necessary skills translate from the audio world; others are brand new to me. You know that old saying about old dogs and new tricks? Well, I’m an old dog.

Wakizashi and katana. Most mornings, the first thing I see when I open my eyes is my daisho, a matching pair of Japanese swords of the style originally carried by samurai. I am not a samurai, or trained in the art of swordplay. For me, these beautiful swords are strictly display pieces. But I like to think that a master martial artist could make great use of them, should the occasion arise. And speaking of swords…

… there’s the xiphoid (“sword-shaped”) process. It’s that tiny piece of your skeleton at the end of your sternum, to which your diaphragm and your rectus abdominis muscles — colloquially known as your abs — are connected. What’s interesting to me about the xiphoid process is that it isn’t fully developed until around age 40. Think of the fontanelles (or soft spots) in a baby’s skull, which harden into bone during the first 18 months or so after birth. The xiphoid process is like that, only it takes until middle age to harden. Weird.

Y&T, one of the great underappreciated bands in the history of rock. Frank Meniketti, Y&T’s co-founder, lead vocalist, and lead guitarist, should be a household name given his prodigious talents. But for whatever reason, his band never quite vaulted over the hump into superstardom. Despite years of touring and recording excellent, tunefully catchy hard rock music, Y&T just never found that one killer song or released that one killer album that might have made their career. The band’s name — a truncation of their original moniker, Yesterday and Today — probably didn’t help. And yet, they’re one of the acts whose CDs I frequently pop into my car player on long road trips. I always find myself wondering… why weren’t these guys a much bigger deal?

Zarfs. You know that little cardboard sleeve around your cup when you order a hot beverage at your local Starbucks? It’s a zarf. And when you don’t get one, you wish you did.

As I am every year — and increasingly as the years roll past — I am sincerely thankful for you, friend reader, especially those of you who’ve kept coming back for this annual experience for the past 21 Thanksgivings. If you’re here for the first time, I’m grateful for your presence too. I hope you realize how much you have to be thankful for, and that you’ll exercise some of that gratitude in the way you live your life and interact with the people around you. I hope we’re all here next year to be thankful again, and still.

*Answer: “Immigrant Song” (Led Zeppelin)

I have a power ring; I’m just wearing it as a belt

November 17, 2010

Once again, I get robbed.

This year, People Magazine passes me over for its annual Sexiest Man Alive honor in favor of Ryan Reynolds, whose chief claims to fame include (a) portraying comic book superhero Green Lantern (the Hal Jordan Green Lantern, for those of you sufficiently comics-savvy to know that the title of Green Lantern applies to literally dozens of characters in the DC Comics universe) in the upcoming motion picture; and (b) being Mr. Scarlett Johansson.

Okay, so I’m not an alien-tech-equipped superhero, and frankly, I don’t think Ms. Johansson is my type. (Nor, doubtless, I hers.) But just once, you’d think People Magazine could show a little love to those millions of portly middle-aged gentlemen whose sexiness derives, not from matinee-idol looks which, let’s be honest, will need to be propped up with surgery and Botox in a decade or so, but from that most potent of sexual engines: the brain.

Experience and cunning trump chiseled cheekbones and washboard abdominals any time, ladies. Just sayin’.

Can I get a witness?

The Verdicts are in: Why Did I Get Married Too? and Bill Maher: “…But I’m Not Wrong!”

September 15, 2010

My tenure as a juror began today.

Which makes this the perfect opportunity to promote the fact that I’ve published two — count ’em, two — new reviews this week for DVD Verdict, cyberspace’s premier hotspot for film and television criticism.

If you’re into romantic comedy with a message, you might enjoy my examination of Tyler Perry’s Why Did I Get Married Too?

If biting, politically conscious stand-up humor better suits your tastes, check out my look at Bill Maher’s “…But I’m Not Wrong!”

Or, if you just want to kick back and relax with a couple of insightful critiques, you might as well read both.

Back to the future

August 10, 2010

The immortal baseball scribe Thomas Boswell once wrote, “Time begins on Opening Day.”

Someone else (I’d tell you his or her identity, but there’s no consensus on the Internet) opined, “Today is the first day of the rest of your life.”

Ian Anderson, the auteur behind the legendary rock band Jethro Tull, sang of “skating away on the thin ice of a new day.”

Or, as the great Buckaroo Banzai, MD, PhD, put it: “Remember, no matter where you go, there you are.” (That doesn’t really have anything to do with the other quotes. I just love that line.)

At any rate, the long hibernation of SSTOL has ended. A new day dawns here today. You can now expect to drop by this tiny corner of cyberspace and find fresh content a-bubbling, which hasn’t been true for some while… the reasons for which you know. (If you don’t know, you can find out here.)

We commence the rebirth of the cool with an announcement which in itself is pretty darn cool: I’m returning to the staff of DVD Verdict — the ‘Net’s premier location for entertainment product reviews — as a writer of cogent criticism.

I first joined DVD Verdict way back in 2002. During my previous tenure on staff, I penned 145 detailed product reviews, and also served an 18-month stint as an associate editor. I resigned with deep regret about three years ago, when my late wife KJ’s illness was diagnosed. In my heart of hearts, I always knew the day would come when I’d want to write for the site again.

Today, that day has come.

I extend my sincere appreciation to Chief Justice (that’s Editor-in-Chief in the non-Verdict world) Michael Stailey, Chief Counsel (read: Managing Editor) Melissa Hansen, and their crew of talented collaborators for welcoming me warmly back into the fold. I’m looking forward to contributing to the site again, especially in anticipation of some exciting initiatives that will continue Verdict’s ascent into the stratosphere of online entertainment resources.

So, come join me at DVD Verdict. You’ll be glad you did.

And hey — welcome also to the next phase of SSTOL. I’m looking forward to sharing with you here once again.

Thanks for keeping the faith.

You’re a good commodity, Charlie Brown

April 27, 2010

This just in via Sopwith Camel…

The E.W. Scripps Company, the struggling one-time media giant whose newspaper empire has in recent years been shrinking as if it had been dunked in ice water, today sold its subsidiary United Media Licensing for $175 million.

United Media‘s best-known property is Peanuts, the seminal comic strip created by the late Charles M. Schulz. The company’s new majority owner is Iconix Brand Group, the marketing force behind Joe Boxer underwear, London Fog raincoats, and Starter athletic wear.

I’m guessing that Charlie Brown’s baseball team will be sporting Starter jackets this season. And, I suppose, Joe Boxer supporters. Although that’s probably more information than you wanted.

The local angle here is that Schulz’s family buys into the deal for a 20 percent stake in United Media. This will give the Schulz heirs some degree of ongoing control over Peanuts licensed merchandise, which racks up gross sales in the neighborhood of $2 billion annually. That shakes out to net revenue of approximately $75-90 million. Not too shabby a legacy for a cartoonist working out of an office in an ice skating arena in Sonoma County, California.

By the way, if you’re ever in town, stop by the Charles M. Schulz Museum in Santa Rosa. Run by Jean Schulz, the artist’s widow, the museum always has fascinating and entertaining themed collections of original Peanuts strips on display. The museum also frequently hosts special exhibitions and educational programs, including its popular Cartoonist-In-Residence series the second Saturday of each month. Recent Cartoonists-In-Residence have included Keith Knight (The K Chronicles), Scott Kurtz (Player vs. Player), and Brian Fies (Mom’s Cancer). Plus, there’s always the off chance that you might bump into Paige Braddock, the Eisner Award-winning creator of Jane’s World, who’s the creative director for Charles M. Schulz Creative Associates and the mastermind behind all of the Peanuts licensed merchandise you see everywhere you look. (Somebody has to be.)

I have a feeling that Snoopy and the gang will quaff a root beer or two over this latest bonanza.

Rest in peace, Alicia

April 22, 2010

Although I’d known for several days that this development was imminent, it still grieved me to read the news that Alicia Parlette died from cancer today at the tragically young age of 28.

I first wrote about Alicia nearly five years ago, shortly after her blog Alicia’s Story began to appear on SF Gate, the website of the San Francisco Chronicle. At the time, Alicia was 23 years old, and recently employed by the Chronicle as a copyeditor. When she was diagnosed with a rare form of cancer — alveolar soft part sarcoma — in March 2005, Alicia’s superiors at the Chron offered her the opportunity to write online about her journey through treatment. Her memoirs were poignant, inspiring, heart-crushing, and real.

By early 2007, Alicia’s health had deteriorated to the point that she was no longer able to maintain her position at the Chronicle. The paper allowed her space to continue her blog, but updates grew infrequent, and stopped altogether in August of that year. Readers were left to wonder how Alicia fared in her ongoing battle with her aggressive disease. From time to time, some blogger would throw out a mention of Alicia, or a public plea for information about her welfare, but for the most part, those of us who had come to care about her through her writing could only speculate… and pray.

Over the past couple of weeks, news surfaced, via the Chronicle and other media, that Alicia had entered hospice care. By all reports, she faced the end of her young life as she had faced the obstacle that would eventually overwhelm her — with courage, determination, laughter, and an indomitable spirit.

Today, shortly before noon, that spirit departed.

If you read this blog often, you know that cancer is a fighting word here at SSTOL. My wife — known in this space as KJ — was first diagnosed with breast cancer in September 2000, and with a metastasized stage of that disease in March 2007. We live daily with the spectre that touches far too many lives.

We never met Alicia Parlette, but we felt as though we did. Thousands of others out there in the electronic ether felt the same. Our hearts beat heavily today.

May those who loved Alicia in life find peace in her memory.

And let’s all do what we can to kill this monster called cancer…

…before we lose many more Alicias.

Through being Carl

April 20, 2010

I was surprised and saddened to read earlier today that Carl Macek passed away suddenly this past weekend.

To millions of anime (that’s Japanese animation, for the benefit of the uninitiated) fans, Macek gets credit — and, judging by several of the comments I’ve read at various online tributes, a considerable amount of abuse — for helping mainstream anime into American culture, through repackaging such series as Robotech for Western audiences. He also produced several of the English-language versions of Hayao Miyazaki’s films, including the classic My Neighbor Totoro.

My unbridled affection for Miyazaki aside, I’m not a rabid partisan of anime (or “Japanimation,” as we called it back in the day) produced for television. I grew up with such early examples of the genre as Gigantor and Speed Racer, but I always preferred the Western flavor of the animators’ art. Thus, it wasn’t his work in promoting anime that earned Carl Macek his pedestal in my mind’s hall of fame. Rather, it was one of his more obscure efforts, relatively speaking — his 1981 book, The Art of Heavy Metal, The Movie.

Regular visitors here may be aware that, in addition to this humble blog, I’m also the author of the Heavy Metal online reference page on Squidoo — one of my own more obscure efforts. So, Mr. Macek and I, although we diverged in our passion for (or indifference to, depending upon which of us you’re addressing) anime, shared a fondness for this strange little gem of an animated film that didn’t originate in Japan. (In fact, many people who are familiar with Heavy Metal don’t realize that the movie was a Canadian production, and that most of its segments were animated outside the United States.)

On the DVD release of Heavy Metal, Macek’s reading from his book serves as an audio commentary to the film. As a voice actor and narrator myself, I don’t find Macek’s dry delivery all that scintillating,  but he provided a number of interesting facts about the film that proved helpful when I compiled the Heavy Metal reference page. I consider myself forever in his debt, and I regret that we never had occasion to meet so that I could express my gratitude in person.

Thanks, Uncle Carl, wherever you are.

Comic Art Friday: My heroes have always been heroines

February 19, 2010

Today’s Comic Art Friday is dedicated to my birthday girls: my wife KJ and my goddaughter Shelby. As regular readers here know, KJ has been battling metastatic breast cancer for the past three years. One thing we’ve learned in these past 36 months: We don’t take birthdays — or any days — for granted.

The Invisible Woman, pencils by comics artist Geof Isherwood

In recent days, I’ve been reading Mike Madrid’s entertaining book The Supergirls, a breezy history of superheroines in comics from the Golden Age until now. Aside from the occasional pang of jealousy — this book is very much like one I had intended to write someday — I’m enjoying the author’s fresh perspective on facts I already know rather well.

In his chapter on 1960s Marvel Comics, Madrid observes something that often frustrated and puzzled me in my comics-reading youth: Marvel’s early superheroines were pretty much useless. It’s strange that a publishing concern that made at least token efforts toward progressiveness in other areas — Marvel featured African-American supporting characters (Gabriel Jones in Sgt. Fury and His Howling Commandos, Joe “Robbie” Robertson in The Amazing Spider-Man) long before the practice was fashionable, and had numerous marquee heroes of color (Black Panther, the Falcon, Luke Cage, Brother Voodoo, Black Goliath) years before DC had even one — struggled to put quality female heroes into its pages.

Mary Marvel and Marvel Girl, pencils by comics artist Geof Isherwood

Unlike DC’s Wonder Woman and Supergirl, whose powers were the equal of any of the men (even though they rarely got the opportunity to demonstrate this, especially in the case of Supergirl), Marvel’s heroines of the 1960s were uniformly ineffectual. The Invisible Girl (seen at the top of this post, in a pencil drawing by Geof Isherwood) turned invisible — a handy skill for a voyeur, perhaps, but not much good in a fight. The fashion-obsessed Wasp shrank to insect size and flew — again, not much help when some supervillain is bashing your brains in. The X-Men’s Marvel Girl (alongside Mary Marvel in the Common Elements commission above, also by Isherwood) could push objects around with her mind — kind of cool, but still somewhat ephemeral compared with her male counterparts’ optic blasts or ice shields. The Scarlet Witch (below — yes, that’s Isherwood yet again) could… well… we never could figure out exactly how Wanda’s powers worked. We just knew that she couldn’t kick a lot of evildoer butt using them.

The Scarlet Witch, pencils by comics artist Geof Isherwood

It wasn’t until Ms. Marvel arrived on the scene in the late ’70s that Marvel finally created a heroine with maximum power potential. And even then, they couldn’t figure out how to deploy her effectively.

To Marvel’s credit, they’ve worked at upgrading most of their legacy heroines. The Invisible Woman — Susan Storm shed the “Girl” tag decades ago — added powerful force fields to her invisible arsenal. Marvel Girl transmogrified into the world-destroying Phoenix, before coming back down to Earth under her civilian name, Dr. Jean Grey. The Scarlet Witch — as much as I detest what Marvel’s writers have done to her character in recent years — may now be one of the most formidable beings in the Marvel Universe, with the ability to warp the very fabric of reality, as witnessed by the House of M storyline of a few years ago.

And, over time, Marvel has generated a veritable plethora of outstanding female heroes, including such characters as Storm, She-Hulk, Elektra, Kitty Pryde, the Black Widow, the White Queen, Valkyrie, Monica Rambeau, Thundra, the Daughters of the Dragon, Silver Sable, and at least three versions of Spider-Woman — as well as Spider-Girl, the alternate-future teenage daughter of a now-retired Spider-Man. So… they’re trying.

Comics are still largely a man’s world, sad to tell. It’s worth noting, though, that three of the best superhero comics being published right now feature female heroes.

Wonder Woman has never been better than in her current monthly series, as written by Gail Simone and illustrated by Aaron Lopresti. After an agonizingly trite start to her present-day adventures — which worked harder at making Kara a teenage sexpot than the Maid of Steel — Supergirl has developed in new and exciting ways with (at long last!) a sensitive creative team in writer Sterling Gates and artist Jamal Igle. And Terry Moore’s independent book Echo is an absolute joy, starring a beautifully realized lead character in stories with warmth and heart.

There’s hope for the ladies yet.

And that’s your Comic Art Friday.

Gorilla the golden west

January 31, 2010

Today is January 31, and you know what that means…

January 31 is National Gorilla Suit Day!

It’s National Gorilla Suit Day.

This would be as appropriate a time as any to mention that I recently picked up The Completely MAD Don Martin, an exhaustive two-volume compendium of every cartoon every published in MAD Magazine by the late, great Don Martin, the founder of this auspicious holiday. It’s a treat to leaf through the pages and revisit the insane genius of one of history’s most unique humor artists.

If you can find the set online at a steep discount, as I did — and it’s not hard to do, with a bit of savvy surfing — I enthusiastically recommend that you pick up a copy. You’ll laugh yourself silly. But that’s okay. It’s good for you.

Tell ’em your Uncle Fonebone sent you.

Comic Art Friday: A quaint and curious volume of forgotten lore

January 29, 2010

Here’s an interesting historical fact: 165 years ago today — January 29, 1845 — Edgar Allan Poe’s immortal poem The Raven was published for the first time under its author’s byline, in the New York Evening Mirror.

Considered by many — your Uncle Swan included — to be among the greatest American poetic works, The Raven is without question one of the most recognizable, most referenced, and most frequently parodied poems ever written. It made its author a literary superstar in his own time, and an influential and culturally pervasive writer to this day.

What does this have to do with comic art?

Not one doggoned thing.

Except…

"Blackbirds of Prey," pencils by comics artist Rags Morales

It provides a ready excuse to delve into my archives and pull out this Common Elements classic. No ravens here, exactly, but a pair of fine black birds nonetheless.

That’s ace aviatrix Zinda Blake — better known as Lady Blackhawk, of the famous Blackhawk Squadron and more recently of the Birds of Prey — on the left. Her winged companion is one Samuel Wilson, familiar to most as Captain America’s longtime partner in crimefighting, the high-flying Falcon. The artist behind the pencil for this heroic pose-off is Ralph “Rags” Morales, whose work for DC Comics includes several series that fit today’s “ravenous” theme, including Hawkman, Nightwing, and Black Condor.

Speaking of Poe (and I was)…

Just 10 days ago, the legendary author’s fans celebrated the 201st anniversary of his birth. Every January 19 for the past 60 years, a mysterious black-clad figure has visited Poe’s gravesite in Baltimore in the early morning hours to perform a silent tribute: a toast with a glass of cognac, and a deposit of three roses on the writer’s tombstone. This year, for the first time in six decades, “the Toaster” — as the nameless individual has come to be known — did not appear as previously. Perhaps he (or she?) has at last joined the literary giant in the Great Beyond.

Quoth the Raven… “Nevermore.”

And that’s your Comic Art Friday.